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Popular music

Here are entered popular vocal music and collections containing both popular instrumental and vocal music.

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Filed under: Popular music

The Public Domain Song Anthology, With Modern and Traditional Harmonization (Charlottesville, VA: Aperio Press, 2020), ed. by David Berger and Chuck Israels (multiple formats at Aperio)
Kawaraban no hayariuta. (春陽堂, 1926), by Engyo Mitamura (page images at HathiTrust)
Zokugaku senritsu kō (Iwanami Shoten, 1927), by Rokushirō Uehara and Kiyosuke Kanetsune (page images at HathiTrust)
Carry me back to old Virginny (O. Ditson Co., 1906), by James A. Bland (page images at HathiTrust)
I love you, I love you (Leo Feist, 1916), by James V. Monaco and Grant Clarke (page images at HathiTrust)
Collection of the latest songs as sung at Harvard and other colleges, together with the best of the old favorites (J. Church Co., 1891), by Lockwood Honoré (page images at HathiTrust)
The book of songs and ballads : comprising a large collection of the best American, Irish, English, and Scotch songs, and a large number of the popular sentimental and comic dialect and humorous ballads and songs of the day. (Hurst, 1900) (page images at HathiTrust)
Daddy's sweetheart : song (Chappell & Co. ;, 1911), by Liza Lehmann (page images at HathiTrust)
The souvenir minstrel : a choice collection of the most admired songs, duets, glees, choruses, &c., &c. with several originals, and many favorites of the principal vocalists (Marshall, Clark, 1833), by Cornelius S. Cartée (page images at HathiTrust)
Songs of the sea (New York : Leavitt and Allen, [1830?], 1830), by Edmond Elmendorf (page images at HathiTrust)
Canti popolari romani : con un saggio di canti del Lazio (A. Forni, 1982), by Alessandro Parisotti and Giggi Zanazzo (page images at HathiTrust)
The ideal music course for public schools (Echo Music, 1904), by Shilo Shaffer Myers and Maro Loomis Bartlett (page images at HathiTrust)
Don't you remember one day in spring (M. Witmark & Sons, 1916), by Amy Ashmore Clark (page images at HathiTrust)
Picture just a wandering Gipsy band (Jerome H. Remick & Co., 1919), by Seymour Simons and Nora Bayes (page images at HathiTrust)
Popular songs of the A.E.F. ([Salabert?], 1918), by YMCA of the USA. Bureau of Libraries and Periodicals (page images at HathiTrust)
I was jealous and hurt (M. Witmark & Sons, 1917), by Ernest R. Ball and Al Dubin (page images at HathiTrust)
Reinie is captivating (Harry Von Tilzer Music Pub. Co., 1920), by Gus Van, Joe Schenck, and Andrew B. Sterling (page images at HathiTrust)
Girlies, have you ever met a fellow who'll swear (Forster Music Pub., 1917), by Abe Olman and Addison Burkhart (page images at HathiTrust)
One little week from Sunday, wish it were today (Waterson, Berlin & Snyder Co., 1918), by Archie Gottler, Joe Young, and Sam M. Lewis (page images at HathiTrust)
Who could help loving the fields, flower laden (Broadway Music Corporation, 1919), by Will R. Haskins and William A. Heelan (page images at HathiTrust)
Ever since this world began (Shapiro, Bernstein & Co. Inc., 1917), by James F. Hanley and Will J. Harris (page images at HathiTrust)
Now the sun to rest is sinking (Jos. W. Stern, Co., 1907), by Gustave Kerker and Paul West (page images at HathiTrust)
Often a page of a book turned o'er (Shapiro, Bernstein & Co., 1919), by Robert King and Ballard MacDonald (page images at HathiTrust)
Caroline, I'm coming back to you (Shapiro, Bernstein & Co., 1918), by Jimmy McHugh and Jack Caddigan (page images at HathiTrust)
Down where the incense fills the dreamy night (Jerome H. Remick & Co., 1917), by Egbert Van Alstyne, Gus Kahn, and Raymond B. Egan (page images at HathiTrust)
Little Allee Fo Chong played all day (Leo. Feist Inc., 1919), by Harold Weeks (page images at HathiTrust)
My honey dear you surely miss me (Billy Smythe Music Co., 1916), by Al Johnson, Billy Smythe, and Jay Roberts (page images at HathiTrust)
Way out in old San Fran (Lee S. Roberts, 1917), by Lee S. Roberts and J. Will Callahan (page images at HathiTrust)
Down in Lou'siana where the sugar cane grows (Gotham-Attucks, 1908), by Cecil Mack, Chris Smith, Chas. Hart, and Dan Avery (page images at HathiTrust)
Abtrift (B.F. Wood Music, 1913), by Clothilde (page images at HathiTrust)
What a beautiful day (Waterson, Berlin and Snyder Co., 1917), by George W. Meyer, Edgar Leslie, and E. Ray Goetz (page images at HathiTrust)
Love song of old Mexico (The John Franklin Music Co., 1913), by Victor Schertzinger (page images at HathiTrust)
You can talk about your love affairs (Waterson, Berlin & Snyder, 1920), by Con Conrad, Benny Davis, and J. Russel Robinson (page images at HathiTrust)
I've been a roaming Romeo (Broadway Music Corp., 1916), by Albert Von Tilzer, Chas. R. McCarron, and Stanley Murphy (page images at HathiTrust)
Beneath the light of a bright starry night (Jerome H. Remick, 1910), by Percy Wenrich and Edward Madden (page images at HathiTrust)
A word, a kiss, a sigh (T.B. Harms & Francis, Day & Hunter, 1918), by Raymond Hubbell and Glen MacDonough (page images at HathiTrust)
I have a dream by night, by day (M. Witmark & Sons, 1911), by Victor Herbert and Harry B. Smith (page images at HathiTrust)
Love, love, from Noah's time to now, has puzzled sage (G. Schirmer, 1916), by Rudolf Friml, Edward Clark, and Otto Harbach (page images at HathiTrust)
At a concert not so very long ago (M. Witmark & Sons, 1918), by Harry De Costa (page images at HathiTrust)
Every night 'bout eight o'clock (Waterson, Berlin & Snyder Co., 1918), by Ben Black (page images at HathiTrust)
Your face is familiar to me (Waterson, Berlin & snyder Co., 1919), by William Wilfred White, George Jessel, and Roy Turk (page images at HathiTrust)
There was a fairy princess (M. Witmark & Sons, 1919), by Sigmund Romberg and Frederic Arnold Kummer (page images at HathiTrust)
It has been such a wonderful evening (T.B. Hubbell, 1920), by Raymond Hubbell and R. H. Burnside (page images at HathiTrust)
There's a time each night when I light my pipe (Sherman, Clay & Co., 1918), by Harold Weeks (page images at HathiTrust)
When Missis Black met Henry Brown (Shapiro, 1909), by Herbert Ingraham and Edgar Selden (page images at HathiTrust)
Come fill up your glass boys (M. Witmark & Sons, 1908), by Will R. Anderson (page images at HathiTrust)
Do I hear somebody sigh? (Geo. W. Meyer Music Co., 1912), by George W. Meyer and Sam M. Lewis (page images at HathiTrust)
Folks that live next door to me have a brand new baby (Broadway Music, 1917), by J. C. Egan and Alfred C. Harriman (page images at HathiTrust)
Your sorrows cause my heart to throb (T.B. Harms, 1913), by Jean Gilbert, Glen MacDonough, and Edward A. Paulton (page images at HathiTrust)
Maggie Dooley packed her grip (Waterson, Berlin & Snyder, 1916), by George W. Meyer, Edgar Leslie, and Bert Kalmar (page images at HathiTrust)
Though I've never taken a wife (Jos. W. Stern & Co., 1917), by William B. Friedlander (page images at HathiTrust)
Do you ever have a longing (M. Witmark & Sons, 1909), by Pat Rooney and Frank Tannehill (page images at HathiTrust)
Beatrice Fairfax gives advice (Waterson, Berlin & Snyder, 1919), by Pete Wendling, Bert Kalmar, and Edgar Leslie (page images at HathiTrust)
I never worry if a girl is bashful (Broadway Music Corp., 1917), by Albert Von Tilzer and Lew Brown (page images at HathiTrust)
Mandy put your best clothes on and come along (Francis, Day & Hunter, 1907), by Tom Mellor, Jack Norworth, Nora Boyes, Harry Gifford, and Alf J. Lawrence (page images at HathiTrust)
Mother (L. Feist, 1915), by Theodore F. Morse and Howard E. Johnson (page images at HathiTrust)
Maybe I'm right and maybe I'm wrong (Broadway Music Corp., 1918), by Albert Von Tilzer, Darl MacBoyle, and Lew Brown (page images at HathiTrust)
Every time a mammy sings a lullabye (Waterson, Berlin & Snyder Co., 1920), by Fred E. Ahlert, Joe Young, and Sam M. Lewis (page images at HathiTrust)
Down beside the Dardanella Bay (McCarthy & Fisher Inc., 1919), by Felix Bernard, Fred Fisher, and Johnny S. Black (page images at HathiTrust)
When the circus came to town (H. Von Tilzer, 1918), by Harry Von Tilzer and Andrew B. Sterling (page images at HathiTrust)
