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Tablature (Music)

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• Musical notation

• A New Booke of Tabliture, Containing Sundrie Easie and Familiar Instructions (1596), by William Barley (PDF at shipbrook.net)
• Sang und Klang aus alter Zeit : hundert Musikstücke aus Tabulaturen des XVI. bis XVIII. Jahrhunderts (L. Liepmannssohn, 1906), by Wilhelm Tappert (page images at HathiTrust)
• Handbuch der Notationskunde (Breitkopf & Ha̋rtel, 1913), by Johannes Wolf (page images at HathiTrust)
• Der Tanz in den deutschen Tabulaturbüchern : mit thematischen Verzeichnissen, Beispielen zur Intavolationspraxis und einer Studie über die Anfänge des Klavierstils (Breitkopf & Härtel, 1927), by Wilhelm Merian (page images at HathiTrust)
• Musica getutscht und auszgezogẽ durch Sebastianũ Virdung Priesters von Amberg und alles Gesang ausz den Notẽ in die Tabulaturẽ diser benantẽ dryer Instrumẽtẽ, der Orgeln: der Lautẽ und đ Flöten transferieren zu lernẽ Kurtzlich gemacht zu eren dẽ hochwirdigẽ hoch gebornen fürsten unnd Herren: Herr Wilhalmen Bischoue zü Strassburg seynem gnedigẽ Herren. [Basel, 1511] ([Breitkopf und Härtel], 1882), by Sebastian Virdung (page images at HathiTrust)
• Tabulaturbuch der Isabel van Langhenhove 1635 (Koninklijke Bibliotheek, 1998?], 1635), by Koninklijke Bibliotheek (Netherlands) and Isabel van Langhenhove (page images at HathiTrust)
• Il liuto : notizie esplicative e storiche (G. Podrecca, 1921), by Angelina Altoviti Avila and Bendetto Landini (page images at HathiTrust)
• Laute und Lautenmusik bis zur Mitte des 16. Jahrhunderts. Unter besonderer Berücksichtigung der deutschen Lautentabulatur. (Breitkopf & Härtel, 1901), by Oswald Körte (page images at HathiTrust)
• Laute und Lautenmusik bis zur Mitte des 16. Jahrhunderts, unter besonderer Berücksichtigung der deutschen Lautentabulatur (Gregg, 1968), by Oswald Körte (page images at HathiTrust)
• Il Fronimo. (Forni, 1969), by Vincenzo Galilei (page images at HathiTrust)
• Laute und Lautenmusik bis zur Mitte des 16. Jahrhunderts. Unter besonderer Berücksichtigung der deutschen Lautentabulatur. (Leipzig,bDruck von Breitkopf & Härtel, 1901), by Oswald Körte (page images at HathiTrust)
• Le trésor d'Orphée : livre de tablature de luth contenant une Susane un joir, plusieurs fantasies, preludes, passemaises, gaillardes, pavanes d'Angleterre, pavane espagnolle, fin de gaillarde, suittes de bransles, tant à cord avalées qu'austres, voltes & courantes (s. n., 1906), by Antoine Francisque and Henri Quittard (page images at HathiTrust)
• Sebastian Virdung's Musica getutscht : Basel 1511 (T. Trautwein'sche Buch- und Musikhandlung, 1882), by Sebastian Virdung and Robert Eitner (page images at HathiTrust)
• New citharen lessons, with perfect tunings of the same, from foure course of strings to fourteene course, euen to trie the sharpest teeth of enuie, with lessons of all sorts, and methodicall instructions for all professors and practitioners of the citharen. (W. Barley, 1609), by Thomas Robinson (page images at HathiTrust)
• Il ballarino (Appresso Franceco Ziletti, 1581), by Fabritio Caroso and Giacomo Franco (page images at HathiTrust)
• Tabulatura organowa z biblioteki klasztoru św. Ducha w Krakowie z r. 1548. (Nakładem Akademii Umiejetności, skład głowny w ksiegarni spółki Wydawniczej Polskiej, 1913), by Zdzisław Jachimecki, Akademja Umiejętności w Krakowie, and Kraków (Poland). Klasztor św. Ducha. Biblioteka (page images at HathiTrust)

Items below (if any) are from related and broader terms.

