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Transposition (Music)

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• Musical pitch

• Transposing (Music)

• Un théorème inédit relatif à la transposition. (Bureau d'Édition de la "Schola Cantorum", 1907), by Pierre Aubry (page images at HathiTrust; US access only)
• Traité pratique de transposition écrite et a vue appliquée au piano, au chant et a tous les instruments; suivi d'un appendice relatif aux instruments transpositeurs et aux transpositions spéciales aux instruments a pistons; contenant des tableaux récapitulatifs entièrement nouveaux et de nombreux exemples et exercices tirés des maitres classiques et modernes (A. Leduc et cie, 1909), by H. Hausser (page images at HathiTrust; US access only)
• ... Transposition (keyboard and orchestral) (Novello and company, limited;, 1893), by John Warriner (page images at HathiTrust)
• Principes théoriques et pratiques de la transposition en usage dans les classes du Conservatoire de Paris. (A. Durand et Fils, 1909), by Léon Roques (page images at HathiTrust; US access only)
• Musical philosophy; comprising the transposition of the musical keys, in all its varied forms, together with many abstruse questions relating to transposition, and the nature and changes of musical intonation. (W. J. Mourer, Book and Job Printer, 1866), by Riley Root (page images at HathiTrust)
• Petit manuel d'harmonie, d'accompagnement de la basse chiffrée, de réduction de la partition au piano, et de transposition musicale. Contenant, en outre, des règles pour parvenir à écrire la basse ou un accompagnement de piano sous toute espèce de mélodie. Ouvrage à l'usage spécial des jeunes pianistes (Colombier, 1839), by Antoine Aimable Élie Elwart (page images at HathiTrust)
• Keyboard harmony and transposition; a practical course of keyboard work for every piano and organ student ... (Clayton F. Summy co.;, 1916), by Anna Heuermann-Hamilton (page images at HathiTrust; US access only)
• Transposition (C. Fischer, 1910), by Henri Kling and Gustav Saenger (page images at HathiTrust)
• Practical transposition for clarinet, flute, trumpet (cornet), saxophone, violin, and all players using the treble clef. (C. Fischer, 1918), by Gustave Langenus (page images at HathiTrust)
• Transposition by clef : New England Conservatory course in transposition used in connection with the general sight-reading course (New England Conservatory of Music, 1900), by Eustace B. Rice and New England Conservatory of Music (page images at HathiTrust)
• Transportation at sight : (Reeves, 1917), by Henry Ernest Nichol (page images at HathiTrust; US access only)

Items below (if any) are from related and broader terms.

• Variation in pitch discrimination within the tonal range ([Princeton, N. J., Lancster, Pa., 1914), by Thomas Franklin Vance (page images at HathiTrust)
• A descriptive catalogue of the musical instruments recently exhibited at the Royal Military Exhibition, London, 1890. (Eyre & Spottiswoode, 1891), by C. R. Day, D. J. Blaikley, England) Royal Military Exhibition (1890 : London, and Royal Military Exhibition (1890 : London) (page images at HathiTrust)
• The effect of training in pitch discrmination ([Princeton, N.J., Lancaster, Pa., 1914), by Franklin Orion Smith (page images at HathiTrust)
• The effects of practice on judgments of absolute pitch (New York, 1922), by Evelyn Bacon (page images at HathiTrust)
• The measurement of pitch intonation with the tonoscope in singing and playing (The University, 1930), by Carl E. Seashore (page images at HathiTrust)
• Accuracy of the voice in simple pitch singing ([s.n.], 1914), by Walter R. Miles (page images at HathiTrust)
• Acoustics in relation to wind instruments : a course of three lectures delivered at the Royal Military School of Music, Kneller Hall (Boosey & Co., 1909), by David James Blaikley (page images at HathiTrust; US access only)
• The effects of practice on judgments of absolute pitch ... (New York, 1922), by Evelyn Gough Bacon (page images at HathiTrust)
• A study of tonal attributes ([Worcester, 1919), by Gilbert Joseph Rich (page images at HathiTrust)
• On the relative sensitiveness of the human ear for tones of different pitch, measured by means of organ pipes. ([n.p., 1905), by H. Zwaardemaker (page images at HathiTrust; US access only)
• Das absolute tonbewusstsein; psychologisch-musikalische studie ... ([Leipzig, 1901), by Otto Abraham (page images at HathiTrust; US access only)
• Practice effects, knowledge of results and transfer in pitch discrimination (U.S. Naval Training Device Center, 1966), by Walter I. Heimer and Sherman J. Tatz (page images at HathiTrust)
• Ueber die octave des Pythagoras ... ein ergänzender nachtrag zum beschluss der sammlung der zerstreuten aufsätze der neuen Aristorener ... ([Mechitharisten-buchdruckerei], 1848), by Raphael Georg Hiesewetter (page images at HathiTrust)
• De l'unité tonique et de la fixation d'un diapason universel (E. Dentu, 1859), by Adrien Lenoir de La Fage (page images at HathiTrust)
• A study of the variation in pitch of an organ pipe, when blown with air from a constant pressure air tank (1913), by Mildred Clayton Seyster (page images at HathiTrust; US access only)
• Dea-Gan-Ometer ([J.C. Deagan], 1916), by J. C. Deagan (page images at HathiTrust)
• Contributions from the Physical Laboratory of the Massachusetts Institute of Technology (n.p., 1900), by Charles R. Cross (page images at HathiTrust; US access only)
• The history of musical pitch. (London, Printed by W. Trounce, 1880), by Alexander John Ellis (page images at HathiTrust)
• On the sensitiveness of the ear to pitch and change of pitch in music. (Spottiswoode, 1877), by Alexander John Ellis (page images at HathiTrust)
• L'armonia dei suoni : col vero corista o diapason normale :considerazioni (Tipografia Vaticana, 1885), by Bartolomeo Grassi-Landi (page images at HathiTrust)
• All about pitch : a workbook for mastering the complete theory and notation of pitch, intervals, chords, scales, and key signatures (New York, N.Y. : E.F. Kalmus, [1950], 1950), by Anne Holden (page images at HathiTrust; US access only)

