The Online Books Page

Wood-engraving -- Printing

See also what's at your library, or elsewhere.

• Wood-engraving
• Block printing
• Prints
• Engraving -- Printing
• Printing

• Japanese Woodblock Printing, by Hiroshi Yoshida (illustrated HTML at woodblock.com)
• Japanese Wood-Cutting and Wood-Cut Printing, by T. Tokuno (illustrated HTML at woodblock.com)
• The Technique of the Color Wood-Cut, by Walter J. Phillips (illustrated HTML in Canada)
• Wood-Block Printing by the Japanese Method, by Frank Morley Fletcher (illustrated HTML at woodblock.com)

Items below (if any) are from related and broader terms.

• Block Printing Craft (Peoria, IL: The Manual Arts Press, c1938), by Raymond W. Perry (page images at HathiTrust)
• Considerations on Engraving (New York: W. E. Rudge, 1921), by Timothy Cole
  • multiple formats at archive.org
  • page images at HathiTrust

• Passional Christi und Antichristi (in German; woodcuts sometimes attributed to Hans and sometimes to Lucas Cranach; 1521), by Martin Luther, contrib. by Philip Melanchthon and Johann Schwertfeger, illust. by Hans Cranach and Lucas Cranach (page images at HathiTrust)

• Hand-Book of Wood Engraving (Boston: Lee and Shepard, 1881), by William A. Emerson (PDF at shipbrook.net)

• Wood Engraving (London: Ditchling Press, 1921), by R. John Beedham, contrib. by Eric Gill (HTML at woodblock.com)
• Hand-Book of Wood Engraving (Boston: Lee and Shepard, 1881), by William A. Emerson (PDF at shipbrook.net)
• The Technique of the Color Wood-Cut, by Walter J. Phillips (illustrated HTML in Canada)
• Wood-Block Printing by the Japanese Method, by Frank Morley Fletcher (illustrated HTML at woodblock.com)
• Japanese Woodblock Printing, by Hiroshi Yoshida (illustrated HTML at woodblock.com)

• Modern Belgian Wood Engravers (second edition; Art, Life and Science in Belgium #15; New York: Belgian Government Information Center, 1954), by Jan Albert Goris (multiple formats at archive.org)

• My Book of Hours: 167 Designs Engraved on Wood (1922), by Frans Masereel, contrib. by Romain Rolland (page images at HathiTrust; US access only)

• The Dream of Poliphilus: Fac-Similes of One Hundred and Sixty-Eight Woodcuts in "Hypnerotomachia Poliphili" (Venice, 1499), With an Introductory Notice, and Descriptions (new edition; London: Reproduced for the Dept. of Science and Art in Photo-Lithography by W. Griggs, 1893), ed. by J. W. Appell
  • multiple formats at archive.org
  • page images at HathiTrust

• Japanese Wood-Cutting and Wood-Cut Printing, by T. Tokuno (illustrated HTML at woodblock.com)
• Japanese Woodblock Printing, by Hiroshi Yoshida (illustrated HTML at woodblock.com)
• Wood-Block Printing by the Japanese Method, by Frank Morley Fletcher (illustrated HTML at woodblock.com)

• A Medieval Mirror: Speculum Humanae Salvationis, 1324-1500 (Berkeley: University of California Press, 1984), by Adrian Wilson and Joyce Lancaster Wilson (illustrated HTML at UC Press)

• Linoleum Block Printing (Waynesboro, VA: Charles W. Smith Press, c1925), by Charles Smith (page images at HathiTrust)
• Block Printing Craft (Peoria, IL: The Manual Arts Press, c1938), by Raymond W. Perry (page images at HathiTrust)

• Society and Style: Prints from the Sheldon Museum of Art (Lincoln, NE: Zea Books, 2014), ed. by Alison G. Stewart and Paul Royster (PDF at unl.edu)

• Le Tableau des Riches Inventions, Couvertes du Voile des Feintes Amoureuses, Qui Sont Représentées dans le Songe de Poliphile: Desvoilées des Ombres du Songe et Subtilement Exposées (in French; Paris: M. Guillemot, 1600), by Francesco Colonna, contrib. by Béroalde de Verville
  • page images at Tours
  • page images at Gallica
  • PDF at e-rara-ch

• Renaissance Ornament Prints and Drawings (New York: Metropolitan Museum of Art, 1981), by Janet S. Byrne (page images and PDF with commentary at metmuseum.org and Google)

• Perspectiva Pictorum et Architectorum (2 volumes, in Latin, published 1692-1700), by Andrea Pozzo, illust. by Vincenzo Mariotti
  • Part 1: multiple formats at archive.org
  • Part 2: multiple formats at archive.org
  • both parts: page images at HathiTrust

• Incendiary Art: The Representation of Fireworks in Early Modern Europe (Los Angeles: Getty Center for the History of Art and the Humanities, c1997), by Kevin Salatino (page images and PDF wih commentary at getty.edu and Google)

