Women intellectuals -- DramaSee also what's at your library, or elsewhere.
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Filed under: Women intellectuals -- Fiction
Filed under: Women intellectuals -- France -- Biography Ten Years' Exile: or, Memoirs of That Interesting Period of the Life of the Baroness de Stael-Holstein, Written by Herself During the Years 1810, 1811, 1812 and 1813 (London: Printed for Treuttel and Wurtz, 1821), by Madame de Staël, ed. by Auguste-Louis Staël-Holstein (Gutenberg text) Ten Years' Exile: or, Memoirs of That Interesting Period of the Life of the Baroness de Stael-Holstein, Written by Herself During the Years 1810, 1811, 1812 and 1813 (New York: Collins and Co. and C. S. Van Winkle, 1821), by Madame de Staël, ed. by Auguste-Louis Staël-Holstein
Filed under: Women intellectuals -- Great Britain -- 18th centuryFiled under: Women intellectuals -- Great Britain -- BiographyFiled under: Women intellectuals -- Great Britain -- Correspondence Letters and Memorials of Jane Welsh Carlyle (London: Longmans, Green, and Co., 1883), by Jane Welsh Carlyle, ed. by Thomas Carlyle and James Anthony Froude (HTML at Celebration of Women Writers) New Letters and Memorials of Jane Welsh Carlyle (London and New York: John Lane, The Bodley Head, 1903), by Jane Welsh Carlyle, ed. by Alexander Carlyle, contrib. by Thomas Carlyle (HTML at Celebration of Women Writers) Filed under: Carter, Elizabeth, 1717-1806Filed under: Wootton, Barbara, 1897-1988
Filed under: Drama Of Dramatic Poesie, by John Dryden (HTML at Toronto) Plays, Movies, and Critics (Durham, NC and London: Duke University Press, 1993), ed. by Jody McAuliffe (page images at HathiTrust) Dryden's Dramatic Theory and Practice (Yale Studies in English #4; Boston et al.: Lamson, Wolffe and Co., 1898), by Margaret Pollock Sherwood (page images at HathiTrust) Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine) Our Stage and its Critics (1910), by Edward Fordham Spence (Gutenberg text)
Filed under: Drama -- Bibliography
Filed under: Drama -- Chorus (Greek drama)
Filed under: Drama -- Collections Three Tragedies: Bertram; Bellamira; The Apostate (London:, 1818), by Charles Robert Maturin and Richard Lalor Sheil (multiple formats at archive.org) The Pocket University (23 volumes; Garden City, NY: Pub. for N. Doubleday, Inc. by Doubleday, Page and Co., 1924), ed. by Bliss Perry, Thomas L. Masson, Henry Van Dyke, Hardin Craig, Asa Don Dickinson, George Iles, Hamilton Wright Mabie, and Lyman Abbott (page images at HathiTrust)
Filed under: Drama -- Editing
Filed under: Drama -- History and criticism Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text) The Scene is Changed (c1942), by Ashley Dukes (HTML in Canada; NO US ACCESS) The Theory of the Theatre, and Other Principles of Dramatic Criticism (New York: Henry Holt and Co., 1910), by Clayton Meeker Hamilton (Gutenberg text) The Jew in Drama (London: P. S. King and Son, 1926), by M. J. Landa A Book About the Theater (New York: C. Scribner's Sons, 1916), by Brander Matthews (Gutenberg text and illustrated HTML)
Filed under: Drama -- Indexes
Filed under: Drama -- Periodicals
Filed under: Drama -- Psychological aspects Staging Consciousness: Theater and the Materialization of Mind (Ann Arbor: University of Michigan Press, c2002), by William W. Demastes (page images at HathiTrust) Acting like Men: Gender, Drama, and Nostalgia in Ancient Greece (Ann Arbor: University of Michigan Press, c1998), by Karen Bassi (page images at HathiTrust) Shakespeare's Patterns of Self-Knowledge (Columbus, OH: Ohio State University Press, c1972), by Rolf Soellner Psychoanalysis and Shakespeare (New York et al: McGraw-Hill Book Co., c1966), by Norman N. Holland (page images at Florida)
Filed under: Drama -- Social aspects The Social Significance of the Modern Drama (Boston: R. G. Badger; Toronto: Copp Clark Co., c1914), by Emma Goldman
Filed under: Drama -- Stories, plots, etc.
Filed under: Drama -- Technique The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust) How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org) Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text) Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org) The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust) Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust) Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust) Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text) The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)
Filed under: Drama -- Therapeutic use Principles of Drama-Therapy (New York: Sopherim, 1917), by Stephen F. Austin
Filed under: Amateur plays Drawing-Room Plays and Parlour Pantomimes (London: S. River and Co., 1870), ed. by Clement Scott, contrib. by E. L. Blanchard, J. Palgrave Simpson, W. S. Gilbert, Tom Hood, Charles Smith Cheltnam, Robert Reece, Arthur Sketchley, Alfred Thompson, Thomas Archer, John C. Brough, J. Ashby-Sterry, Sidney Daryl, and A. B. (multiple formats at Google) Festival Plays: One-Act Pieces for New Year's Day, St. Valentine's Day, Easter, All Hallowe'en, Christmas and a Child's Birthday (New York: Duffield and Co., 1913), by Marguerite Merington (page images at HathiTrust)
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