• Harmonics: or, The Philosophy of Musical Sounds (second edition; London: Printed for T. and J. Merrill, et al., 1759), by Robert Smith
  • multiple formats at archive.org
  • page images at HathiTrust
• Tuning and temperament, a historical survey. (Michigan State College Press, 1951), by James Murray Barbour (page images at HathiTrust)
• An elementary treatise on musical intervals and temperament, with an account of an enharmonic harmonium exhibited in the loan collection of scientific instruments, South Kensington, 1876, also of an enharmonic organ exhibited to the Musical Association of London, May, 1875 (Macmillan and Co., 1876), by R. H. M. Bosanquet (page images at HathiTrust)
• Il diapason differenziale; instrumento acustico tascabile che risolve le differenze dei suoni della scala musicale esatta ragguagliati con quelli della scala temperata. Dimonstrazione. (Tip. di G. Ciotola, 1886), by Filippo Natali (page images at HathiTrust)
• Origines et variations de notre tonalité, son avenir; étude théorique et historique (E. Dentu, 1885), by Louis Pagnerre (page images at HathiTrust)
• An integrated-circuit piano tuner for the equal-tempered keyboard employing a tuneable fixed-coefficient digital filter (Management Information Services, 1969), by Michael William Hagee (page images at HathiTrust; US access only)
• Der physikalische und musikalische Tonmesser : welcher durch den Pendel, dem Auge sichtbar, die absoluten Vibrationen der Töne, der Haupt-Gattungen von Combinations-Tönen, so wie die schärfste Genauigkeit gleichschwebender und mathematischer Accorde beweist (G.D. Bädeker, 1834), by Johann Heinrich Scheibler (page images at HathiTrust)
• Theory and practice of just intonation : with a view to the abolition of temperament : as illustrated by the description and use of the enharmonic organ, presenting the power of executing with the simple ratios in twenty keys, with a correction for changes of temperature, built by Messrs. Robson ... for the exhibition of 1851, and an appendix, tracing the identity of design with the enharmonic of the ancients. (Effingham Wilson, 1850), by T. Perronet Thompson (page images at HathiTrust)
• Der neuen Aristoxener zerstreute Aufsätze über das Irrige der musikalischen Arithmetik und das Eitle ihrer Temperaturrechnungen (Breitkopf & Härtel, 1846), by R. G. Kiesewetter, Joseph Krieger, Antonio Eximeno, and Friedrich von Drieberg (page images at HathiTrust)
• Tonbestimmung und Temperatur. (Weidmann, 1852), by Moritz Wilhelm Drobisch (page images at HathiTrust)
• Instruction élémentaire du calcul musical et philosophie de la musique (Schott, 1864), by Charles Meerens (page images at HathiTrust)
• On musical duodenes, or the theory of constructing instruments with fixed tones in just or practically just intonation. (Taylor and Francis, 1874), by Alexander John Ellis (page images at HathiTrust)
• Treatise on musical intervals, temperament, and the elementary principles of music (C. Woolhouse, 1890), by W. S. B. Woolhouse (page images at HathiTrust)
• Versuch über die musikalische Temperatur (J.F. Korn, 1776), by Friedrich Wilhelm Marpurg (page images at HathiTrust)
• A proposal to perform musick in perfect and mathematical proportions containing I. the state of musick in general, II. the principles of present practice ..., III. the tables of proportions, calculated for the viol ... / by Thomas Salmon ... ; with large remarks upon this whole treatise by the reverend and learned John Wallis ... (London : Printed for John Lawrence ..., 1688), by Thomas Salmon and John Wallis (HTML at EEBO TCP)

More items available under broader and related terms at left.