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Robin Hood (Legendary character) -- Drama

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• Robin Hood (Legendary character)
• Drama

• Robin Hood: A Comic Opera in Three Acts (piano-vocal score; New York: G. Schirmer; Leipzig, F. Hofmeister, c1891), by Reginald De Koven and Harry B. Smith
  • multiple formats at archive.org
  • page images at HathiTrust
• Robin Hood and the Pedlar (ca. 1914), by John Drinkwater (page images at HathiTrust; US access only)
• The Sad Shepherd: or, A Tale of Robin Hood (London: Printed for J. Nichols, and sold by C. Dilly, 1783), by Ben Jonson, contrib. by F. G. Waldron and Peter Whalley (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• The Famous Exploits of Robin Hood, Little John and His Merry Men All (London: J. Catnach, ca. 1821) (multiple formats at archive.org)
• Robin Hood, by Henry Gilbert, illust. by Frank Godwin (illustrated HTML at kellscraft.com)
• Robin Hood and His Adventures, by Paul Creswick, illust. by N. C. Wyeth (illustrated HTML at sacred-texts.com)
• The Robin Hood Garlands and Ballads, With the Tale of the Lytell Geste: A Collection of All the Poems, Songs and Ballads Relating to This Celebrated Yeoman; To Which is Prefixed His History and Character, Deduced From Documents Hitherto Unrevised (2 volumes; London: J. R. Smith and J. Lilly, 1850), ed. by John Mathew Gutch, contrib. by William Hone, Francis Douce, and Edward F. Rimbault, illust. by F. W. Fairholt (page images at HathiTrust)
• Stories of Robin Hood Told to the Children, by H. E. Marshall, illust. by A. S. Forrest (illustrated HTML at Gateway to the Classics)
• Young Robin Hood, by George Manville Fenn (Gutenberg text)
• Anecdotes of Archery, From the Earliest Ages to the Year 1791 (York: Printed for E. Hargrove, 1792), by Ely Hargrove (HTML at archerylibrary.com)
• Historical Tales, the Romance of Reality: English (v4 of a larger series; Philadelphia and London: J. B. Lippincott Co., c1908), by Charles Morris (Gutenberg text and illustrated HTML)
• Historical Tales, the Romance of Reality: English (Los Angeles: Angelus University, c1908), by Charles Morris (illustrated HTML at Gateway to the Classics)

• Forest Days: A Romance of Old Times (Collection of Ancient and Modern British Authors, v386; Paris: Baudry's European Library, 1843), by G. P. R. James (Gutenberg text)

• Robin Hood (with 16 color plates; London and Melbourne: Ward, Lock, and Co., ca. 1920), by Evelyn Charles Vivian, illust. by Harry G. Theaker (page images at Florida)
• The Story of Robin Hood (McLoughlin Bros. edition) (page images at childrensbooksonline.org)

• The Merry Adventures of Robin Hood, by Howard Pyle (Gutenberg text, illustrated HTML, and audio reading)
• The Merry Adventures of Robin Hood, of Great Renown in Nottinghamshire (New York: C. Scribner's Sons, 1883), by Howard Pyle
  • multiple formats at archive.org
  • page images at HathiTrust
  • page images at Florida
• Robin Hood, by J. Walker McSpadden (Gutenberg text)

• Robin Hood and Other Outlaw Tales, ed. by Stephen Knight and Thomas H. Ohlgren (HTML at metseditions.org)

• The Forester's Offering (London: Whitaker and Co., 1841), by Spencer T. Hall
  • multiple formats at Google
  • page images at HathiTrust
• Robin Hood: A Collection of All The Ancient Poems, Songs, and Ballads, Now Extant, Relative to That Celebrated English Outlaw; To Which are Prefixed Historical Anecdotes of His Life (London: Printed for Longman, Hurst, Rees, Orme, and Brown, and Boys, 1820), by Joseph Ritson (multiple formats at archive.org)

• A Gest of Robyn Hode, ed. by Stephen Knight and Thomas H. Ohlgren (HTML at metseditions.org)

• Of Dramatic Poesie, by John Dryden (HTML at Toronto)
• Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
• Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
• Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text)

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
• Bibliography of Dramatic Literature (La Jolla, CA: World Drama Prompters, c1915), ed. by H. N. Clugston
  • multiple formats at archive.org
  • page images at HathiTrust
• Viewpoints in Modern Drama: An Arrangement of Plays According to Their Essential Interest (Chicago: American library association, 1925), by Francis K. W. Drury (page images at HathiTrust)

• Musical Design in Sophoclean Theater (Hanover, NH: Dartmouth College Press; University Press of New England, c1996), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
• Musical Design in Aeschylean Theater (Hanover, NH: Dartmouth College Press; Published by University Press of New England, 1984), by William C. Scott (multiple formats at Dartmouth Digital Publishing)

• Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org)
• The Pocket University (23 volumes; Garden City, NY: Pub. for N. Doubleday, Inc. by Doubleday, Page and Co., 1924), ed. by Bliss Perry, Thomas L. Masson, Henry Van Dyke, Hardin Craig, Asa Don Dickinson, George Iles, Hamilton Wright Mabie, and Lyman Abbott (page images at HathiTrust)

• On Editing Shakespeare and the Elizabethan Dramatists (Philadelphia: Pub. for the Philip H. and A. S. W. Rosenbach Foundation by the University of Pennsylvania Library, 1955), by Fredson Bowers (page images at HathiTrust)

• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Scene is Changed (c1942), by Ashley Dukes (HTML in Canada; NO US ACCESS)
• The Theory of the Theatre, and Other Principles of Dramatic Criticism (New York: Henry Holt and Co., 1910), by Clayton Meeker Hamilton (Gutenberg text)
• The Jew in Drama (London: P. S. King and Son, 1926), by M. J. Landa
  • page images in Germany
  • multiple formats at Google; US access only
• A Book About the Theater (New York: C. Scribner's Sons, 1916), by Brander Matthews (Gutenberg text and illustrated HTML)

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
• Annual Magazine Subject-Index (including a dramatic index for most years) (partial serial archives)

• The Drama (partial serial archives)
• The Dramatic Index (partial serial archives)
• Bulletin de la Société des Historiens du Théâtre (in French) (partial serial archives)

• Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust)
• Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece (Ann Arbor: University of Michigan Press, c1998), by Karen Bassi (page images at HathiTrust)
• Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner
  • PDF files with commentary at Ohio State Press
  • PDF at Ohio State
• Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman N. Holland (page images at Florida)

• The Social Significance of the Modern Drama (Boston: R. G. Badger; Toronto: Copp Clark Co., c1914), by Emma Goldman
  • Gutenberg text and illustrated HTML
  • multiple formats at archive.org
  • page images at HathiTrust

• Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)

• The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
• How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
• The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
• Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)

More items available under broader and related terms at left.