Come out, Rosie, in the bright moonlight (Francis, Day and Hunter, 1906), by Jean Schwartz and William Jerome (page images at HathiTrust)
Billy McCoy was a musical boy (J.H. Remick, 1911), by Lucien Denni and Roger Lewis (page images at HathiTrust)
Fakir man once stood out side of a big side show (Will Rossiter, 1913), by E. Redman and Roger Lewis (page images at HathiTrust)
If you ask me to tell you, whom I love the best (Jos. H. Hughes, 1914), by Harry Richardson and Joseph H. Hughes (page images at HathiTrust)
I've been dreaming (Witmark, 1919), by Fred Rath and Al Dubin (page images at HathiTrust)
I met the girlies of the East and West (A.J. Stasny Music Co., 1919), by Ed G. Nelson, Bud Cooper, and Gustav Michelson (page images at HathiTrust)
Dark clouds rolling, sweethearts strolling (Jos. W. Stern & Co., 1907), by William J. Vanderveer and Earl Benham (page images at HathiTrust)
He knew a lot of girls (Jerome H. Remick & Co., 1917), by Harry Tierney and Alfred Bryan (page images at HathiTrust)
I'm worried, I'm worried, thinking about you (Shapiro, Bernstein & Co., 1916), by Nat Vincent, William Tracey, Joe Goodwin, and Sigmund Romberg (page images at HathiTrust)
Somewhere in Ireland far over the sea (A.J. Stasny, 1920), by Ed G. Nelson and Harry Pease (page images at HathiTrust)
Maryland, Maryland, you've made chicken famous everywhere (Leo. Feist, 1919), by George W. Meyer, Milton Ager, and Jack Yellen (page images at HathiTrust)
Honey the springtime is coming (Chas. K. Harris, 1911), by Henry I. Marshall, Leslie Stuart, and Stanley Murphy (page images at HathiTrust)
We two are traveling in loveland today (Leo. Feist, 1914), by Jerome Kern and Harry B. Smith (page images at HathiTrust)
Ma says Genevieve, this and that (McCarthy & Fisher, Inc., 1918), by Harry Carroll and Joseph McCarthy (page images at HathiTrust)
All day long all the night through (Jerome H. Remick & Co., 1917), by Harry Tierney and Alfred Bryan (page images at HathiTrust)
You stole into my heart like sunshine steals across the land (Jerome H. Remick & Co., 1917), by Harry Tierney and Alfred Bryan (page images at HathiTrust)
You've heard of Cleopatra (Jerome H. Remick & Co., 1917), by Harry Tierney and Alfred Bryan (page images at HathiTrust)
Way down in Dixie, where the cotton, and corn am growin' (Jerome H. Remick & Co., 1913), by Henry I. Marshall and Stanley Murphy (page images at HathiTrust)
Why should I be worrying when anything goes wrong (Leo Feist Inc., 1919), by Sidney D. Mitchell, Irving Kaufman, and Arthur Fields (page images at HathiTrust)
Carolina that's a state (Waterson, Berlin & Snyder, 1914), by Jean Schwartz and Grant Clarke (page images at HathiTrust)
Everything seems lovely (Irving Berlin Inc., 1921), by Walter Donaldson, Joe Young, and Sam M. Lewis (page images at HathiTrust)
Choo! Choo! Choo! Come on, Sue (Will Rossiter, 1913), by James S. White and Roger Lewis (page images at HathiTrust)
When the clock strikes twelve (Sherman, Clay & Co., 1919), by Joe Meyer and Ben Black (page images at HathiTrust)
Where the Tigris flows (T.B. Harms, 1917), by Raymond Hubbell and Gene Buck (page images at HathiTrust)
Just beside her faither's cottage (Francis, Day & Hunter, 1908), by Harry Lauder (page images at HathiTrust)
Oh! I'm courting a farmer's dochter (Francis, Day and Hunter, 1904), by Harry Lauder and Frank Folloy (page images at HathiTrust)
Each time I hear a robin singing (Musicland, 1920), by Oliver Wallace and Arthur Freed (page images at HathiTrust)
In stilly night while dreaming of you (Ted Snyder Co., 1909), by Ted Snyder and Monroe H. Rosenfeld (page images at HathiTrust)
Rose sous les boulets (L. Feist, 1918), by James A. Brennan, Louis Delamarre, and Jack Caddigan (page images at HathiTrust)
Rose room fox trot : song without words (Art Hickman, 1917), by Art Hickman (page images at HathiTrust)
I'm in a corps that's stood before the King (Francis, Day & Hunter, 1905), by Harry Lauder and J. D. Harper (page images at HathiTrust)
Honey girl don't sigh (Sherman Clay & Co., 1918), by Frank Walterstein, Ralph Hogan, and 40th United States. Army. Division (page images at HathiTrust)
Times that are past were the best times of all (T.B. Harms, 1917), by Silvio Hein and Edward A. Paulton (page images at HathiTrust)
If you ask where love is found (G. Schirmer, 1913), by Victor Herbert and Robert B. Smith (page images at HathiTrust)
Say neighbor, did you write to say hello (Shapiro, Bernstein, 1918), by James F. Hanley, Joe Goodwin, and Ballard MacDonald (page images at HathiTrust)
Every heart must learn the sadness (Jerome H. Remick & Co., 1918), by Richard A. Whiting and Raymond B. Egan (page images at HathiTrust)
Since I came home from France (Thomas J. McGrath, 1919), by Thomas J. McGrath (page images at HathiTrust)
Hear them trampin', hear them stampin' (Daniels & Wilson, Inc., 1918), by Ben Purrington and Neil Moret (page images at HathiTrust)
In the Santa Clara Valley (Beatty & Graham, 1917), by Jack Graham and S. J. Mustol (page images at HathiTrust)
Summer moon, smiling June (Sherman, Clay & Co., 1920), by L. Clair Case and Leonard Stevens (page images at HathiTrust)
Just another waltz beneath the red moon (Shapiro, Bernstein, 1922), by Henri De Martini, John Traver, Lew Brown, and Max Kortlander (page images at HathiTrust)
I know a dear little maiden whose name is Grace (Jos. W. Stern, 1895), by Max S. Witt and Geo. Rosey (page images at HathiTrust)
There's a little brown road (M. Witmark, 1918), by Arthur A. Penn (page images at HathiTrust)
Smile of Molly Maloney (Francis, Day & Hunter, 1922), by Neil McBeath (page images at HathiTrust)
Dearie now I know (Remick, 1918), by Lee S. Roberts and J. Will Callahan (page images at HathiTrust)
There's a married couple happily (Waterson, Berlin & Snyder, 1913), by Irving Berlin (page images at HathiTrust)
We've been keeping company quite a while (Jerome H. Remick & Co., 1917), by Richard A. Whiting, Raymond B. Egan, and Gus Kahn (page images at HathiTrust)
Longer than life, stronger than fate (G. Schirmer, 1918), by Rudolf Friml and Rida Johnson Young (page images at HathiTrust)
In a quaint little town (Jerome H. Remick & Co, 1917), by Harry Carroll and Stanley Murphy (page images at HathiTrust)
Somewhere in the world the moon is shining (Chas. K. Harris, 1906), by Chas. K. Harris (page images at HathiTrust)
I've just come back from the South today (Jerome H. Remick, 1917), by Albert Gumble and Jack Yellen (page images at HathiTrust)
I'm all alone (Nat Goldstein, 1922), by Jack Coale and Frank Anderson (page images at HathiTrust)
I never knew (Leo Feist, 1916), by Earl Carroll (page images at HathiTrust)
Humming : fox trot song (T.B. Harms, 1920), by Louis Breau and Ray Henderson (page images at HathiTrust)
Tell me (Jerome H. Remick, 1919), by Max Kortlander and J. Will Callahan (page images at HathiTrust)
Lovin' Sam : (the sheik of Alabam) (Ager, Yellen & Bornstein Inc., 1922), by Milton Ager and Jack Yellen (page images at HathiTrust)
They were all out of step but Jim (Waterson, Berlin & Snyder Co., 1918), by Irving Berlin (page images at HathiTrust)
K-K-K-Katy (Leo Feist, 1918), by Geoffrey O'Hara (page images at HathiTrust)
Canary cottage, our canary cottage (L. Feist, 1916), by Earl Carroll (page images at HathiTrust)
Cairo (Sherman, Clay & Co., 1919), by Harold Weeks and Arthur Freed (page images at HathiTrust)
Kisses : the sweetest kisses of all (McCarthy & Fisher, 1918), by Lynn F. Cowan and Alexander Sullivan (page images at HathiTrust)
Kiss a miss : (valse chantée) (Forster Music, 1920), by Maurice Baron, Jack Yellen, and Cal De Voll (page images at HathiTrust)
Dearie, I was happy when you wrote (Daniels & Wilson, 1918), by Walter Smith and Sidney Carter (page images at HathiTrust)
Oh! Angelo (Sherman, Clay & Co., 1919), by Ben Black and Geo. P. Hulten (page images at HathiTrust)
There was once a rabbit who lived in the wood (M. Witmark & Sons, 1906), by George Spink (page images at HathiTrust)
Old favourites reprinted from the Family herald and Weekly star, 1898. (Family Herald Pub. Co., 1898) (page images at HathiTrust)
L'Ecrin musical recueil de romances, chansons et mélodies les plus nouvelles et les plus populaires. (J.G. Yon, 1899) (page images at HathiTrust)
Popular song book (A.O. Fowler, 1900) (page images at HathiTrust)
Business guide to the city of Montreal with collections of popular songs. (s.n.], 1860) (page images at HathiTrust)
