Tragedy
See also what's at Wikipedia, your library, or elsewhere.
Broader term:![[Info]](https://onlinebooks.library.upenn.edu/info.gif)
A Short View of Tragedy (1970 facsimile reprint; originally published 1693), by Thomas Rymer (multiple formats at Google)- Musical Design in Sophoclean Theater (Hanover, NH: Dartmouth College Press; University Press of New England, c1996), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
- Transgressions of Reading: Narrative Engagement as Exile and Return (Durham, NC and London: Duke University Press, 1993), by Robert D. Newman (page images at HathiTrust)
- Senecan Drama and Stoic Cosmology (Berkeley: University of California Press, 1989), by Thomas G. Rosenmeyer (HTML at UC Press)
- Ritual Irony: Poetry and Sacrifice in Euripides (Ithaca, NY and London: Cornell University Press, c1985), by Helene P. Foley (multiple formats with commentary at Cornell Open)
- Musical Design in Aeschylean Theater (Hanover, NH: Dartmouth College Press; Published by University Press of New England, 1984), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
- Timon of Athens: Shakespeare's Pessimistic Tragedy (Columbus, OH: Ohio State University Press, c1979), by Rolf Soellner, contrib. by Gary Jay Williams (PDF files with commentary at Ohio State Press)
- Figurative Design in Hamlet: The Significance of the Dumb Show (Columbus, OH: Ohio State University Press, c1973), by Lee Sheridan Cox (PDF at Ohio State)
- The Pillar of the World: Antony and Cleopatra in Shakespeare's Development (Columbus, OH: Ohio State University Press, 1968), by Julian Markels (PDF at Ohio State)
- Euripides and His Age (New York: Henry Holt and Company; London: Williams and Norgate, c1913), by Gilbert Murray (HTML with commentary at sacred-texts.com)
- Ecclesiastical Law in Hamlet: The Burial of Ophelia, by R. S. Guernsey (multiple formats at archive.org)
- Hamlet and Orestes: A Study in Traditional Types (annual Shakespeare lecture, 1914), by Gilbert Murray (page images at HathiTrust)
- Shakspere and Montaigne: An Endeavour to Explain the Tendency of "Hamlet" From Allusions in Contemporary Works, by Jacob Feis (Gutenberg text)
Items below (if any) are from related and broader terms.
Filed under: Drama- Of Dramatic Poesie, by John Dryden (HTML at Toronto)
- Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust)
- Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
- Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text)
- Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
- Viewpoints in Modern Drama: An Arrangement of Plays According to Their Essential Interest (Chicago: American library association, 1925), by Francis K. W. Drury (page images at HathiTrust)
- Musical Design in Sophoclean Theater (Hanover, NH: Dartmouth College Press; University Press of New England, c1996), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
- Musical Design in Aeschylean Theater (Hanover, NH: Dartmouth College Press; Published by University Press of New England, 1984), by William C. Scott (multiple formats at Dartmouth Digital Publishing)
- Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org)
- The Pocket University (23 volumes; Garden City, NY: Pub. for N. Doubleday, Inc. by Doubleday, Page and Co., 1924), ed. by Bliss Perry, Thomas L. Masson, Henry Van Dyke, Hardin Craig, Asa Don Dickinson, George Iles, Hamilton Wright Mabie, and Lyman Abbott (page images at HathiTrust)
- On Editing Shakespeare and the Elizabethan Dramatists (Philadelphia: Pub. for the Philip H. and A. S. W. Rosenbach Foundation by the University of Pennsylvania Library, 1955), by Fredson Bowers (page images at HathiTrust)
- Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
- The Theory of the Theatre, and Other Principles of Dramatic Criticism (New York: Henry Holt and Co., 1910), by Clayton Meeker Hamilton (Gutenberg text)
- A Book About the Theater (New York: C. Scribner's Sons, 1916), by Brander Matthews (Gutenberg text and illustrated HTML)
- Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
- Annual Magazine Subject-Index (including a dramatic index for most years) (partial serial archives)
- The Dramatic Index (partial serial archives)
- The Drama (partial serial archives)
- Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust)
- Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece (Ann Arbor: University of Michigan Press, c1998), by Karen Bassi (page images at HathiTrust)
- Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner
- Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman N. Holland (page images at Florida)
- The Social Significance of the Modern Drama, by Emma Goldman (HTML at pitzer.edu and Berkeley)
- Drury's Guide to Best Plays (Washington: Scarecrow Press, 1953), by Francis K. W. Drury (page images at HathiTrust)
- The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
- The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
- How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
- Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
- Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
- Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
- Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
- The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
- Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
- Principles of Drama-Therapy (New York: Sopherim, 1917), by Stephen F. Austin
- Drawing-Room Plays and Parlour Pantomimes (London: S. River and Co., 1870), ed. by Clement Scott, contrib. by E. L. Blanchard, J. Palgrave Simpson, W. S. Gilbert, Tom Hood, Charles Smith Cheltnam, Robert Reece, Arthur Sketchley, Alfred Thompson, Thomas Archer, John C. Brough, J. Ashby-Sterry, Sidney Daryl, and A. B. (multiple formats at Google)
- Festival Plays: One-Act Pieces for New Year's Day, St. Valentine's Day, Easter, All Hallowe'en, Christmas and a Child's Birthday (New York: Duffield and Co., 1913), by Marguerite Merington (page images at HathiTrust)
- Children's Classics in Dramatic Form: A Reader for the Fourth Grade (1908), by Augusta Stevenson (Gutenberg text and illustrated HTML)
- Dramatized Scenes From American History (Boston et al.: Houghton Mifflin Co., c1916), by Augusta Stevenson, illust. by Frank T. Merrill
More items available under broader and related terms at left.