• Phonophotography in Folk Music: American Negro Songs in New Notation (Chapel Hill, NC: University of North Carolina Press, 1928), by Milton Metfessel, contrib. by Carl E. Seashore (page images at HathiTrust)
• Die Harmonikale Symbolik des Alterthums (2 volumes in German; Cologne: M. Du Mont-Schauberg, 1868-1876), by Albert Thimus (page images at HathiTrust)
• Duriyangkhasāt : tamrā rīan nōt phlēng ([publisher not identified], 1922), by Nan Thantharānon and William J. Gedney (page images at HathiTrust)
• The Myvyrian archaiology of Wales: collected out of ancient manuscripts. (T. Gee, 1870), by Owen Jones, Aneurin Owen, John Thomas, W. Owen Pughe, and Iolo Morganwg (page images at HathiTrust)
• Geschichte der mensural-notation von 1250-1460. (Breitkopf & Härtel, 1904), by Johannes Wolf (page images at HathiTrust)
• Die byzantinische notenschrift im 10. bis 15. jahrhundert. (Breitkopf & Härtel, 1909), by Hugo Riemann (page images at HathiTrust)
• Studien zur Geschichte der Notenschrift (Breitkopf und Härtel, 1878), by Hugo Riemann (page images at HathiTrust)
• Handbuch der Notationskunde (Breitkopf & Ha̋rtel, 1913), by Johannes Wolf (page images at HathiTrust)
• Die Tonschriften. (F. Hirt, 1924), by Johannes Wolf (page images at HathiTrust)
• Notation musicale autonome. ([Impr. de l'école municipale Estienne], 1907), by Jean Hautstont (page images at HathiTrust)
• Aus liederbüchern der humanistenzeit : eine bibliographische und notentypographische studie, vorgelegt (Breitkopf & Härtel, 1910), by Eduard Bernoulli (page images at HathiTrust)
• Preparing music manuscript. (Prentice-Hall, 1963), by Anthony Donato (page images at HathiTrust)
• Die Ornamentik der Musik (Breitkopf & Härtel, 1908), by Adolf Beyschlag (page images at HathiTrust)
• Music notation and terminology. (Laidlaw brothers, 1930), by Karl Wilson Gehrkens (page images at HathiTrust)
• An experimental study of the perceptibility and spacing of music symbols. (Bureau of publications, Teachers college, Columbia university, 1939), by Lorin Farrar Wheelwright (page images at HathiTrust)
• Die Mensuralnoten und Taktzeichen des XV. und XVI. Jahrhunderts (G. Reimer, 1858), by Heinrich Bellermann (page images at HathiTrust)
• Die mensuralnotenschrift des zwœlften und dreizehnten jahrhunderts (J. Springer, 1871), by Gustav Jacobsthal (page images at HathiTrust)
• École flamande (1450 à 1600) La mesure dans la notation proportionnelle et sa transcription moderne ... (Maison Delvigne;, 1927), by Antonio Tirabassi (page images at HathiTrust)
• The notation of polyphonic music, 900-1600. (Mediaeval Academy of America, 1949), by Willi Apel (page images at HathiTrust)
• Histoire de la notation musicale depuis ses origines (Imprimerie nationale [Heugel et fils], 1882), by Ernest David and Mathis Lussy (page images at HathiTrust)
• Geschichte der Notenschrift, mit 3 Abbildungen, 18 Tabellen und zahlreichen Notenbeispielen im Text. (O. Hellmann, 1907), by Franz Diettrich-Kalkhoff (page images at HathiTrust)
• The story of notation (The Walter Scott publishing co., ltd.;, 1903), by C. F. Abdy Williams (page images at HathiTrust)
• The natural method of writing music, with some familiar pieces written in the natural notation. (Eastern publishing company, 1893), by Levi Orser (page images at HathiTrust)
• Music notation and terminology (Laidlaw brothers, 1950), by Karl Wilson Gehrkens (page images at HathiTrust)
• The perception of music symbols in music reading by normal children and by children gifted musically. (School of Education, 1959), by Robert George Petzold (page images at HathiTrust)