New 5 & 10 cent store, musical hand-bill The hand that rocks the world, poetry by William Ross Wallace .. (s.n., 1800) (page images at HathiTrust)
Nouveau recueil de poésies, romances, vaudevilles, &c., &c., &c (s.n.], 1843) (page images at HathiTrust)
Seize mélodies pour chant et piano (A. Lavigne, 1879), by comte de Premio-Real (page images at HathiTrust)
The Toronto songster being a choice selection of popular songs, old and new, comic and sentimental. (Printed for the compiler, by Lovell and Gibson, 1858) (page images at HathiTrust)
The most popular songs of patriotism : including the national songs of all the countries in the world, in both the original text and the English translation. (Hinds, Hayden & Eldredge, 1916) (page images at HathiTrust)
By the waters of Minnetonka : an Indian love song (Presser, 1914), by Thurlow Lieurance and J.M. Cavanass (page images at HathiTrust)
Ichiban atarashii ima no ryūkōka (Kawatsu Shoten, 1922), by Seikyoku Kenkyūkai (page images at HathiTrust)
Beautiful Ohio : song (Shapiro, Bernstein & Co. Inc., 1918), by Mary Earl and Ballard MacDonald (page images at HathiTrust)
Old folks at home, "Way down upon de Swanee Ribber" (Nims and Knight, 1890), by Stephen Collins Foster, A. V. S. Anthony, and Charles Copeland (page images at HathiTrust)
Sound! Trumpet! = (Squillino le trombe!) (C.C. Birchard & Co., 1918), by Stanislao Gallo, Stephen Fay, and Giovanni Bertacchi (page images at HathiTrust)
The songs of Paul Dresser (Boni & Liveright, 1927), by Paul Dresser and Theodore Dreiser (page images at HathiTrust)
Tell me the tales that to me were so dear (196 Chesnut St., Philadelphia : A. Fiot, [between 1840 and 1855?], 1840), by Thomas Haynes Bayly (page images at HathiTrust)
Sister Norf and Sister Souff (Firth, Pond & Co., 1862), by Gustave Geary, Charles O. Clayton, Henry Wood, and Wood's Minstrels (page images at HathiTrust)
The melodies of many lands (Philadelphia : Lee & Walker, [between 1865 and 1871], 1865), by Charles William Glover and Charles Jefferys (page images at HathiTrust)
Under the mistletoe, softly he came (Philadelphia : J. Starr Holloway, [not before 1868], 1868), by Charles William Glover, George F. Swain, and C. T. Martin (page images at HathiTrust)
Tell me, is my father coming home? : song & chorus (Cleveland : S. Brainard's Sons, [1863], 1863), by Frederick Buckley and W. Dexter Smith (page images at HathiTrust)
Of all de most accomplished none can equal me (Cleveland : S. Brainard & Sons, [1869], 1869), by Frank H. King, Billy Emerson, and C. C. Haskins (page images at HathiTrust)
Lena our loved one is gone : ballad (John J. Daly, 1863), by Stephen Collins Foster (page images at HathiTrust)
No one to love : ballad (New York (538 Broadway, New York) : S.T. Gordon, [1861], 1861), by M. H. Frank and E. Clementine (page images at HathiTrust)
My wife is a knowing woman (New York (481 Broadway, New York) : Horace Waters ; Boston (277 Washington St., Boston) : O. Ditson & Co., [1863], 1862), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
For the dear old flag I die! (Horace Waters ;, 1862), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
Our Willie dear is dying : ballad (Firth, Pond & Co., 1861), by Stephen Collins Foster (page images at HathiTrust)
Oh! meet me dear Mother (New York (No. 481 Broadway, New York) : Horace Waters, [1865], 1865), by M. A. Kidder and Stephen Collins Foster (page images at HathiTrust)
I'm nothing but a plain old soldier (New York (419 Grand St., New York) : John J. Daly, [1863], 1863), by Stephen Collins Foster (page images at HathiTrust)
Willie has gone to the war : song & chorus (Wm. A. Pond & Co., 1863), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
Why, no one to love? : answer to No one to love (S.T. Gordon, 1862), by Stephen Collins Foster and M. H. Frank (page images at HathiTrust)
Why have my loved ones gone? : ballad (Horace Waters, 1861), by Stephen Collins Foster (page images at HathiTrust)
When old friends were here (Horace Waters ;, 1864), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
When dear friends are gone (New York : P.A. Wundermann, [1863], 1863), by Stephen Collins Foster (page images at HathiTrust)
We've a million in the field : 1,000,000 (S.T. Gordon, 1862), by Stephen Collins Foster (page images at HathiTrust)
'Tis my father's song (John Church, Jr., 1865), by Stephen Collins Foster (page images at HathiTrust)
There was a time (S.T. Gordon, 1863), by Stephen Collins Foster and J. D. Byrne (page images at HathiTrust)
We live in hard and stirring times (Firth, Son & Co., 1862), by Stephen Collins Foster, Dan Bryant, Thomas C. Wakelam, and Charles O. Clayton (page images at HathiTrust)
Sweet Emerald Isle that I love so well (John J. Daly, 1866), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
The song of all songs (D.S. Holmes, 1863), by Stephen Collins Foster (page images at HathiTrust)
Somebody's coming to see me to night : ballad (D.S. Holmes, 1864), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
A penny for your thoughts (Horace Waters ;, 1861), by Stephen Collins Foster (page images at HathiTrust)
Bring my brother back to me (S.T. Gordon, 1863), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
Farewell, sweet mother : ballad (Firth, Pond & Co., 1861), by Stephen Collins Foster (page images at HathiTrust)
Give this to mother (P.A. Wundermann, 1864), by Stephen Collins Foster (page images at HathiTrust)
I'll be home to morrow : ballad (Firth, Pond & Co., 1862), by Stephen Collins Foster (page images at HathiTrust)
Kiss me dear mother ere I die (Wm. A. Pond & Co., 1869), by Stephen Collins Foster (page images at HathiTrust)
Larry's goodbye (S.T. Gordon ;, 1863), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
Little Belle Blair : song & chorus (John J. Daly, 1861), by Stephen Collins Foster (page images at HathiTrust)
The merry, merry month of May : song and chorus (Boston (277 Washington St., Boston) : Oliver Ditson & Co., [1862], 1862), by Stephen Collins Foster (page images at HathiTrust)
Mine is the mourning heart : a duett for soprano & tenor (Cleveland : S. Brainard's Sons, [1861], 1861), by Stephen Collins Foster (page images at HathiTrust)
My angel boy : I cannot see thee die (New York : Wm. A. Pond & Co., [1865], 1865), by Stephen Collins Foster and John Brougham (page images at HathiTrust)
My boy is coming from the war (New York (538 Broadway, New York) : S.T. Gordon, [1863], 1863), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
When this dreadful war is ended (Horace Waters ;, 1862), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
The're plenty of fish in the sea (New York (No. 481 Broadway, New York) : C.M. Tremaine ; Boston (277 Washington St., Boston) : O. Ditson & Co., [1862., 1862), by Stephen Collins Foster and George Cooper (page images at HathiTrust)
Oh! there's no such girl as mine (New York (481 Broadway, New York) : Charles W. Harris, [1862], 1862), by Stephen Collins Foster and Samuel Lover (page images at HathiTrust)
I will be true to thee (Horace Waters ;, 1862), by Stephen Collins Foster (page images at HathiTrust)
I will be true to thee (Charles W. Harris, 1862), by Stephen Collins Foster and Charles W. Warren (page images at HathiTrust)
No home, no home : ballad (J.J. Daly, 1862), by Stephen Collins Foster (page images at HathiTrust)
Nell and I : ballad (New York : J.J. Daly, [1861], 1861), by Stephen Collins Foster (page images at HathiTrust)
I keep it still, that faded flower (Wm. McCarrell, 1863), by Albert Fleming (page images at HathiTrust)
In a cottage down the roadside there dwelt a damsel fair (Oliver Ditson & Co., 1861), by William Jermyn Florence and W. J. Florence (page images at HathiTrust)
My Mississippi belle : song and chorus (Bollman & Schatzman, 1866), by Thomas Bealer and V. J. Engle (page images at HathiTrust)
Little footsteps (White, Smith & Perry, 1868), by J. A. Barney and M. B. Leavitt (page images at HathiTrust)
Can we now call back the feeling (Oliver Ditson & Co., 1863), by John Barnett and E. R. Humphries (page images at HathiTrust)
Brooklet to the river goes, the river to the sea (New York (711 Broadway, New York) : C.H. Ditson & Co., [between 1867 and 1875], 1867), by Joseph Barnby, Florence B. Paulson, and J. Troutbeck (page images at HathiTrust)
