Theater -- England -- History -- 17th century
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The Organization and Personnel of the Shakespearean Company (New York: Russell and Russell, 1961), by T. W. Baldwin (page images at HathiTrust)- Dramatic Publication in England, 1580-1640: A Study of Conditions Affecting Content and Form of Drama (Modern Language Association of America monograph #2; New York: D.C. Heath; London : Oxford University Press, 1927), by Evelyn May Albright (page images at HathiTrust)
- Sous le Masque de "William Shakespeare": William Stanley, VIe Comte de Derby (2 volumes in French; Paris: Payot et cie, 1918-1919), by A. Lefranc
- Shakespearean Prompt-Books of the Seventeenth Century, by William Shakespeare and G. Blakemore Evans (HTML at bsuva.org)
- Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: University of Michigan Press, c1994), by Michael Shapiro
- Gaming the Stage: Playable Media and the Rise of English Commercial Theater (Ann Arbor: University of Michigan Press, 2018), by Gina Bloom
- Gaming the Stage: Playable Media and the Rise of English Commercial Theater (Ann Arbor: University of Michigan Press, 2018), by Gina Bloom
Items below (if any) are from related and broader terms.
Filed under: Theater -- England -- History- A Collection of Ancient Documents Respecting the Office of Master of the Revels, and Other Papers Relating to the Early English Theatre, From the Original Manuscripts Formerly in the Haslewood Collection (London: Printed by T. Richards, 1870), ed. by J. O. Halliwell-Phillipps, contrib. by Joseph Haslewood (page images at HathiTrust)
- A Complete History of the English Stage (5 volumes; London: Printed for the author, ca. 1800), by Charles Dibdin (page images at HathiTrust)
- The History of English Dramatic Poetry to the Time of Shakespeare, and Annals of the Stage to the Restoration (3 volumes; London: J. Murray, 1831), by John Payne Collier (page images at HathiTrust)
- Shakespearean Playhouses: A History of English Theatres From the Beginnings to the Restoration (Boston et al: Houghton Mifflin Co., c1917), by Joseph Quincy Adams (multiple formats at archive.org)
- The Organization and Personnel of the Shakespearean Company (New York: Russell and Russell, 1961), by T. W. Baldwin (page images at HathiTrust)
- Dramatic Publication in England, 1580-1640: A Study of Conditions Affecting Content and Form of Drama (Modern Language Association of America monograph #2; New York: D.C. Heath; London : Oxford University Press, 1927), by Evelyn May Albright (page images at HathiTrust)
- Sous le Masque de "William Shakespeare": William Stanley, VIe Comte de Derby (2 volumes in French; Paris: Payot et cie, 1918-1919), by A. Lefranc
- Documents Relating to the Office of the Revels in the Time of Queen Elizabeth (Louvain: A. Uystpruyst; et al., 1908), by Great Britain Office of the Revels, ed. by Albert Feuillerat
- Henslowe's Diary (2 volumes; London: A. H. Bullen, 1904-1908), by Philip Henslowe, ed. by W. W. Greg
- Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: University of Michigan Press, c1994), by Michael Shapiro
- Gaming the Stage: Playable Media and the Rise of English Commercial Theater (Ann Arbor: University of Michigan Press, 2018), by Gina Bloom
- Gaming the Stage: Playable Media and the Rise of English Commercial Theater (Ann Arbor: University of Michigan Press, 2018), by Gina Bloom
- Staging Governance: Theatrical Imperialism in London, 1770-1800 (Baltimore: Johns Hopkins University Press, c2005), by Daniel O'Quinn (multiple formats with commentary at Project MUSE)
- Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
- Historical Account of the Rise and Progress of the English Stage, and of the Economy and Usages of the Ancient Theatres in England (Basel, Switzerland: J. J. Tourneisen, 1800), by Edmond Malone, contrib. by George Steevens
- The History of the Theatres of Brighton, From 1774 to 1885 (Brighton: King and Thorne, 1886), by Henry C. Porter (page images at HathiTrust)
- Records of Early English Drama: Bristol (Toronto et al.: University of Toronto Press, c1997), ed. by Mark C. Pilkinton (multiple formats at archive.org)
- Records of Early English Drama: Kent: Diocese of Canterbury (3 volumes; 2002), ed. by James M. Gibson
- The Case of Mrs. Clive, Submitted to the Publick (London: Printed for B. Dod, 1744), by Kitty Clive (HTML at Celebration of Women Writers)
- A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800 (16 volumes; Carbondale and Edwardsville, IL: Southern Illinois University Press, c1973-1993), by Philip H. Highfill, Kalman A. Burnim, and Edward A. Langhans (page images at HathiTrust)
- Records of Early English Drama: Oxford (2 volumes; c2004), ed. by John R. Elliott, Alan H. Nelson, Alexandra F. Johnston, and Diana Wyatt
- Records of Early English Drama: Sussex (c2000), ed. by Cameron Louis (multiple formats at archive.org)
- Records of Early English Drama: Cumberland, Westmorland, Gloucestershire (Toronto et al.: University of Toronto Press, 1981), ed. by Audrey W. Douglas and Peter Greenfield (multiple formats at archive.org)
- The Dramatic Records of Sir Henry Herbert, Master of the Revels, 1623-1673 (1917), by Great Britain Office of the Revels and Henry Herbert, ed. by Joseph Quincy Adams (multiple formats at archive.org)
- The History of the Coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II (London, 1687), by Francis Sandford and Gregory King (frame- and JavaScript-dependent page images at rarebookroom.org)
- Immanence and Transcendence: The Theater of Jean Rotrou, 1609-1650 (Columbus, OH: Ohio State University Press, c1969), by Robert James Nelson (PDF at Ohio State)