• Engraven Desire: Eros, Image and Text in the French Eighteenth Century (Durham, NC and London: Duke University Press, 1992), by Philip Stewart (page images at HathiTrust)

• Incendiary Art: The Representation of Fireworks in Early Modern Europe (Los Angeles: Getty Center for the History of Art and the Humanities, c1997), by Kevin Salatino (page images and PDF wih commentary at getty.edu and Google)

• The Great Wave: The Influence of Japanese Woodcuts on French Prints (New York: Metropolitan Museum of Art, 1974), by Colta Feller Ives (page images and PDF with commentary at metmuseum.org and Google)

• Catalog of the National Exhibition of Prints (partial serial archives)

• Catalog of the National Exhibition of Prints (partial serial archives)

• Harry Bertoia, Printmaker: Monotypes and Other Monographics (Detroit: Wayne State University Press, 1988), by June Kompass Nelson (multiple formats with commentary at Wayne State)

• Library of Congress Prints and Photographs: An Illustrated Guide, by Bernard Reilly (illustrated HTML at loc.gov)

• Le Peintre Graveur (21 volumes in French, published in Vienna 1803-1821), by Adam von Bartsch (page images at HathiTrust)
• Jacobus Houbraken et Son Oeuvre (in French; Arnhem: P. Gouda Quint, 1875), by Alexander Ver Huell (page images at HathiTrust)

• Prints and People: A Social History of Printed Pictures (New York: Metropolitan Museum of Art; distributed by New York Graphic Society, c1971), by A. Hyatt Mayor (page images and PDF with commentary at metmuseum.org and Google)

• Nouvelles de l'Estampe (in French) (partial serial archives)

• Blueprint Reading (Syracuse, NY: Syracuse University Press, c1946), by International Business Machines Corporation Department of Education (page images at HathiTrust)

• The Technique of the Color Wood-Cut, by Walter J. Phillips (illustrated HTML in Canada)

• The Best Portraits in Engraving (fifth edition; New York et al.: F. Keppel, c1875), by Charles Sumner
  • multiple formats at archive.org
  • page images at HathiTrust
• The Engravings of Albrecht Durer (London: Seely and Co.; New York: Macmillan and Co., 1894), by Lionel Cust (multiple formats at archive.org)
• A Trio of Eighteenth Century French Engravers of Portraits in Miniature: Ficquet, Savart, Grateloup (New York: W. L. Andrews, 1899), by William Loring Andrews
  • multiple formats at archive.org
  • page images at HathiTrust

• The Senefelder Club (London: XXI Gallery, Adelphi, 1922), by Campbell Dodgson and Joseph Pennell (page images at HathiTrust; US access only)

• The Great Wave: The Influence of Japanese Woodcuts on French Prints (New York: Metropolitan Museum of Art, 1974), by Colta Feller Ives (page images and PDF with commentary at metmuseum.org and Google)

• Traicté des Manieres de Graver en Taille Douce sur l'Airin, par le Moyen des Eaux Fortes, et des Vernix Durs et Mols (in French; Paris: Bosse, 1645), by Abraham Bosse (multiple formats at archive.org)

• Wesen und Bedeutung der Graphischen Künste für den Illustrations- und Kartendruck: Vortrag, Gehalten Bei der Öffentlichen Preisvertheilung am 11. Dezember 1896 in der Aula der Herzogl. Technischen Hochschule (in German; Hamburg: Verl.-Anst. und Druckerei A.-G. (vormals J. F. Richter), 1898), by Carl Koppe (PDF and page images in Germany)
• The Florentine Book Fair; The Book Section of the Exposition of Decorative Arts; The German Book Exhibit at Columbia University: Notes Gathered by Theodore Wesley Koch (Evanston, IL: Printed for subscribers, 1926), by Theodore Wesley Koch (page images at HathiTrust)

• Book Arts (2 volumes; Chicago: Newberry Library, 1919-1920), by Newberry Library (page images at HathiTrust)

• Printing and Book Publishing in China (Book Developments #10; Karachi: Unesco Regional Office for Book Development in Asia and the Pacific, 1985), by Wu Hengkang (multiple formats at archive.org)

• A Dictionary of Printers and Printing: With the Progress of Literature, Ancient and Modern, Bibliographical Illustrations, Etc. Etc. (London: H. Johnson; et al., 1839), by C. H. Timperley
  • multiple formats at Google
  • page images at HathiTrust
• A Dictionary of the Art of Printing (London: Longman, Brown, Green, and Longmans, 1841), by William Savage (HTML with commentary at fiftywordsforsnow.com)
• A Dictionary of Typography (online visual edition based on Southward's first and second editions of 1870 and 1875), by John Southward, ed. by Nicholas Rougeux (illustrated HTML at c82.net)

More items available under broader and related terms at left.