He sail'd away in a gallant bark (New York : S.T. Gordon, [1867], 1867), by George Barker and Mrs. Crawford (page images at HathiTrust)
O, hear the sweet voice of thy child, who cries in her room all alone (Oliver Ditson & Co., 1867), by Frank Wilder (page images at HathiTrust)
As I was straying through the streets (Oliver Ditson & Co., 1864), by Frank Wilder (page images at HathiTrust)
Mother's blessing (547 Broadway, New York : Wm. A. Pond & Co., [1864], 1864), by Frederick Widdows, Henry Wood, and Francis D. Murtha (page images at HathiTrust)
From distant towr's the midnight chiming (O. Ditson & Co., 1866), by John Liptrot Hatton and P. Brignoli (page images at HathiTrust)
Our father don't drink any now (1868), by Frank Howard and Henry C. Work (page images at HathiTrust)
O what is this world a coming to? (173 Summit Street, Toledo, O. : W.W. Whitney, [1867], 1867), by Frank Howard (page images at HathiTrust)
Years have passed since last we met (D.P. Faulds, 1866), by H. P. Danks and W. C. Baker (page images at HathiTrust)
Oh! I dearly love to dream of the summer long ago (New York : J.L. Peters, [1868], 1868), by H. P. Danks, Lotta Crabtree, George Cooper, W. Dressler, and Black & Sturn Snyder (page images at HathiTrust)
I long to return to the home of my childhood (Wm. Hall & Son, 1867), by H. P. Danks and Cadet Julian (page images at HathiTrust)
Homeless, forsaken, weary and sad (William A. Pond & Co., 1869), by H. P. Danks and George Cooper (page images at HathiTrust)
Only a face at the window (Oliver Ditson & Co., 1867), by Virginia Gabriel (page images at HathiTrust)
The long waves come and go : barcarolle (New York (711 Broadway, New York) : C.H. Ditson & Co., [between 1867 and 1878., 1867), by Virginia Gabriel and Hamilton Aïdé (page images at HathiTrust)
The war will soon be over (Oliver Ditson, 1865), by Walter Kittredge (page images at HathiTrust)
It was under a gas light I met her (New York : Wm. Hall & Son, [1868], 1868), by Frank Howard (page images at HathiTrust)
I'm going home tomorrow and what joyous thoughts arise (Cleveland, Ohio : S. Brainard's Sons, [1861], 1861), by H. P. Danks and B. S. Barrett (page images at HathiTrust)
O come like a beautiful dream (543 Broadway, New York : Wm. Hall & Son, [1869], 1869), by H. P. Danks, Geo. W. Jackson, and George Cooper (page images at HathiTrust)
Friends we love'd in former years : song (New York : Wm. Hall & Son, [1866], 1866), by John Daniel, Warren Hill, and James Simmonds (page images at HathiTrust)
Mollie's welcome to Pat Malloy (G.D. Russell & Co., 1866), by George Dana (page images at HathiTrust)
The American hymn (Oliver Ditson & Co., 1866), by M. Keller (page images at HathiTrust)
Come up, my speckle face! (293, 300 Washington St., Boston : White, Smith & Comp'y, [1869], 1869), by M. Keller and Alice Cary (page images at HathiTrust)
Irene, Irene, a little queen (New York (481 Broadway, New York) : Horace Waters, [1861], 1868), by M. Keller, Irene Elliott, Patrick M. Stackpole, and George W. Elliot (page images at HathiTrust)
Sweet love, forget me not : ballad with chorus (Horace Waters, 1862), by M. Keller (page images at HathiTrust)
Life is a long and a wearisome roving (Boston : Oliver Ditson & Co., [1868], 1868), by M. Keller, G. Gove, Edward L. Balch, and George W. Birdseye (page images at HathiTrust)
Ella's song to her angel brother (S. Brainard's Sons, 1865), by E. Lilly and E. M. G. (page images at HathiTrust)
Lillie sleeps (Boston : Russell & Patee, [1862], 1862), by Ernest Leslie and B. P. Shillaber (page images at HathiTrust)
Some time ago, I had a beau (Oliver Ditson & Co., 1867), by Alfred Lee, Billy Morris, and H. J. Whymark (page images at HathiTrust)
Let us sing a farewell song (Marsh & Co., 1868), by E. Linwood and Emily A. Warden (page images at HathiTrust)
My heart is with thee (Henry McCaffrey, 1863), by John Linhard, Adaline E. Rawlings, Alice Hawthorne, and Clayton's (page images at HathiTrust)
I'm really a very unfortunate man (New York : Oliver Ditson, [not before 1867], 1867), by Ossian E. Dodge (page images at HathiTrust)
I'm dreaming tonight (Lee & Walker, 1862), by D. W. Belisle (page images at HathiTrust)
Ringlet, o ringlet! (Wm. A. Pond & Co. ;, 1869), by E. W. Buckley and Alfred Lord Tennyson (page images at HathiTrust)
The sun that warms the fading flower (Boston (277 Washington St., Boston) : Oliver Ditson, [1867], 1867), by O. B. Brown and Charles Swain (page images at HathiTrust)
I wish I'd a string to my bow : comic song (Boston : Oliver Ditson & Co., [1867], 1867), by H. S. Briggs (page images at HathiTrust)
He came when the autumn was closing (Wm. A. Pond & Co., 1868), by George H. Briggs and C. O. Clayton (page images at HathiTrust)
O, land of Columbia how glorious the sight (William Hall & Son, 1865), by H. Millard, United States Navy, and United States Army (page images at HathiTrust)
O! dearly I remember that merry, summer night (198 Broadway, New York : Published by J. L. Peters, [1868], 1868), by H. Millard, George Cooper, and F. Ratellier Lith. (N.Y.) (page images at HathiTrust)
Memories graves (Chicago : Root & Cady, 1869., 1869), by Joseph Philbrick Webster and Luke Collin (page images at HathiTrust)
While old Uncle Sam was busy (Lyon & Healy, 1866), by Joseph Philbrick Webster and E. B. Dewing (page images at HathiTrust)
Before the dew, the setting sun (New York : G. Schirmer, [1868], 1868), by H. Millard and George Cooper (page images at HathiTrust)
After (G. Schirmer, 1867), by H. Millard and George Cooper (page images at HathiTrust)
Do you remember Cousin John, when life was in its morning (Cleveland : S. Brainard's Sons, [1868], 1868), by Joseph Philbrick Webster and Sanford Fillmore Bennett (page images at HathiTrust)
As we went a haying (Geordie and I) : ballad (Wm. A. Pond & Co., 1867), by John Hugh McNaughton (page images at HathiTrust)
O Nancy Fat she was a gal fair and tall and slender (547 Broadway, New York : Published by Wm. A. Pond & Co. ; Boston : O. Ditson & Co. ; Milwaukee : H. N. Hempsted ; Chicago : Root & Cady ; Pittsburg : H. Kleber & Bro., [1864], 1864), by T. McNally, C. Glover, Dave Reed, and Manufacturing & Lithographic Co Major & Knapp Engraving (page images at HathiTrust)
I've no mother now I'm weeping (Louisville, Ky. : D.P. Faulds, [1867], 1869), by W. R. McQuown and T. Smith (page images at HathiTrust)
I knew her heart in silence wept (D.P. Faulds, 1867), by W. R. McQuown and A. Fulkerson (page images at HathiTrust)
My ancestors cup (547 & 865 Broadway, New York : Wm. A. Pond & Co., [1867], 1867), by Jacques Offenbach, R. Teller, and Arthur Matthison (page images at HathiTrust)
Libertas Americae (Oliver Ditson & Co., 1861), by George W. H. Griffin, Rollin Howard, and Charles J. Holder (page images at HathiTrust)
The girls will have their way (Published by Whittemore & Stephens, 1867), by M. H. McChesney and J. L. Tough (page images at HathiTrust)
Come sit by my side, little darling : song & chorus (Jno. L. Peters, 1869), by D. S. Wambold, Eben E. Rexford, and San Francisco Minstrels (page images at HathiTrust)
My darling (D.P. Faulds, 1866), by Charlie L. Ward (page images at HathiTrust)
Tillie's passed away : a beautiful song for one or two voices (Lee & Walker, 1866), by David A. Warden and Harry Eaton (page images at HathiTrust)
Come home, mother : (a plea for poor father) : song & chorus (Lee & Walker, 1866), by David A. Warden (page images at HathiTrust)
Mother's waiting at the door (Chicago : Lyon & Healy, 1866., 1866), by Joseph Philbrick Webster and Dexter Smith (page images at HathiTrust)
Protect the freedman : song & chorus (Lyon & Healy, 1866), by Joseph Philbrick Webster, Luke Collin, and Skiff & Gaylord's minstrels (page images at HathiTrust)
Gently softly we will bear him (H.L. Story, 1865), by H. Lovegrove (page images at HathiTrust)
Merry warbling birds (Roe Stephens, 1873), by C. T. Lockwood (page images at HathiTrust)
My heart is waiting for somebody, somebody, somebody, where can he be? (277 Washington St., Boston : Oliver Ditson & Co., [1867], 1867), by C. A. White (page images at HathiTrust)
Good news good news (S.T. Gordon, 1861), by E. W. Locke (page images at HathiTrust)
Billy Morris' combination song (G.D. Russell & Co., 1864), by Arthur Lloyd and Billy Morris (page images at HathiTrust)
Joseph Baxter is my name (Joseph E. Winner, 1869), by Arthur Lloyd (page images at HathiTrust)
