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Wood-engraving -- Technique

See also what's at your library, or elsewhere.

• Wood-engraving
• Engraving -- Technique
• Prints -- Technique
• Technique

• Wood Engraving (London: Ditchling Press, 1921), by R. John Beedham, contrib. by Eric Gill (HTML at woodblock.com)
• Hand-Book of Wood Engraving (Boston: Lee and Shepard, 1881), by William A. Emerson (PDF at shipbrook.net)
• The Technique of the Color Wood-Cut, by Walter J. Phillips (illustrated HTML in Canada)
• Wood-Block Printing by the Japanese Method, by Frank Morley Fletcher (illustrated HTML at woodblock.com)
• Japanese Woodblock Printing, by Hiroshi Yoshida (illustrated HTML at woodblock.com)

Items below (if any) are from related and broader terms.

• Block Printing Craft (Peoria, IL: The Manual Arts Press, c1938), by Raymond W. Perry (page images at HathiTrust)
• Considerations on Engraving (New York: W. E. Rudge, 1921), by Timothy Cole
  • multiple formats at archive.org
  • page images at HathiTrust

• Passional Christi und Antichristi (in German; woodcuts sometimes attributed to Hans and sometimes to Lucas Cranach; 1521), by Martin Luther, contrib. by Philip Melanchthon and Johann Schwertfeger, illust. by Hans Cranach and Lucas Cranach (page images at HathiTrust)

• Japanese Woodblock Printing, by Hiroshi Yoshida (illustrated HTML at woodblock.com)
• Japanese Wood-Cutting and Wood-Cut Printing, by T. Tokuno (illustrated HTML at woodblock.com)
• The Technique of the Color Wood-Cut, by Walter J. Phillips (illustrated HTML in Canada)
• Wood-Block Printing by the Japanese Method, by Frank Morley Fletcher (illustrated HTML at woodblock.com)

• Hand-Book of Wood Engraving (Boston: Lee and Shepard, 1881), by William A. Emerson (PDF at shipbrook.net)

• Modern Belgian Wood Engravers (second edition; Art, Life and Science in Belgium #15; New York: Belgian Government Information Center, 1954), by Jan Albert Goris (multiple formats at archive.org)

• My Book of Hours: 167 Designs Engraved on Wood (1922), by Frans Masereel, contrib. by Romain Rolland (page images at HathiTrust; US access only)

• The Dream of Poliphilus: Fac-Similes of One Hundred and Sixty-Eight Woodcuts in "Hypnerotomachia Poliphili" (Venice, 1499), With an Introductory Notice, and Descriptions (new edition; London: Reproduced for the Dept. of Science and Art in Photo-Lithography by W. Griggs, 1893), ed. by J. W. Appell
  • multiple formats at archive.org
  • page images at HathiTrust

• Japanese Wood-Cutting and Wood-Cut Printing, by T. Tokuno (illustrated HTML at woodblock.com)
• Japanese Woodblock Printing, by Hiroshi Yoshida (illustrated HTML at woodblock.com)
• Wood-Block Printing by the Japanese Method, by Frank Morley Fletcher (illustrated HTML at woodblock.com)

• An Account of a Method of Etching or Engraving, via Sicca, by Means of Voltaic Electricity (Weston-Super-Mare, J. Whereat; et al., 1848), by James H. Pring
  • multiple formats at Google
  • page images at HathiTrust
• Traicté des Manieres de Graver en Taille Douce sur l'Airin, par le Moyen des Eaux Fortes, et des Vernix Durs et Mols (in French; Paris: Bosse, 1645), by Abraham Bosse (multiple formats at archive.org)

• How Prints Look: Photographs with a Commentary (New York: Metropolitan Museum of Art, 1943), by William Mills Ivins (page images and PDF with commentary at Metropolitan Museum of Art and Google)

• Official and Tentative Methods of Analysis of the Association of Official Agricultural Chemists (partial serial archives)

• Sketching and Rendering in Pencil (New York: Pencil Points Press, 1922), by Arthur L. Guptill (page images at HathiTrust)

• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)

• Practical Hints for Art Students (New York: Duffield and Co., 1910), by Charles Augustus Lasar (page images at HathiTrust)
• The Art Spirit (Philadelphia and London: J. B. Lippincott Co., 1923), by Robert Henri, ed. by Margery Ryerson (page images at HathiTrust; US access only)

• Jane Austen: Irony as Defense and Discovery (Princeton: Princeton University Press, 1952), by Marvin Mudrick (page images at HathiTrust)

