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"All in green went my love riding" "in Just-/spring when the world is mud-" "Tumbling-hair/picker of buttercups" "Humanity i love you" "O sweet spontaneous" "stinging/gold swarms" "between green/mountains" "Babylon slim/-ness of" "ta/ppin/g/toe" "Buffalo Bill's/defunct" "the Cambridge ladies who live in furnished souls" "god pity me whom(god distinctly has)" "Dick Mid's large bluish face without eyebrows" "Spring is like a perhaps hand" Poem, or Beauty Hurts Mr. Vinal "she being Brand" "on the Madam's best april the" Memorabilia "next to of course god america i" "lis/-ten//you know what i mean when" "my sweet old etcetera" "Among/these/red pieces of" "in spite of everything" "since feeling is first" "i sing of Olaf glad and big" "twi-/is -Light bird" "a clown's smirk in the skull of a baboon" "somewhere i have never travelled, gladly beyond" "r-p-o-p-h-e-s-s-a-g-r" "the boys i mean are not refined" "as freedom is a breakfastfood" "anyone lived in a pretty how town" "my father moved through dooms of love" "plato told" "pity this busy monster, manunkind" "a grin without a" Proud Riders Europa Test Paper From the Green Book of Yfan Mater Dolorosa Words of an Old Woman Hasbrouck and the Rose Bill Gets Burned "On Brooklyn Bridge I saw a man drop dead" "I met in a merchant's place" "The shopgirls leave their work" "How shall we mourn you who are killed and wasted" "My work done, I lean on the window-sill" "In the shop, she, her mother, and grandmother" Idiot "She who worked patiently" Epidemic "Her work was to count linings--" "The house-wreckers have left the door and a staircase" Aphrodite Vrania April "Out of the hills the trees bulge" "How difficult for me is Hebrew" "I have learnt the Hebrew blessing before eating bread" "After I had worked all day at what I earn my living" "The Hebrew of your poets, Zion" "Though our thoughts often, we ourselves" "Among the heaps of brick and plaster lies" Epitaphs Millinery District ["The clouds ..."] "A dead gull in the road" "I like this secret walking" Rainy Season "Of course, we must die" My grandfather, dead long before I was born" "A grove of small trees, branches thick with berries" Millinery District ["Many fair hours ..."] Similes Epitaph Free Verse from Early History of a Writer Empty Bed Blues Everyday Alchemy Thirst To One Loved Wholly Within Wisdom To Mr. Maunder Maunder, Professional Poet To the Powers of Desolation To the Natural World: at 37 Try Tropic All Around the Town Bounding Line Hymn to Yellow Weed Fructus Reapers Cotton Song Georgia Dusk Nullo Evening Song Portrait in Georgia Seventh Street Storm Ending Her Lips Are Copper Wire Gum Gods Are Here This Amber Sunstream Axle Song Near House Midland So Simple Where I Saw the Snake First Poem Lamentations Winter Nocturne: Thea Hospital "To an Amiable Child" Creatures in the Zoo A Purplexicon of Dissynthegrations Ol' Man River Little Girl Blue Bewitched, Bothered and Bewildered Dead Man's Corner Epitaphs A House of the Eighties Omelet of A. MacLeish Newsreel LIII Waltz Against the Mountains Something Starting Over Noon I Can't Get Started They All Laughed Elegy for Melusine from the Intensive Care Ward Red-Headed Intern, Taking Notes Scene: A Bedside in the Witches' Kitchen Brother, Can You Spare a Dime? Insects A History of the Caesars Medusa Knowledge Women Alchemist My Voice Not Being Proud Men Loved Wholly Beyond Wisdom Sub Contra Cassandra Winter Swan Dark Summer Late Song Short Summary Roman Fountain Evening-Star Baroque Comment Kept Heard by a Girl Several Voices Out of a Cloud Musician Zone Night Morning Dragonfly Sermon Serenade Kiss Almost a God Long Distance Moan from Elegy in the Manner of a Requiem in Memory of D. H. Lawrence Waiter History of Education Slow Curtain Why Must You Know? Would You Think? Fish Food: An Obituary to Hart Crane Come Over and Help Us Anathema. Maranatha! In the Bathtub, to Mnemosyne Esprit d'Escalier Cross Questions from John Brown's Body American Names Cotton Mather Daniel Boone Metropolitan Nightmare Winter Tenement Ernest Vision Photoheliograph from Chorus for Survival Cage of Voices from Libretto for the Republic of Liberia from Harlem Gallery April Mortality Ghostly Tree Rounds and Garlands Done Moon and Spectator Fragmentary Stars Horn Figurehead Grapes Making Chaplinesque For the Marriage of Faustus and Helen Voyages Repose of Rivers Wine Menagerie At Melville's Tomb Bridge O Carib Isle! Broken Tower Take My Hand, Precious Lord Dumb Moment Fern Song Frog Song True Western Summer from The Indians in the Woods Girl Help Reader Winter Garden Helen Grown Old For the Father of Sandro Gulotta Ancient Ones: Betatakin Garden Note I, Los Altos Garden Note II, March from The Wild Party from Lolita On Translating "Eugene Onegin" Santo Domingo Corn Dance Mr. Pope Ode to the Confederate Dead Twelve Last Days of Alice Wolves Aeneas at Washington Ivory Tower Mediterranean Sonnets at Christmas Swimmers February Ground Walt Whitman Two Songs of Advent Magpie's Shadow Solitude of Glass October Vacant Lot Cold Nocturne Barnyard Wild Sunflower Realization Apollo and Daphne Fable Fall of Leaves Slow Pacific Swell To a Young Writer By the Road to the Sunnyvale Air-Base Elegy on a Young Airedale Bitch Lost Two Years Since in the Salt-Marsh On Teaching the Young Time and the Garden In Praise of California Wines To the Moon Long Gone Scotty Has His Say Sister Lou Southern Road Memphis Blues Ma Rainey Slim in Atlanta Children's Children Chillen Get Shoes Sporting Beasley Cabaret Old Lem A Broken View Onion Fields Earthworm Slow By Night Curse While I Slept Sound I Listened For As Easily As Trees Waxwings Pitcher Cypresses Swimmer Farm Boy After Summer Museum Vase Ordovician Fossil Algae Sounds