• Antiphonaire de Saint Grégoire : fac-simile du manuscrit de Saint-Gall (copie authentique de l'autographe écrite vers l'an 790) : accompagné: 1⁰ d'une notice historique, 2⁰ d'une dissertation donnant la clef du chant grégorien, dans les antiques notations, 3⁰ de divers monuments, tableaux neumatiques inédits, etc., etc. (Ch.-J.-A. Greuse, 1867), by Catholic Church and L. Lambillotte (page images at HathiTrust)
• Antiphonaire de Saint Grégoire : fac-simile du manuscrit de Saint-Gall (copie authentique de l'autographe écrite vers l'an 790) : accompagné 1⁰. d'une notice historique, 2⁰. d'une dissertation donnant la clef du chant grégorien, dans les antiques notations, 3⁰. de divers monuments, tableaux neumatiques inédits, etc., etc. (Ch.-J.-A. Greuse, 1972), by Catholic Church and L. Lambillotte (page images at HathiTrust)
• Preparing music manuscript. (Amsco, 1963), by Anthony Donato (page images at HathiTrust)
• An experimental study of the perceptibility and spacing of music symbols (Bureau of publications, 1939), by Lorin Farrar Wheelwright (page images at HathiTrust)
• Die Notationen des alt-russischen Kirchengesanges ... (Synodal Buchdrukerei, 1908), by Oskar von Riesemann (page images at HathiTrust)
• White spirituals in the southern uplands; the story of the fasola folk, their songs, singings, and "buckwheat notes," (The University of North Carolina press, 1933), by George Pullen Jackson (page images at HathiTrust)
• Über die abweichende Bedeutung der Ligaturen in der Mensuraltheorie der Zeit vor Johannes de Garlandia. Ein Beitrag zur Geschichte der altfranzösischen Tonschule des XII. Jahrhunderts. (Breitkopf & Härtel, 1901), by Walter Niemann (page images at HathiTrust)
• Byzantine music and hymnography (Faith Press, 1923), by H. J. W. Tillyard (page images at HathiTrust)
• Geschichte der Notenschrift. (O. Hellmann, 1907), by Franz Diettrich-Kalkhoff (page images at HathiTrust)
• Notation and sight singing. (The Biola book room, 1928), by John Bissell Trowbridge (page images at HathiTrust)
• Méthode nouvelle de notation musicale; exercices de solmisation (non chantables) spécialement composés pour faciliter la lecture de la musique de piano (Chez Girod, 1900), by Joséphine Orange-Colombier (page images at HathiTrust)
• The phonarthron. Or, Natural system of the sounds of speech: a test of pronunciation for all languages: also, the phonarithmon, and the phonodion. To which is added, a practical application of the phonarthron to English and French pronunciation; and to the reading of Hebrew, &c. (J. G. F. & J. Rivington, 1840), by William Henry Henslowe (page images at HathiTrust)
• Sistema musical Menchaca : sus bases y ventajas, breve, claro, científico : representación perfecta del sonido igual para todas las voces y todos los instrumentos. (Sociedad Anónima "Sistema musical Menchaca", 1909), by Angel Menchaca and Sociedad Anónima "Sistema Musical Menchaca (page images at HathiTrust)
• Die Choralnotenschrift bei Hymnen und Sequenzen im spärteren Mittelalter ... (Druck von Breitkopf & Härtel, 1897), by Eduard Bernoulli (page images at HathiTrust)
• La notographie, alphabet universel des sons. Méthode nouvelle d'écrire aussi vite que la parole dans toutes les langues (Chez Delaunay [etc.], 1819), by E. Vidal and capitaine au Corps royal d'État-major M*** (page images at HathiTrust)
• Music notation and terminology (The A. S. Barnes company, 1914), by Karl Wilson Gehrkens (page images at HathiTrust)