Joseph Baxter is my name (Wm. A. Pond & Co., 1868), by Arthur Lloyd, Russell Bros, and Smith & McDougal (page images at HathiTrust)
Our country's flag : patriotic song (A.E. Blackmar, 1867), by Harry Macarthy (page images at HathiTrust)
Last night in my dreams, when all around was hushd and still (John Church, Jr., in the 1860s), by Meyer Lutz (page images at HathiTrust)
Kitty dear : Irish ballad (New York : Wm. a. Pond & Co., [not after 1871], 1861), by J. Gaspard Maeder and John Brougham (page images at HathiTrust)
When Sherman marched down to the sea (Lee & Walker, 1865), by Edward Mack and S. H. M. Byers (page images at HathiTrust)
A soldier is my beau : song & chorus (New York : John J. Daly, [1862], 1862), by John Mahon (page images at HathiTrust)
Yes darling sadly I remember : reply to "Weeping sad and lonely" : song & chorus (Rochester [N.Y]. : Jos. P. Shaw, [1863], 1863), by Sherman Greig and B. A. Whaples (page images at HathiTrust)
Jenny Lind's greeting to America (Firth, Pond & Co., 1851), by Julius Benedict, M. Zorer, Napoleon Sarony, George W. Quidor, and Bayard Taylor (page images at HathiTrust)
Dearest spot of earth to me is home (Beck & Lawton, 1857), by W. T. Wrighton (page images at HathiTrust)
The old farm at home : song & chorus (Firth, Pond & Co., 1853), by I. B. Woodbury (page images at HathiTrust)
Father Abraham's reply to the 600,000 (Root & Cady, 1862), by George F. Root (page images at HathiTrust)
When moonlight silvers oer the scene and birds have hushd their summer song (H. McCaffrey, 1857), by Eugene Raymond, Gillingham, and Anna Norns (page images at HathiTrust)
Mountain bell (G. André & Co., 1858), by Gustave Satter and John M. Evans (page images at HathiTrust)
Twinkling stars are laughing, love (Boston (Ordway Hall, Washington Street) : Published by J.P. Ordway, [1855], 1855), by John P. Ordway, H. A. Pond, and Alfred Mudge and Son (page images at HathiTrust)
The dearest spot of earth to me is home (Firth, Pond & Co. (547 Broadway), 1856), by J. R. Thomas and W. T. Wrighton (page images at HathiTrust)
Life on the ocean wave (Lee & Walker, 1856), by Charles Grobe and Henry Russell (page images at HathiTrust)
Lubly Fan will you cum out to night? (Keith's Music Publishing House, 1844), by Cool White, J. P. Carter, and Virginia Serenaders (page images at HathiTrust)
Soft and mild, was the beaming eye (Boston (Washington Street) : Published by Oliver Ditson, [1844], 1844), by Marion Dix Sullivan and Edward L. White (page images at HathiTrust)
When other friends are round thee : ballad respectfully dedicated to Miss Margaret Aldridge ; composed & arranged for the piano forte. (F.D. Benteen, 1846), by C. R. W. and George Pope Morris (page images at HathiTrust)
I've left the snow-clad hills (Lee & Walker, 1847), by George Linley and Francis Weiland (page images at HathiTrust)
Plighted faith : O luce di quest' anima (Boston : Oliver Ditson & Co., [1857], 1857), by Gaetano Donizetti and Carl Löbe (page images at HathiTrust)
World is wakening into light (S.C. Jollie, 1850), by Julius Benedict, Jenny Lind, and Sarony & Major (page images at HathiTrust)
He was such a nice young man! : a very popular song (New York : Wm. Hall & Son, [between 1859 and 1870], 1859), by Thomas à Becket and W. R. Aldridge (page images at HathiTrust)
Greeting to America (New York (1 Franklin Sq.) : Firth, Pond & Co. : S.C. Jollie, [1850], 1850), by Julius Benedict, George Loder, Henry Cood Watson, Jenny Lind, and Bayard Taylor (page images at HathiTrust)
Somebody's coming (Firth, Pond & Co., 1856), by John C. Andrews and Jane A. Andrews (page images at HathiTrust)
Young Joe he was as nice a man as any in the land (Louis Meyer, 1864), by F. Harris, Holmes, and Septimus Winner (page images at HathiTrust)
Crowding awfully : a temperance song & chorus (Root & Cady, 1866), by Benjamin Russel Hanby and Hutchinson Family (Singers) (page images at HathiTrust)
Ever of thee I'm dreaming (Henry McCaffrey, 1860), by Foley Hall and George Linley (page images at HathiTrust)
Crowding awfully : a temperance song & chorus (Cleveland : S. Brainard, [1866], 1866), by Benjamin Russel Hanby and Hutchinson Family (Singers) (page images at HathiTrust)
Quarter to one (C.M. Tremaine, 1867), by W. C. Baker and Charles O. Clayton (page images at HathiTrust)
I'm sitting once again beside the brook, where oft' I sat of yore (Wm. A. Pond & Co., 1864), by P. B. Isaacs and M. J. Million (page images at HathiTrust)
Awake, I think of thee, love (Wm. A. Pond, 1863), by P. B. Isaacs, Henry Wood, and Wood's Minstrels (page images at HathiTrust)
Weeping, lonely (A.E. Blackmar, 1866), by Tip Smith and A. E. Blackmar (page images at HathiTrust)
Good news good news (S.T. Gordon, 1862), by E. W. Locke and Gustave Ascher (page images at HathiTrust)
Let us be true to each other while here (C.M. Tremaine, 1867), by W. C. Baker and Charles O. Clayton (page images at HathiTrust)
Beautiful eyes (Philadelphia : W. H. Boner & Co., [1868], 1868), by B. F. Crawford (page images at HathiTrust)
Bright as the morning fair as the day vision of beauty fade not away (J. Henry Wittemore, 1869), by W. Hewitt, Frank Smith, and Ehrgott & Krebs Lithography (page images at HathiTrust)
Oh! write me a song of my father : song & chorus (Wm. Hall & Son, 1865), by C. Henry (page images at HathiTrust)
The Boys are coming home : song and chorus (Cleveland : S. Brainard & Co., [1865], 1865), by R. E. Henninges (page images at HathiTrust)
Pa has struck oil (Lee & Walker, 1865), by C. Archer (page images at HathiTrust)
I know a little dark-eyed boy (New Orleans : A.E. Blackmar, [1869], 1869), by S. S. Anthony (page images at HathiTrust)
Magnetic, or l'ardita : valzer brillante (F.A. North, 1868), by Luigi Arditi (page images at HathiTrust)
Alas! how often things go wrong (Philadelphia : Lee & Walker, [1868], 1868), by William R. Angier and George F. Swain (page images at HathiTrust)
Sunlight is beautiful mother (C.M. Tremaine, 1860), by Edward Ambuhl, Katie B. Whittlesey, Patrick M. Stackpole, M. W. Hackelton, and Martha Davies (page images at HathiTrust)
Follow the drum : as sung by Fred Chace Hutchinson at the concerts of the Hutchinson Family (Root & Cady, 1864), by B. Covert (page images at HathiTrust)
Lo! shines on high Diana, merrily laughs each star (New York : W.A. Pond & Co., [between 1863 and 1877], 1863), by Michael Connelly, Jacques Offenbach, Lydia Thompson, A. H. Oakes, and Wallack's Theatre (page images at HathiTrust)
In your quiet idle moments when old mem'ry sifts the past (Bollman & Schatzman, 1867), by Ch Conner, Georgie Frederick, V. J. Engle, and Bollman & Schatzman (page images at HathiTrust)
Thoughts that wear away the soul (Kouwenbergh & Dunavan, 1867), by H. C. Coleman (page images at HathiTrust)
While the gentle zephyr's breathing (Blackmar, 1864), by E. K. Cole and G. M. Wickliffe (page images at HathiTrust)
Five o'clock in the morning : 's hat eben fünf geschlagen (St. Louis : Balmer & Weber, [1867], 1867), by Claribel (page images at HathiTrust)
What need have I the truth to tell? : Robin's reply ; answer to Won't you tell me why, Robin? (New York : William A. Pond & Co., [not before 1863], 1863), by Claribel (page images at HathiTrust)
Dew lay glitt'ring o'er the grass (Charles W.A. Trumpler, 1866), by Claribel, George F. Swain, Euphrosyne Parepa-Rosa, and T. H. Porter (page images at HathiTrust)
Mistress Jones gave a musical party (S.T. Gordon, 1869), by Harry Clifton and A. Sedgwick (page images at HathiTrust)
Sweet! sweet! with the fairy feet (Wm. A. Pond & Co. , 547 Broadway, 1866), by A. Sedgwick and Mortimer Collins (page images at HathiTrust)
I seek thee (117 Randolph St., Chicago : Molter & Wurlitzer, [1868], 1868), by C. L. Seaverns and Bayard Taylor (page images at HathiTrust)
From the bosom of ocean I seek thee : sentimental song (Cleveland : S. Brainard's Sons, [1868], 1868), by C. L. Seaverns and Bayard Taylor (page images at HathiTrust)
Kingdom coming (Chicago (95 Clark St., Chicago) : Root & Cady, [1863], 1863), by Henry C. Work (page images at HathiTrust)
I've just been learning the lesson of life (New York (13 East 14th St., New York) : S.T. Gordon & Son, [1865], 1865), by H. Millard (page images at HathiTrust)
Lillie of the snowstorm (Published by Root & Cady, 1866), by Henry C. Work and Root & Cady (page images at HathiTrust)