• Bacteriology and Surgical Technique for Nurses (Philadelphia: W. B. Saunders, 1900), by Emily M. A. Stoney (page images at HathiTrust)

• The Novel According to Cervantes (Berkeley: University of California Press, 1989), by Stephen Gilman (HTML at UC Press)

• Virtue of Necessity: Inconclusiveness and Narrative Form in Chaucer's Poetry (Columbus, OH: Ohio State University Press, c1984), by Larry Sklute (PDF files with commentary at Ohio State Press)
• A Distinction of Stories: The Medieval Unity of Chaucer's Fair Chain of Narratives for Canterbury (Columbus, OH: Ohio State University Press, c1981), by Judson Boyce Allen and Theresa Anne Moritz
  • PDF at Ohio State
  • PDF files with commentary at Ohio State Press

• Descriptive Zoopraxography: or, The Science of Animal Locomotion Made Popular (Philadelphia: University of Pennsylvania, 1893), by Eadweard Muybridge (multiple formats at archive.org)

• Dante's Commedia: Elements of Structure (originally published 1954; open access edition Baltimore: Johns Hopkins University Press, 2019), by Charles S. Singleton (HTML and PDF files with commentary at Project MUSE)

• Studies in the Narrative Method of Defoe (Urbana, IL: University of Illinois, 1924), by Arthur Wellesley Secord (page images at HathiTrust)

• The Technique of the Mystery Story, by Carolyn Wells (HTML at Gutenberg Australia)

• Vanishing Points: Dickens, Narrative, and the Subject of Omniscience (Berkeley: University of California Press, 1991), by Audrey Jaffe (HTML at UC Press)

• Dickinson's Fascicles: A Spectrum of Possibilities (Columbus, OH: Ohio State University Press, c2014), ed. by Paul Crumbley and Eleanor Elson Heginbotham (PDF at Ohio State)

• The Craftsmanship of the One-Act Play (Boston: Little, Brown, and Co., c1923), by Percival Wilde (page images at HathiTrust)
• How's Your Second Act? (New York: P. Goodman Co., 1918), by Arthur Hopkins, contrib. by George Jean Nathan (multiple formats at archive.org)
• Play-Making: A Manual of Craftsmanship (1912), by William Archer (Gutenberg text)
• Playwriting: A Handbook for Would-Be Dramatic Authors, by A Dramatist (second edition; London: The Stage Office, n.d.), by Jerome K. Jerome (multiple formats at archive.org)
• The Science of Playwriting (New York: Brentano's, c1925), by Moses L. Malevinsky, contrib. by Owen Davis (page images at HathiTrust)
• Shakspere's Five-Act Structure: Shakspere's Early Plays on the Background of Renaissance Theories of Five-Act Structure From 1470 (Urbana: University of Illinois Press, 1947), by T. W. Baldwin (page images at HathiTrust)
• Toward a Theater of the Oppressed: The Dramaturgy of John Arden (Ann Arbor: University of Michigan Press, c1995), by Javed Malick (page images at HathiTrust)
• Lectures on Dramatic Art and Literature, by August Wilhelm von Schlegel, trans. by John Black (Gutenberg text)
• The Thirty-Six Dramatic Situations (Franklin, OH: James Knapp Reeve, 1921), by Georges Polti, trans. by Lucille Ray, contrib. by James Knapp Reeve (multiple formats at archive.org)

• The American Drawing-Book: A Manual for the Amateur, and Basis of Study for the Professional Artist (New York: A. S. Barnes and Co., c1870), by John Gadsby Chapman (page images at Wisconsin)
• De L'Enseignement du Dessin, Sous le Point de Vue Industriel (in French; Paris: Giroux, et al., 1836), by Alexandre Dupuis (multiple formats at Google)
• How to Draw: A Practical Book of Instruction in the Art of Illustration (New York and London: Harper and Bros., c1904), by Leon Barritt (page images at HathiTrust)
• The Theory and Practice of Perspective, by G. A. Storey (PDF at djm.cc)
• The Florist: Containing Sixty Plates of the Most Beautiful Flowers Regularly Dispos'd in Their Succession of Blowing, To Which is Added an Accurate Description of Their Colours, with Instructions for Drawing and Painting Them According to Nature, Being a New Work Intended for the Use and Amusement of Gentlemen and Ladies Delighting in That Art (London: Printed for R. Sayer et al., ca. 1770), by Carington Bowles
  • multiple formats at archive.org
  • page images at HathiTrust

More items available under broader and related terms at left.