• Traité de l'art musical, précédé de Échelle tricolore, où, après unee réfutation du système de notation usité et une exposition lumineuse du nouveau procédé, on trouve réunis les principes de la mélodie et de l'harmonie dont il fait voir l'ensemble et les rapports ... (A. Choisnet, 1856), by Eugène Cornier (page images at HathiTrust)
• Notenproben der Officin Breitkopf & Härtel in Leipzig. (Leipzig :, 1885) (page images at HathiTrust)
• Mémoire sur Hucbald et sur ses traités de musique, suivi de recherches sur la notation et sur les instruments de musique. (J. Techener, 1841), by Charles Edmond Henri de Coussemaker (page images at HathiTrust)
• Deutsche Choral-Wiegendrucke; ein Beitrag zur Geschichte des Chorals und des Notendruckes in Deutschland (F. Pustet, 1904), by Raphael Molitor (page images at HathiTrust)
• A short abridgement of the rules of music : with lessons for exercise, and a few observations : for new beginners ([Shaker Society], 1836), by Isaac N. Youngs (page images at HathiTrust)
• Nuovo sistema di notazione musicale che tende a facilitare la lettura, la esecuzione e la stampa della musica a tipi mobili (Tip. di G. Cecchini (figlio), 1873), by Antonio Aloysio (page images at HathiTrust)
• Die Mensuralnoten und Taktzeichen des XV. und XVI. Jahrhunderts (G. Reimer, 1906), by Heinrich Bellermann (page images at HathiTrust)
• Descrizione della nuova tastiera cromatica ed esposizione del nuovo sistema di scrittura musicale. (Tipografia di Roma, 1880), by Bartolomeo Grassi-Landi (page images at HathiTrust)
• The new musical notation, without clefs, without sharps, without flats, without naturals (Published by the author, 1948), by Velizar Godjevatz (page images at HathiTrust)
• Byzantine music and hymnography (Faith Press, 1923), by H. J. W. Tillyard (page images at HathiTrust)
• The Myvyrian archaiology of Wales : collected out of ancient manuscripts. (Printed by S. Rousseau ... for the editors and Sold by Longman and Rees ..., 1801), by W. Owen Pughe, Iolo Morganwg, and Owen Jones (page images at HathiTrust)
• Teoría de la escritura musical y su interpretacion : puesta en verso para su más fácil inteligencia (Oficina Tipográfica del Hospicio, 1870) (page images at HathiTrust)
• A new fingering notation for keyboard music (The Author, 1933), by William Wilson (page images at HathiTrust)
• L'art phonique; nouveau mode de notation. Clef des réformes destinées à réduire des neuf dixièmes la théorie et la pratique de l'art musical, et à en rendre l'étude claire et facile ... (Chez l'auteur, 1850), by A. L. A. Dulaurens (page images at HathiTrust)
• The octave staff; diatonic and chromatic; reducing the different staves to one; furnishing an exclusive place for each tone, without flats or sharps. (D. Appleton & Co., 1851), by F. A. Adams (page images at HathiTrust)
• Examen critique des notations musicales proposées depuis deux siècles (Librairie encyclopédique de Roret, 1856), by Joseph Raymondi (page images at HathiTrust)
• Sur un nouveau signe proposé pour remplacer les trois clefs de la notation musicale (L. Escudier, 1868), by Alexis Azevedo (page images at HathiTrust)
• Whittington & his cat : an entertainment for young people (Dean and son, 1856), by Miss Corner and Alfred Crowquill (page images at HathiTrust)
• Studien zur byzantinischen Musik. (Breitkopf & Härtel, 1909), by Hugo Riemann (page images at HathiTrust)
• La notation neumatique. Étude. (A Burdin, 1911), by Georges Louis Houdard (page images at HathiTrust)