Scotia : the land of song (St. Louis : Balmer & Weber, [1863], 1863), by Francis Woolcott and Thomas Elwood Garrett (page images at HathiTrust)
Say, darkeys, hab you seen de massa (S. Brainard's Sons, 1866), by Henry C. Work (page images at HathiTrust)
Father, dear father, come home with me now! (Chicago : Root & Cady, [1864], 1864), by Henry C. Work (page images at HathiTrust)
Come, happy people! Oh come, let us tell the story of Washington and Lincoln! (95 Clark St., Chcago : Root and Cady, [1864], 1864), by Henry C. Work (page images at HathiTrust)
"I'll sail the seas over" (Philadelphia : Published by Sep. Winner, [1865], 1865), by Septimus Winner (page images at HathiTrust)
When in boyhood's days of trouble (Lee & Walker, 1867), by Septimus Winner, George F. Swain, and T. H. Porter (page images at HathiTrust)
I lov'd him at first sight, how much he'll never know (Wm. A. Pond & Co., 1866), by John Wood (page images at HathiTrust)
New remember me (Sep. Winner, 1863), by Septimus Winner, Mrs. Henry Wood, C. Campbell, George F. Swain, and L. Johnson & Co (page images at HathiTrust)
Nation mourns her martyred son (933 Sp. Garden St., Philadelphia : Sep. Winner, [1865], 1865), by Septimus Winner and George F. Swain (page images at HathiTrust)
The flowers were blooming : beautiful song and chorus (J.L. Carncross & Co., 1869), by Sidney Williams and J. L. Carncross (page images at HathiTrust)
Don't bet your money on a Shanghai : comic song and chorus (Saint Louis : Balmer & Weber, [1867], 1867), by Fred Wilson (page images at HathiTrust)
Only waiting : song or duett and chorus (Cleveland : S. Brainard & Sons, [1865], 1866), by Charles C. Converse (page images at HathiTrust)
Some twenty years ago beneath yon old beech tree (209 N. Fourth St., St. Louis : Balmer & Weber, [1867], 1867), by Herbert Mortimer, W. T. Vaudry, and A. McLean Lith (page images at HathiTrust)
Only for one : song (Boston : Oliver Ditson & Co., [between 1867 and 1876], 1867), by Alberto Randegger and Frances Ridley Havergal (page images at HathiTrust)
"Mother would comfort me" : song and chorus (Sawyer & Thompson, 1863), by Charles C. Sawyer (page images at HathiTrust)
I wish that I had been born a girl (Philadelphia : Marsh & Bubna ; New York : S.T. Gordon ; Boston : D. Ditson & Co., [1867], 1867), by Henry Angelo, L. N. Rosenthal, Tom Vance, and Jas. W. Porter (page images at HathiTrust)
The trusting heart : song (New York (547 & 896 Broadway, New York) : William A. Pond & Co., [1869], 1869), by Alfred Smith (page images at HathiTrust)
Fig for your "upper ten" girls, with their velvets and satins and laces (New Orleans : A.E. Blackmar, [1866], 1866), by F. W. Smith and Robert Josselyn (page images at HathiTrust)
Under the snow the mayflow'r sleeps (S. Brainard & Sons, 1865), by Edwin Sherratt, Sallie S. McCormick, and Dill A. Smith (page images at HathiTrust)
Roses red, life's roses rare (P.L. Huyett & Son, 1869), by C. F. Shattuck and Lizzie Kerns (page images at HathiTrust)
Wind of the western sea (Wm. A. Pond & Co., 1865), by James Ernest Perring and Alfred Lord Tennyson (page images at HathiTrust)
Do they love me still as ever (Horace Waters, 1865), by E. A. Parkhurst and M. A. Kidder (page images at HathiTrust)
Out in the gloomy night (John F. Ellis, 1868), by E. A. Parkhurst and of Washington Stella (page images at HathiTrust)
Kiss my mother dear for me : song and chorus (Brooklyn, NY : D.S. Holmes, [1863], 1863), by N. P. B. Curtiss and Wood's Minstrels (page images at HathiTrust)
Alone I walked the ocean strand (Oliver Ditson & Co., 1867), by J. E. Perkins (page images at HathiTrust)
O let me weep for mements fled (Lee & Walker, 1861), by Carlo Patti and E. T. Hurlbut (page images at HathiTrust)
No slave beneath that starry flag (Horace Waters ;, 1864), by E. A. Parkhurst and George Lansing Taylor (page images at HathiTrust)
Mother on the brain : comic ballad as sung by all minstrel bands (Brooklyn (67 Fourth Street, Brooklyn) : D.S. Holmes, [1865], 1865), by M. F. H. Smith (page images at HathiTrust)
Is it a sin to love thee : ballad (D.P. Faulds, 1869), by George Summers (page images at HathiTrust)
Only a lock of hair (Philadephia (722 Chestnut Street, Philadelphia) : Lee & Walker, [between 1856 and 1867?], 1856), by Claribel (page images at HathiTrust)
Life boat song (Philadelphia Pa : Lee & Walker, [between 1865 and 1875], 1865), by Claribel and Stratford de Redcliffe (page images at HathiTrust)
Lu vasillo (G. Schirmer, 1867), by Salvatore Sarmiento, Sc Stackpole, and H. Millard (page images at HathiTrust)
How brilliantly bright do the stars glitter now (John Church, Jr., 1864), by Sautelle and Samuel L. Leffingwell (page images at HathiTrust)
Before you stands Frank Rifle, an ensign in our corps (1868), by Wm. Horace Lingard and Charles E. Pratt (page images at HathiTrust)
No one to love me yet : ballad (W.S. Mackie, 1861), by George Stimpson and George G. Stimpson (page images at HathiTrust)
Wait love until the war is over : song and chorus (Philadelphia : Lee & Walker, [1864], 1864), by T. M. Todd (page images at HathiTrust)
Wait love until the war is over : song and chorus (Lee & Walker, 1864), by T. M. Todd (page images at HathiTrust)
Oh, Annie, come back now (Thaddeus Firth, 1866), by Henry Tucker and H. E. Griffith (page images at HathiTrust)
That sweet face has a smile for me (410 Main St., Milwaukee : H.N. Hempmsted, [1867], 1867), by Henry Tucker, C. O. Clayton, and W. C. Baker (page images at HathiTrust)
Darling how can I forget thee? (New York : Published by Wm. A. Pond & Co., [1863], 1863), by Henry Tucker and Bryant's Minstrels (page images at HathiTrust)
Darling Bessie of the lea : song with chorus (William A. Pond & Co., 1868), by Henry Tucker and George Cooper (page images at HathiTrust)
Violets in the snow : ballad (Oliver Ditson, 1867), by Berthold Tours and John Francis Waller (page images at HathiTrust)
Cold winds swept the mountain's height (Boston (277 Washington St., Boston) : Oliver Ditson & Co., [between 1867 and 1876], 1867), by Annie Crouch (page images at HathiTrust)
Maid of Athens ere we part (W.R. Smith, 1866), by A. H. Rosewig, Karrie Buckman, George Byron, and Euterpe Glee Club (page images at HathiTrust)
Meet me tonight (G. André & Co., 1863), by J. H. Ross, J. L. Carncross, and George W. Birdseye (page images at HathiTrust)
Prisoner's hope (Root & Cady, 1864), by George F. Root (page images at HathiTrust)
Who'll save the left? : a battle scene (Root & Cady, 1863), by George F. Root (page images at HathiTrust)
Vacant chair (Root & Cady, 1861), by George F. Root and Henry Stevenson Washburn (page images at HathiTrust)
Kiss me mother, kiss your darling : song and chorus (Root and Cady, 1864), by George F. Root, Joseph Whitaker, and Letta C. Lord (page images at HathiTrust)
Listen to their angel voices (S. Brainard's Sons, 1867), by T. P. Ryder, W. Davenport, and S. L. Larkin (page images at HathiTrust)
Song of friendship : from Ralph Keeler's novel Gloverson & his silent partners (Wm. A. Pond, 1868), by J. R. Thomas and Ralph Keeler (page images at HathiTrust)
I'm lonely since my mother died : ballad (Oliver Ditson & Co., 1863), by H. S. Thompson (page images at HathiTrust)
It is but a little faded flower (547 Broadway, New York : Wm. A. Pond & Co., [1860], 1860), by J. R. Thomas, H. D. Van Nostrand, and Frederick Enoch (page images at HathiTrust)
Wake from thy happy dreams : song (Wm. A. Pond & Co., 1864), by J. R. Thomas and George Cooper (page images at HathiTrust)
When poor in all but truth and love (William A. Pond & Co., 1866), by J. R. Thomas, Edward D. Congdon, and William H. Oakes (page images at HathiTrust)
There is color in the wineglass (New York : Wm. A. Pond & Co., [1868], 1868), by J. R. Thomas, Ned Buntline, Independent Order of Good Templars, Sons of Temperance of North America, and Manufacturing & Lithographic Co Major & Knapp Engraving (page images at HathiTrust)
I'm dying far from those I love (Root and Cady, 1864), by J. R. Thomas and George Cooper (page images at HathiTrust)
Our noble chief has passed away : elegy on the death of Abraham Lincoln (Wm. A. Pond & Co., 1865), by J. R. Thomas and George Cooper (page images at HathiTrust)
Only a withered rose it seems to thee (Wm. A. Pond & Co., 1865), by J. R. Thomas, Edwin Adams, William H. Oakes, and Dexter Smith (page images at HathiTrust)
