"Quetzalcoatl was written during Lawrence's first stay in Mexico, in May and June 1923, and registers his initial responses to those aspects of Mexican landscape, religion, politics and culture which would fascinate him over the following two years. On leaving Mexico in July 1923, he described Quetzalcoatl as 'nearly finished', intending to revise it later, but in the event actually rewrote it almost completely, and it was published as The Plumed Serpent in 1926. This is the first scholarly edition of the original manuscripts and typescripts of Quetzalcoatl, and includes a record of all revisions Lawrence made in the course of writing it, detailed explanatory notes and an introduction outlining its compositional history. With the publication of this volume, all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition"--

"Written in Lawrence's most productive period, Psychoanalysis and the Unconscious (1921) and Fantasia of the Unconscious (1922) were undertaken initially in response to psychoanalytic criticism of his novel Sons and Lovers. They soon developed more generally to propose an alternative to what Lawrence perceived as the Freudian psychoanalytic theory of the unconscious and the incest motive. In doing so the essays also develop his ideas about the upbringing and education of children, about marriage, and about social and even political action. They were written with an American audience in mind, as Lawrence believed that his future as a writer lay there rather than in post-war Europe. He himself described them as 'this pseudo-philosophy of mine which was deduced from the novels and poems, not the reverse. The absolute need one has for some sort of satisfactory mental attitude towards oneself and things in general makes one try to abstract some definite conclusions from one's experiences as

A book which has achieved more notoriety for its sex scenes (shocking in 1930, when the book was written) than for its character studies, Lady Chatterley's Lover focuses on the affair between Constance, the "sturdy" young wife of Clifford Chatterley, and the gamekeeper of the Chatterleys' estate in the remote midlands. Constance, who married Clifford a month before he left for World War I, has become his caretaker since his return from the war, paralyzed from the waist down and impotent. A writer who surrounds himself with intellectual friends, Clifford regards Connie as his hostess and caregiver and does not understand her abject yearning for some life of her own. The distance between Constance and Clifford increases when Mrs. Bolton, a widow from the village, becomes his devoted caretaker, and he becomes increasingly dependent upon her.

Constance Chatterley is trapped in a loveless marriage, and when she meets the new gamekeeper at her husband's estate, she finds herself experiencing true love for the first time.