• A new system of music, both theorical and practical, and yet not mathematical : written in a manner intirely new, that's to say, in a style plane and intelligible, and calculated to render the art more charming, the teaching not only less tedious, but more profitable, and the learning easier by three quarters... (J.F. de Lafond, 1975), by Jean-François de La Fond (page images at HathiTrust)
• Neue Beiträge zur Lösung der Probleme der byzantinischen Notenschrift; eine Auseinandersetzung mit Mr. H.J.W. Tillyard (Breitkopf & Härtel, 1915), by Hugo Riemann (page images at HathiTrust)
• A short treatise on the stave : to serve as an introduction to the practice of reading or playing from score (J. W. Parker and son, 1855), by John Hullah (page images at HathiTrust)
• Ē sēmerinē parasēmantike tēs ellēnikēs ekklēsias (Sinodalʹnai︠a︡ tip., 1907), by D. Allemanov and A. Zverev (page images at HathiTrust)
• La musique apprise sans maitre (A. Petit, 1835), by Édouard Jue (page images at HathiTrust)
• The phonarthron. (J. G. F. & J. Rivington, 1840), by William Henry Henslowe (page images at HathiTrust)
• O drevne-russkikh pi︠e︡vcheskikh notat︠s︡īi︠a︡kh; istoriko-paleograficheskīĭ ocherk (I.N. Skorokhodov], 1901), by Stepan Vasilʹevich Smolenskiĭ (page images at HathiTrust)
• A manual of musical notation for the use of teachers and the more advanced students of music, illustrated by one hundred and fifty-five examples, chiefly from classical compositions (Hatch Music Co., 1902), by J. W. Jeudwine (page images at HathiTrust)
• Über die abweichende Bedeutung der Ligaturen in der Mensuraltheorie der Zeit vor Johannes de Garlandia. Ein Beitrag zur Geschichte der altfranzösischen Tonschule des XII. Jahrhunderts. (Breitkopf & Härtel, 1902), by Walter Niemann (page images at HathiTrust)
• Izvěshtenie ō soglasněnōn poměta (880-02 Kazanʹ : Tipografii͡a Imperatorskago Universiteta i : Tipo-litografii͡a N. Danilova, 1888., 1888), by Alexandr Mezenet︠s︡, S. A. Rachinskīĭ, and Stepan Vasilʹevich Smolenskiĭ (page images at HathiTrust)
• Elements & notation of music (Ginn & Company, 1902), by James M. McLaughlin (page images at HathiTrust)
• History of St. Nicholas (Scribner & Co., 1877), by Charles Barnard, Francis Hart & Co, and Charles Scribner & Company (page images at HathiTrust)
• The structure of music; an elementary text-book on notation and harmony, with full illustrations and abundant exercises; for use in the class-room, and for self-instruction (G. Schirmer, 1895), by George Coleman Gow (page images at HathiTrust)
• How to write music, musical orthography (The H. W. Gray co., 1917), by Clement Antrobus Harris and Mallinson Randall (page images at HathiTrust)
• Notation; brief directions concerning the choice, adjustment, and formation by hand of the characters constituting the musical alphabet. (Longmans, Green, 1876), by John Hullah (page images at HathiTrust)
• Das schlüssellose noten-system der zukunft. (Riesen & Calebow, 1902), by Paul O. Riesen (page images at HathiTrust)
• Eine Abhandlung über Mensuralmusik : in der Karlsruher Handschrift St. Peter pergamen. 29a (B.G. Teubner, 1984), by Hans Müller and Badische Landesbibliothek Karlsruhe (page images at HathiTrust)
• Russkai a simi ografi i a : iz oblasti t s erkovno-pi e vcheskoi arkheologi i i paleografi i : tekst s prilozheni em CXIX tablit s foto-litografskikh snimkov s kri u kovykh rukopisei X-XVII vv. (Izdani e Imp. moskovskago arkheologicheskago in-ta im. Imperatora Nikolai a II-go, 1912), by V. M. Metallov and Moskovski i arkheologicheski i institut (page images at HathiTrust)
• Dell' arte di interpretare la scrittura della musica vocale del cinquecento, saggio di paleografia musicale, illustrato da 15 tavole. (B. Seeber, 1902), by Guido Gasperini (page images at HathiTrust)