Stars in the skies neer shone brighter (S. Brainard & Sons, 1868), by J. R. Thomas, Dexter Smith, and Forbriger & Co. Ehrgott (page images at HathiTrust)
Fling to the breeze the patriot flag (Firth, Pond & Co., 1861), by J. R. Thomas and H. Markinfield Addey (page images at HathiTrust)
Queen of the night : serenade (Wm. A. Pond & Co., 1867), by J. R. Thomas, George Simpson, and George Cooper (page images at HathiTrust)
Oh! could we meet! (Wm. A. Pond & Co., 1864), by J. R. Thomas, Willm Berge, and Wm. Downing Evans (page images at HathiTrust)
There's a lass of beauty rare, with blue eyes and golden hair (S. Brainard & Sons, 1868), by J. R. Thomas, Dexter Smith, and Forbriger & Co Ehrgott (page images at HathiTrust)
Land of home and beauty (C.H. Ditson & Co., 1868), by J. R. Thomas (page images at HathiTrust)
Dreaming of thee : ballad (New York : William A. Pond & Co., [1866], 1866), by J. R. Thomas and George Cooper (page images at HathiTrust)
Song of the flirt (New York : William A. Pond & Co., [1863], 1863), by J. R. Thomas and George Cooper (page images at HathiTrust)
Blue eyed Bell (New York (547 Broadway, New York) : Wm. A. Pond & Co., [1867], 1867), by J. R. Thomas and George Cooper (page images at HathiTrust)
Dark-eyed Norina : ballad (New York : Wm. A. Pond & Co., [1865], 1865), by J. R. Thomas and George Cooper (page images at HathiTrust)
Down by the gate : ballad (Boston : G.D. Russell & Co., [1864], 1864), by J. R. Thomas and George W. Birdseye (page images at HathiTrust)
Down by the gate : ballad (Boston : G.D. Russell & Co., [1863], 1863), by J. R. Thomas, Adelaide Phillipps, and George W. Birdseye (page images at HathiTrust)
Down by the riverside I stray (Boston (277 Washington St., Boston) : Oliver Ditson & Co., [1861], 1861), by J. R. Thomas, George Pope Morris, and Anna Bishop (page images at HathiTrust)
Beautiful snowdrops, beautiful snowdrops (New York, N.Y. : William A. Pond & Co., [1868], 1868), by J. R. Thomas, J. Van Loan, Wakelam, George Cooper, and Susan Galton (page images at HathiTrust)
Little Dick Whittington (277 Washington St., Boston : Oliver Ditson & Co., [between 1860 and 1876], 1860), by E. L. Hime, H. F. Greene, and H. D'Alcorn (page images at HathiTrust)
Jeff Davis' last ditch (Oliver Ditson & Co., 1865), by J. W. Turner and H. F. Greene (page images at HathiTrust)
Believe me, if all those endearing young charms (E. Ferrett & Co., 1845), by Thomas Moore (page images at HathiTrust)
Polka (New York : Firth, Pond & Co., [between 1848 and 1855?], in the 1850s), by William Vincent Wallace (page images at HathiTrust)
Jenny Lind's Swedish polka (Oliver Ditson, 1844), by Ricardo Linter (page images at HathiTrust)
Flirtation polka : a burlesque musicale (G.P. Reed & Co. ;, 1849), by Moritz Strakosch (page images at HathiTrust)
When the tint is on the daisy (Lee & Walker, 1855), by Septimus Winner, R. M. Gaw, E. Louise Carr, and R. J. Turner (page images at HathiTrust)
Theure Vaterhaus (Rich. J. Compton, 1859), by Ferdinand Gumbert (page images at HathiTrust)
None shall weep a tear for me : song (New York (547 Broadway, New York) : Firth, Pond & Co., [1860], 1860), by Stephen Collins Foster and Richard Henry Wilde (page images at HathiTrust)
The good bye at the door (S.T. Gordon, 1863), by Stephen Glover and J. E. Carpenter (page images at HathiTrust)
The dream is past : song (Wm. A. Pond, 1863), by Stephen Glover, Miss Poole, and Edward FitzAubyn (page images at HathiTrust)
Elaine's song (Lee & Walker, 1845), by John Blockley, Wakelam, and Alfred Lord Tennyson (page images at HathiTrust)
She meets me at the gate (Chas. W.A. Trumpler, 1866), by T. Brigham Bishop and George Cooper (page images at HathiTrust)
Tell Mother I die happy : song with chorus (S.T. Gordon, 1864), by Jabez Burns and C. A. Vosburgh (page images at HathiTrust)
Where and how shall I earliest meet her (Oliver Ditson & Co., 1858), by Jacques Blumenthal, Stella, and Sims Reeves (page images at HathiTrust)
When the corn is waving, Annie dear (William A. Pond, 1870), by Charles Blamphin (page images at HathiTrust)
Brightly shine the stars above me (S. Brainard & Sons, 1863), by James A. Butterfield (page images at HathiTrust)
It is early in the morning, at the very break of day (S. Brainard's Sons, 1866), by John Liptrot Hatton and Walter Besant (page images at HathiTrust)
When life is new on tree and fern (William A. Pond & Co., 1869), by Septimus Winner (page images at HathiTrust)
Come back Massa, come back! (Wm. Hall & Son, 1863), by Gómez, C. Henry, and I. W. Lucas (page images at HathiTrust)
Give me a freshning breeze my boys (Boston : White, Smith & Co., [between 1867 and 1873], 1867), by William Gooch (page images at HathiTrust)
Gently the moon mounts the skies, stars their night watches do keep (451 Washington St., Boston : Published by Oliver Ditson & Co., [1867], 1867), by Will. S. Hays (page images at HathiTrust)
Lone grave by the sea (Louisville : Tripp & Cragg, [1862], 1862), by Will. S. Hays (page images at HathiTrust)
Refugee (Louisville, Ky. : Louis Tripp, [1865], 1865), by Will. S. Hays and D. B. Woods (page images at HathiTrust)
I'm still a friend to you : song for mezzo tenor or baritone, with mixed chorus (New York : John L. Peters, [1869], 1869), by Will. S. Hays, James McCullough, and Ehrgott & Krebs (page images at HathiTrust)
My boyish heart near broke with grief (New York : J.L. Peters, [1868], 1868), by Will. S. Hays (page images at HathiTrust)
Sweet Evangeline, my lost Evangeline (Cleveland : S. Brainard's Sons, [1862], 1862), by Will. S. Hays, Sunie P. Mitchell, and W.J. Morgan & Co (page images at HathiTrust)
Crossing on the ferry : comic song for gentlemen with mixed chorus ad libitum (New York : Jno. L. Peters ; St. Louis ; J.L. Peters & Co., [1869], 1869), by Bobby Newcomb (page images at HathiTrust)
Mother is weeping with gentle emotion (H. McCaffrey, 1866), by J. T. Gosden, Edwin Gillingham, Charles O. Clayton, and Lady (page images at HathiTrust)
Minnie, mine, my darling Minnie (H. McCaffrey, 1866), by J. T. Gosden, Charles O. Clayton, and W. N. H. (page images at HathiTrust)
Patchwork song (Henry Tolman & Co., 1864), by S. Nelson, W. Dexter Smith, Dixey's Minstrels, and Buckley's New Orleans Serenaders (page images at HathiTrust)
Katy's letter (New York : S.T. Gordon, [1865], 1865), by Helen Selina Blackwood Dufferin and Clandeboye (page images at HathiTrust)
Break, break, break on thy cold gray stones o sea! (S.T. Gordon, 1864), by William R. Dempster and Alfred Lord Tennyson (page images at HathiTrust)
Dreaming eyes of long ago : ballad introduced in Formosa (William A. Pond & Co. ;, 1869), by G. Operti, Lina Edwin, and Edward Coleman (page images at HathiTrust)
Come haste away love with me : serenade (S.T. Gordon, 1862), by T. Brigham Bishop (page images at HathiTrust)
Is it anybody's business (New York : Wm. A. Pond & Co., [1862], 1862) (page images at HathiTrust)
Man may have wisdom and worth (Wm. A. Pond & Co., 1863), by J. M. Boulard (page images at HathiTrust)
She laid her trembling hand in mine (Balmer & Weber, 1868), by Edward Morris Bowman, Bettie Behrens, and Charles Spooner (page images at HathiTrust)
There's a sound among the forest trees (William B. Bradbury, 1864), by William B. Bradbury, Warren, and Fanny Crosby (page images at HathiTrust)
Par excellence (G.D. Russell & Co., 1869), by Wm. Horace Lingard, Alfred Lee, and John Braham (page images at HathiTrust)
I have seen again the grave of Hally (Philadelphia : Lee & Walker, [1865], 1865), by C. Everest (page images at HathiTrust)
Never despond : a reply to the popular song "No one to love" (Lee & Walker, 1862), by C. Everest (page images at HathiTrust)
Sweet woodland vale (Philadelphia : Chas. W.A. Trumpler, [1865], 1865), by C. Everest (page images at HathiTrust)
No one to love, none to caress (Philadelphia : Lee & Walker, [1861], 1861), by C. Everest, Mary V. Mershon, Wm. B. Harvey, and A. H. G. Richardson (page images at HathiTrust)
The black brigade : plantation song & dance : sung with great success at Bryant's Minstrels (New York : Wm. A. Pond & Co., [1863], 1863), by Daniel Decatur Emmett, Thomas C. Wakelam, and Bryant's Minstrels (page images at HathiTrust)
The lone heart (Philadelphia, PA : W.R. Smith, [1865], 1865), by Eastburn (page images at HathiTrust)
