Sound recordings
Here are entered works on all types of media used for the recording of sound including cylinders, analog discs, digital discs, films, tapes, and wires, as well as works about analog discs alone.
See also what's at Wikipedia, your library, or elsewhere.
Broader term:Narrower terms:- Sound recordings -- Catalogs
- Sound recordings -- Conservation and restoration
- Sound recordings -- Digitization
- Sound recordings -- Labeling
- Sound recordings -- Periodicals
- Sound recordings -- Pirated editions
- Sound recordings -- Production and direction
- Sound recordings -- Reviews
- Sound recordings -- Social aspects
- Sound recordings -- United States
- Audiobooks
- Copyright -- Sound recordings
- Cover versions
- Audio discs
- Audio recordings
- Audiorecordings
- Discs, Audio
- Discs, Sound
- Disks, Sound
- Phonodiscs
- Phonograph records
- Phonorecords
- Recordings, Audio
- Recordings, Sound
- Records, Phonograph
- Records, Sound
- Sound discs
![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (Amsterdam: Amsterdam University Press, c2009), ed. by Karin Bijsterveld and José van Dijck (PDF with commentary at OAPEN)- Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)
- The Latest Blues by Columbia Race Stars: Columbia New Process Records, Made the New Way, Electrically, Viva-Tonal Recording, The Records Without Scratch (ca. 1927), by Columbia Records, Inc. (page images at HathiTrust)
- Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Transferring Analog Discs and Tapes (2006) (PDF at clir.org)
- Capturing Analog Sound for Digital Preservation: Report of a Roundtable Discussion of Best Practices for Transferring Analog Discs and Tapes (2006) (PDF at clir.org)
- Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives (2009), by June M. Besek (PDF with commentary at clir.org)
- Copyright Issues Relevant to Digital Preservation and Dissemination of Pre-1972 Commercial Sound Recordings by Libraries and Archives (2005), by June M. Besek (HTML and PDF with commentary at clir.org)
- Record Labeling: Hearing Before the Committee on Commerce, Science, and Transportation, United States Senate, Ninety-Ninth Congress, First Session, on Contents of Music and the Lyrics of Records, September 19, 1985 (Washington: GPO, 1985), by United States Senate Committee on Commerce, Science, and Transportation (page images at HathiTrust)
- Cash Box (partial serial archives)
- Recording Musician (British magazine, 1992-1993) (full serial archives)
- Gramophone (1923-) (partial serial archives)
- The Piracy Crusade: How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties (Amherst and Boston: University of Massachusetts Press, c2013), by Aram Sinnreich (PDF with commentary at piracycrusade.com and various other sites)
- Peers, Pirates, and Persuasion: Rhetoric in the Peer-to-Peer Debates (West Lafayette, IN: Parlor Press, c2006), by John Logie (multiple formats at archive.org)
- Copyright and Home Copying: Technology Challenges the Law (1989), by United States Congress Office of Technology Assessment (PDF files at Princeton)
- Bytes and Backbeats: Repurposing Music in the Digital Age (Ann Arbor: University of Michigan Press, c2011), by Steve Savage (PDF files at Project MUSE)
- Vinyl Theory (Amherst, MA: Lever Press, c2020), by Jeffrey R. Di Leo
- Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives (2009), by June M. Besek (PDF with commentary at clir.org)
- Copyright Issues Relevant to Digital Preservation and Dissemination of Pre-1972 Commercial Sound Recordings by Libraries and Archives (2005), by June M. Besek (HTML and PDF with commentary at clir.org)
- Protection for Pre-1972 Sound Recordings under State Law and Its Impact on Use by Nonprofit Institutions: A 10-State Analysis (2009), by Washington College of Law Program on Information Justice and Intellectual Property, contrib. by Peter Jaszi and Nicholas B. Lewis (HTML and PDF with commentary at clir.org)
- The Art and Science of Audio Book Production (1995), by Billy R. West (HTML at loc.gov)
- Science Fiction and Fantasy (1994), by Library of Congress National Library Service for the Blind and Physically Handicapped (page images at HathiTrust)
- Braille Book Review (partial serial archives)
- Talking Book Topics (with additional materials) (partial serial archives)
- A Philosophy of Cover Songs (Cambridge, UK: Open Book Publishers, c2022), by P. D. Magnus (multiple formats with commentary at Open Book Publishers)
- Rock This Way: Cultural Constructions of Musical Legitimacy (Ann Arbor: University of Michigan Press, c2023), by Mel Stanfill (multiple formats with commentary at fulcrum.org)
- A Philosophy of Cover Songs (Cambridge, UK: Open Book Publishers, c2022), by P. D. Magnus (multiple formats with commentary at Open Book Publishers)
Items below (if any) are from related and broader terms.