• Antiphonaire de Saint Gregoire, fac-simile du manuscrit de Saint-Gall. (Copie authentique de l'autographe ecrite vers l'an 790) Accompagne 1. D'une notice historique. 2. D'une dissertation donnant la clef du chant gregorien, dans les antiques notations. 3. De divers monuments, tableaux neumatiques inedits, etc., etc. (Ch.-J.-A. Greuse, 1872), by Catholic Church, L. Lambillotte, and Stiftsbibliothek Sankt Gallen (page images at HathiTrust)
• System der altgriechischen instrumentalnotenschrift. (Dieterich'sche verlagsbuchhandlung, 1897), by Albert Wilhelm Thierfelder (page images at HathiTrust)
• Chromographische Darstellung der Tondichtungen. (T. Ackermann, 1875), by Adolph Decher and Ludwig van Beethoven (page images at HathiTrust)
• Traité général des éléments du chant (Minkoff Reprints, 1972), by Joseph Lacassagne (page images at HathiTrust)
• Music notation and terminology ... (The A.S. Barnes Company, 1920), by Karl Wilson Gehrkens (page images at HathiTrust)
• Zur Geschichte der neuen chromatischen Klaviatur und Notenschrift (G. Stilke, 1877), by Otto Quantz (page images at HathiTrust)
• Principi elementari di musica (Tipografia Baroni, 1849), by Giovanni Pacini (page images at HathiTrust)
• Principj elementari di musica : adottati dall'I.R. Conservatorio di Milano per le ripetizioni giornaliere degli alunni (G. Ricordi, 1845), by Bonifazio Asioli and Italy) Conservatorio di musica Giuseppe Verdi (Milan (page images at HathiTrust)
• Russkai͡a simiografii͡a; iz oblasti t͡serkovno-pi͡evcheskoĭ arkheologīi i paleografīi. Tekst s prilozhenīem CXIX tablit͡s foto-litografskikh snimkov s kri͡ukovykh rukopiseĭ X-XVII vv. (Izdanīe Imperatorskago Moskovskago arkheologicheskago instituta imeni Imperatora Nikolaia II-go, 1912), by V. M. Metallov and Moscow (Russia). Moskovskiĭ arkheologicheskiĭ institut (page images at HathiTrust)
• Česká notace (A. Neubert, 1926), by Josef Hutter (page images at HathiTrust)
• System in musical notation (Novelle and company, limited;, 1920), by H. Elliot Button (page images at HathiTrust)
• Safranek's guide to harmony : a self-help course in harmonic theory and practice (Virtuoso Music School, 1923), by V. F. Safranek and Charles A. Leach (page images at HathiTrust)
• Old cross at Canna (Windemere Press, 1916), by John Cargill (page images at HathiTrust)
• Negro poetry in America (Boston, Massachusetts : The Stratford Company publishers, 1925., 1925), by Lena Beatrice Morton and Mass.) Stratford Company (Boston (page images at HathiTrust)
• Syntagma musicum, Band III (C. F. Kahnt Nachfolger, 1916), by Michael Praetorius and Eduard Bernoulli (page images at HathiTrust)
• Don't. A friendly attempt to correct some prevalent errors in musical terminology. (The J. Church company, 1895), by George F. Root (page images at HathiTrust)
• C.G. Röder 1846-1896 (C.G. Röder, 1896), by C.G. Röder (Firm) and Hugo Riemann (page images at HathiTrust)
• Principii elementari di musica : adottati dall'I.R. Conservatorio di Milano per le ripetizioni giornaliere degli alunni : con tavole (Torino : Presso Giuseppe Magrini, [between 1800 and 1850?], 1800), by Bonifazio Asioli and Italy) Conservatorio di musica Giuseppe Verdi (Milan (page images at HathiTrust)
• The quiver of sacred song : for use in Sunday schools, prayer meetings, gospel meetings, etc. (Published by John J. Hood, 1880), by John J. Hood, John R. Sweney, and William J. Kirkpatrick (page images at HathiTrust)