Oil on the brain : song and chorus (J. Marsh, 1864), by Eastburn (page images at HathiTrust)
Oh I miss their goodnight and their kisses (Lee & Walker, 1868), by Eastburn, Annie Louise Duffield, Ida Lorene Duffield, George F. Swain, C. S. Winner, and H. G. Duffield (page images at HathiTrust)
Boys in blue (Wm. A. Pond & Co., 1866), by T. N. Caulfield (page images at HathiTrust)
Opening bud (G. André & Co., 1868), by F. Campana (page images at HathiTrust)
You naughty, naughty men (Dodworth & Son, 1866), by G. Bicknell, Milly Cavendish, T. Kennick, and N.Y.) Niblo's Garden (New York (page images at HathiTrust)
Moonlight on the ocean slumbers (New York : Wm. A. Pond & Co., [between 1856 and 1862], 1863), by J. W. Cherry and J. E. Carpenter (page images at HathiTrust)
Little Clara Lee (Lee & Walker, 1865), by Charles Blamphin and W. Gray (page images at HathiTrust)
I cannot mind my wheel, Mother : ballad (New York : Wm. A. Pond & Co., [1861], 1861), by Oscar Schalk and Charles Swain (page images at HathiTrust)
The old house by the bay (Published by J. Bloch, 1861), by S. Schlesinger and Harry A. Barclay (page images at HathiTrust)
Come back to me, darling (Washington, D.C. : John F. Ellis, [1866], 1866), by Henry Clay Preuss (page images at HathiTrust)
Don't forget me, make a shrine to hold me, safe and warm within your faithful heart (New York (711 Broadway, New York) : C.H. Ditson & Co., [between 1867 and 1878], 1867), by Ciro Pinsuti, Florence B. Paulson, and Helen Marion Burnside (page images at HathiTrust)
The battle-cry of freedom (Root & Cady, 1862), by George F. Root (page images at HathiTrust)
It is the miller's daughter (Oliver Ditson & Co., 1865), by J. F. Rudolphsen and Alfred Lord Tennyson (page images at HathiTrust)
He was young, for years scarce twenty (Jos. P. Shaw, 1864), by Geo. A. Russell (page images at HathiTrust)
300,000 more (Lee & Walker, 1862), by J.A. Getze (page images at HathiTrust)
Agendglocken Polka (Wm. Hall & Son, 1863), by Karl Merz (page images at HathiTrust)
The little recruit's march (Louis Doebele, 1865), by Karl Merz (page images at HathiTrust)
Shew fly galop : taken from Rollin Howard's popular song Shew fly! don't bother me (White, Smith & Perry, 1869), by George Thorne, Frank Campbell, and Rollin Howard (page images at HathiTrust)
Radio listening and popular song tastes (Evaluation of School Braodcasts, Ohio State University, 1941), by Gerhart David Wiebe (page images at HathiTrust)
5 compositions for voice and piano (Benj. Curtaz & Sons ;, 1902), by Arthur Fickénscher, Mary E. Fairweather, and Julius Goebel (page images at HathiTrust)
Now I lay me down to sleep song (J.H. Remick, 1920), by George W. Meyer (page images at HathiTrust)
Ha ha ha ha ha ha ha ha ha ha ha ha ha (547 Broadway and 39 Union Square, New York : Wm. A. Pond & Co., [1874], 1874), by W. Stuckenholz, W. H. Shelton, and Wm. A. Pond & Co (page images at HathiTrust)
The Good old songs we used to sing : with accompaniment for the piano-forte (O. Ditson, 1887), by J. C. H. and J. C. H. (page images at HathiTrust)
America today (Will Rossiter, 1917) (page images at HathiTrust)
Honey feel my heart a beating (Harry Von Tilzer, 1911), by Fred Strasser and Frank Tinney (page images at HathiTrust)
'Twas 'mid the garden's flowers fair (Jos. W. Stern & Co., 1903), by Otto M. Heinzman, Eddie Leonard, and John A. Heinzman (page images at HathiTrust)
Eyes of blues, why can't you, can't you be true (Fred Fisher, 1922), by Billy Fazioli and Irving Politzer (page images at HathiTrust)
Moonbeams pale light the trail to the vale and dale away off yonder (Theodore Morse Music, 1909), by Theodore F. Morse, André C. De Takacs, and Jack Mahoney (page images at HathiTrust)
Boo-gie-man moon (Harold Rossiter, 1911), by Minnie D. Harris and Will J. Harris (page images at HathiTrust)
Dearest : you're the nearest to my heart ([publisher not identified], 1922), by Harry Akst and Walter Donaldon (page images at HathiTrust)
The ideal : for singing classes, musical conventions, high schools, amateur choral societies, and concerts, containing a complete rudimental department; also a course of vocal exercises for general class study, together with a collection of new and original glees, anthems, choruses, quartets, duets, etc. (The Fillmore Brothers Co., 1893), by Shilo Shaffer Myers (page images at HathiTrust)
Lester collection of old favorite songs (Philadelphia, Pa : Lester Piano Company, 1906) (page images at HathiTrust)
When lovers say "good night" : serenade : composed for and sung by Sig. Brignoli (Boston (277 Washington St., Boston) : Oliver Ditson & Co., [1867], 1867), by John Liptrot Hatton, Sig Brignoli, and George W. Birdseye (page images at HathiTrust)
Baby, what is your name? (Henry Waterson, Inc., 1924), by Jack Little (page images at HathiTrust)
Flamin' youth what a flame! (Henry Waterson, 1926), by Fred E. Ahlert (page images at HathiTrust)
Goodbye so long I'll soon be leaving the folks back home (Jack Mills ..., 1923), by Billy Meyers and Elmer Schoebel (page images at HathiTrust)
Why does the day conceal (Forster Music Pub., 1929), by Nathaniel Shilkret and Barbelle (page images at HathiTrust)
Greeting to America (Firth, Pond & Co. :, 1850), by Julius Benedict, George Loder, Henry Cood Watson, Jenny Lind, and Bayard Taylor (page images at HathiTrust)
Presser Collection. (John Church Co., 1896), by Thomas G. Shepard (page images at HathiTrust)
Where the rainbow ends (Harms, 1920), by Nat D. Ayer (page images at HathiTrust)
One little dream of love : song (Chappell, 1921), by Westell Gordon and Harold Simpson (page images at HathiTrust)
The rough and ready songster : embellished with twenty-five splendid engravings, illustrative of the American victories in Mexico (Nafis & Cornish, 1848) (page images at HathiTrust)
Gentle Annie melodist : no. 2. (Firth, Pond, 1859) (page images at HathiTrust)
The Annie Laurie melodist, containing 84 popular songs and ballads. (R.M. De Witt, No. 13 Frankfort Street, 1860), by R. M. De Witt (page images at HathiTrust)
Tenting on the old camp ground (Boston (277 Washington St., Boston) : Oliver Ditson & Co., [1864], 1864), by Walter Kittredge, M. F. H. Smith, and Hutchinson Family (Singers) (page images at HathiTrust)
Tapfere Soldat (New York : Jerome H. Remick, ©1908., 1908), by Oscar Straus and Stanislaus Stange (page images at HathiTrust)
Chosen songs of the Civil War : the sweet sixteen (Copyrighted by Oklahoma Historical Society, 1960), by Woman's Relief Corps (U.S.). Department of Oklahoma, United Daughters of the Confederacy. Oklahoma Division, Oklahoma Historical Society, and Oklahoma State University (page images at HathiTrust)
Universal dance folio (L. Feist, 1925), by May Singhi Breen (page images at HathiTrust)
Feist dance folio. No. 8 : thirty of the latest song hits arr. as fox trots, waltzes, blues, etc. : piano solo (Leo. Feist, 1924), by Leo Feist and May Singhi Breen (page images at HathiTrust)
Hits through the years 1890 to the present : from the catalogs of M. Witmark & Sons, Harms, Inc., Remick Music Corporation, Advanced Music Corporation. (Music Publishers Holding Corp., 1943), by De Vincent Collection of American Sheet Music and Music Publishers Holding Corporation (page images at HathiTrust)
Heart songs dear to the American people : and by them contributed in the search for treasured songs initiated by the National Magazine. (Chapple Pub. Co., 1909), by Joe Mitchell Chapple (page images at HathiTrust)
My little Javanese (M. Witmark & Sons, 1917), by A. Baldwin Sloane, John Murray Anderson, and Philip Bartholomae (page images at HathiTrust)
Lingo of tin-pan alley (Broadcast Music, 1950), by Arnold Shaw (page images at HathiTrust)
Melrose Dixie song and dance folio : no. 2. (Melrose Bros. Music Company, in the 0s) (page images at HathiTrust)
Tripoli : on the shores of Tripoli (M. Witmark, 1920), by Irving Weill, Al Dubin, and Paul Cunningham (page images at HathiTrust)
When the one you love loves you : waltz song (Leo. Feist Inc., 1924), by Paul Whiteman, Morton Downey, Cliff Friend, and Abel Baer (page images at HathiTrust)
Tell my mother her boy's all right (Al Piantadosi & Co., Inc., 1918), by Allan Flynn and Starmer (page images at HathiTrust)
Music by Janis Ian, by Janis Ian (Gutenberg ebook)

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