Filed under: Filmstrips -- Catalogs- Library of Congress Catalog: Motion Pictures and Filmstrips (partial serial archives)
- Library of Congress Catalog: Motion Pictures and Filmstrips (partial serial archives)
- Motion Pictures, 1894-1912, Identified From the Records of the United States Copyright Office (1953), by Library of Congress Copyright Office, ed. by Howard Lamarr Walls
- Descriptive Catalogue of Kodascope Library Motion Pictures (6th edition; c1936), by Kodascope Libraries (multiple formats at archive.org)
- Catalogue of the National Film Library of Sixteen Millimeter Motion Pictures (first edition; Los Angeles: National Film Library, c1931), by National Film Library (multiple formats at archive.org)
- Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1912-1939, by Library of Congress Copyright Office
- Catalog of Copyright Entries, Cumulative Series: Motion Pictures, 1960-1969, by Library of Congress Copyright Office
- Folklore/Cinema: Popular Film as Vernacular Culture (Logan, UT: Utah State University Press, 2007), ed. by Sharon R. Sherman and Mikel J. Koven (PDF with commentary at usu.edu)
- Film Quarterly: Forty Years, A Selection (Berkeley: University of California Press, c1999), ed. by Brian Henderson, Ann Martin, and Lee Amazonas (frame-dependent HTML with commentary at UC Press)
- Memory of Tiresias: Intertextuality and Film (Berkeley: University of California Press, c1998), by M. B. Iampolskii, trans. by Harsha Ram (frame-dependent HTML with commentary at UC Press)
- Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress (Washington: The Library, 1985), ed. by Iris Newsom, contrib. by Erik Barnouw (page images at HathiTrust)
- Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
- Movies From A.A.P.: Programs of Quality From Quality Studios (1957), by Associated Artists Productions (multiple formats at archive.org)
- Framing French Culture (Adelaide: University of Adelaide Press, c2015), ed. by Natalie Edwards, Ben McCann, and Peter Poiana (PDF with commentary at Adelaide)
- The Art of Cineplastics (Boston: Four Seas Co., 1923), by Élie Faure, trans. by Walter Pach (page images at HathiTrust)
- The Best Moving Pictures of 1922-23; also, Who's Who in the Movies, and the Yearbook of the American Screen (Boston: Small, Maynard and Co., c1923), ed. by Robert E. Sherwood (page images at HathiTrust)
- Der Film: Seine Mittel, Seine Ziele (in German; Berlin: Schuster und Loeffler, 1921), by Urban Gad (page images at HathiTrust; US access only)
- Making the Movies (New York: The Macmillan Co., 1919), by Ernest A. Dench (page images at HathiTrust)
- The Novel and the Screen (New York: Motion Picture Producers and Distributors of America, ca. 1925), by Motion Picture Producers and Distributors of America
- That Marvel, the Movie: A Glance at its Reckless Past, its Promising Present, and its Significant Future (New York and London: G. P. Putnam's Sons, 1923), by Edward S. Van Zile, contrib. by Will H. Hays
- Behind the Screen (New York: G. H. Doran Co., c1923), by Samuel Goldwyn
- Breaking Into the Movies (Philadelphia: G. W. Jacobs and Co., c1921), by John Emerson and Anita Loos (Gutenberg text and illustrated HTML)
- Radiomovies, Radiovision, Television (Washington: National Capital Press, c1929), by C. Francis Jenkins (page images at HathiTrust)
- Lantern Slides and How to Make Them (New York: Scovill and Adams, 1892), by A. R. Dresser (page images at HathiTrust)
More items available under broader and related terms at left.