• Le répons-graduel Justus ut palma : reproduit en fac-similé d'après plus de deux cents antiphonaires manuscrits d'origines diverses du IXe au XVIIe siècle. (Impr. Saint-Pierre, 1891), by Catholic Church and André Mocquereau (page images at HathiTrust)
• La notation aquitaine et les origines de la notation musicale, d'après les anciens manuscrits d'Albi (Au bureau d'édition de la "Schola,", 1908), by Jean Lapeyre and Albert Guittard (page images at HathiTrust)
• Unsere Tonschrift. Kurzer Rückblick auf deren Werdegang sowie auf die Vorschläge zu deren Verbesserung, ferner ein neuer Vorschlag für Tonbenennung und Notenschrift (A. Pichlers Witwe & Sohn, 1903), by Hans Sacher (page images at HathiTrust)
• The Myvyrian archaiology of Wales: collected out of ancient manuscripts. (T. Gee, 1870), by Owen Jones, Aneurin Owen, W. Owen Pughe, Iolo Morganwg, and John Thomas (page images at HathiTrust)
• All about pitch : a workbook for mastering the complete theory and notation of pitch, intervals, chords, scales, and key signatures (New York, N.Y. : E.F. Kalmus, [1950], 1950), by Anne Holden (page images at HathiTrust)
• The One line psalmist : embracing Day and Beal's new musical notation and sight-singing method ... also a large variety of sacred music, new and old, by German, English, and American composers, comprising tunes in the usual metres and keys; together with sentences, anthems and chants (Boston : Published at No. 8 Court-Square, 1849., 1849), by H. W. Day and Benson Collection of Hymnals and Hymnology (Princeton Theological Seminary) (page images at HathiTrust)
• The notation of polyphonic music, 900-1600 (The Mediaeval Academy of America, 1944), by Willi Apel (page images at HathiTrust)
• Vereinfachung der notenschrift und der einführung in die musiklehre (Leuschner & Lubensky, 1910), by Karl Laker (page images at HathiTrust)
• How to Write Music: Musical Orthography, by Clement A. Harris, ed. by Mallinson Randall (Gutenberg ebook)
• Music Notation and Terminology, by Karl Wilson Gehrkens (Gutenberg ebook)
• A vindication of an Essay to the advancement of musick from Mr. Matthew Lock's Observations, by enquiring into the real nature and most convenient practise of that science / by Thomas Salmon ... (London : Printed by A. Maxwell and are to be sold by John Car ..., 1672), by Thomas Salmon, N. E., and John Wallis (HTML at EEBO TCP)
• Observations upon a late book, entituled, An essay to the advancement of musick, &c., written by Thomas Salmon ... by Matthew Locke ... (London : Printed by W.G., and are to be sold by John Playford at his shop ..., 1672), by Matthew Locke and John Playford (HTML at EEBO TCP)
• The present practice of musick vindicated against the exceptions and new way of attaining musick lately publish'd by Thomas Salmon, M.A. &c. by Matthew Locke ... ; to which is added Duelium musicum, by John Phillips, Gent. ; together with a letter from John Playford to Mr. T. Salmon by way of confutation of his essay, &c. (London : Printed for N. Brooke ... and J. Playford ..., 1673), by Matthew Locke, John Phillips, and John Playford (HTML at EEBO TCP)
• An essay to the advancement of musick by casting away the perplexity of different cliffs, and uniting all sorts of musick, lute, viol, violin, organ, harpsechord, voice, &c. in one universal character / by Thomas Salmon ... (London : Printed by J. Macock and to be sold by John Car ..., 1672), by Thomas Salmon and John Birchensha (HTML at EEBO TCP)
• The Origins of Western Notation: Revised and Translated by Neil Moran (Bern et al.: Peter Lang AG, 2011), by Constantin Floros (JSTOR ebook)

More items available under broader and related terms at left.