More is less, more or less / New York letter / Carl Andre / Carl Andre / The razed sites of Carl Andre: a sculptor laid low by the Brancusi syndrome / Los Angeles / Carl Andre / Serial art systems: solipsisms / One hundred steel plates equals one sculpture: Konrad Fischer opens his gallery with the American artist Carl Andre / Floorplates and neon: Düsseldorf's galleries in November / Carl Andre / New York: Carl Andre, Dwan Gallery / Sculpture from the drawing board, minimal art in The Hague/First European overview / Contesting the system / Andre: artist of transportation / Prospect 68 - Düsseldorf: a panorama of the avant garde / The last word in graphic art / Simplicity as magic: steel plates by Carl Andre / Letter to Enno Develing / Against precedents / Carl Andre: sculpture as place / Carl Andre at the Guggenheim / From sculpture to floor-piece: Carl Andre's sculptures in New York's Guggenheim Museum / Sculpture as place / New York Galleries: Carl Andre at Dwan / Carl Andre, Dwan Gallery / Sculpture takes its own shape / Washington: the politics of cheese / One takes away, the other piles it on / New York letter / Carl Andre at the Portland Center for the Visual Arts / Carl Andre / Carl Andre at Weber / Carl Andre, John Weber Gallery / London: Carl Andre at Lisson / Review / Carl Andre / The Tate drops a costly brick / What a load of rubbish: how the Tate dropped 120 bricks / Carl Andre's bricks / Carl Andre has the floor / Carl Andre / Carl Andre / The 'Vasari' diary: Andre's square one / Interview with James Faure Walker / A retrospective note / A redefinition of sculpture / Carl Andre: sculpture 1959-78 / Andre's aesthetics / Andre in retrospect / Rite of passage / Carl Andre, the Clocktower / Carl Andre, Galleria Primo Piano / Carl Andre's sculpture and the composition of space in the work of W. Strzeminsky and K. Kobro / Carl Andre, Julian Pretto Gallery / Carl Andre: Paula Cooper Gallery / Carl Andre: Sand-Lime Instar / Carl Andre / The symmetry of the heavens: a major Carl Andre retrospective in Krefeld and Wolfsburg / Carl Andre: Haus Lange/Haus Esters, Krefeld/Kunstmuseum Wolfsburg / Carl Andre 'sculpture'?: minimalism's museological (re)locations / Bricks and mortality / Carl Andre and the fall of sculpture / Against death / Carl Andre, Paula Cooper Gallery, Ace Gallery, Musée Cantini / Edinburgh and Skipton Castle: Carl Andre and Alison Wilding / London: Carl Andre / New York, Carl Andre, Paula Cooper Gallery / Carl Andre / The master bricklayer / Literality and absence of self in the work of Carl Andre /
Avant Robert Surcouf, quatre générations de marins malouins. Saint-Malo, 1645-1773 -- Les surcouf ont des vikings pour ancêtres -- Gens de mer dès la première génération -- La prospérité malouine tient aux négociants plus qu'aux corsaires -- À l'origine de la fortune familiale : Robert Surcouf de Maisonneuve -- L'époustouflante réussite de Robert Surcouf n3 -- Quand les Surcouf affrontent le déclin malouin... -- Charles Joseph Surcouf (1739-1813), père de Robert le corsaire -- Un gamin turbulent, avide de prendre la mer. Saint-Malo, décembre 1773-octobre 1788 -- Tout enfant, Robert Surcouf est pris de passion pour les corsaires -- Turbulent, infatigable, le petit Robert désespère ses parents -- Robert Surcouf échappe au petit séminaire -- À bord du brick le Héron, un mousse exemplaire -- Robert Surcouf se fait l'élève attentif du capitaine Héron -- L'initiation à l'art de démancher et de dégolfer -- Des pirates barbaresques s'attaqueront-ils au Héron ? -- Les frères Surcouf se retrouvent à l'escale de Saint-Malo -- Sur l'océan Indien, une odyssée pour apprentissage. L'Aurore, le Saint-Antoine, le Charles, le Saggon, mars 1789-septembre 1791 -- À bord de l'Aurore, un premier voyage au long cours... -- Au sud de l'Afrique, le matelot Surcouf affirme son sens marin -- L'Isle-de-France, un petit paradis pour les marins bretons -- Le voyage se poursuit vers Pondichéry -- Au Mozambique, Surcouf vit son premier voyage de traite -- Cauchemardesque naufrage devant l'île de Mozambique -- Robert Surcouf accomplit son premier exploit maritime -- L'incroyable odyssée du Saint-Antoine à travers l'océan Indien -- À Pondichéry, Robert Surcouf croise son frère Charles sans le savoir -- Lieutenant sur la Revanche : Surcouf monte en grade -- Robert Surcouf reçoit le baptême du feu. La Bienvenue, le Navigateur, la Créole, l'Hirondelle, août 1792-août 1795 -- À Saint-Malo, les heures troubles de la Révolution -- En quête d'un embarquement sur un bâtiment corsaire -- Un combat sanglant comme baptême du feu -- Robert Surcouf, capitaine d'un brick négrier -- Un épisode majeur du mythe Surcouf -- Sa première campagne corsaire fait de Surcouf un héros national. L'Émilie, août 1795-septembre 1797 -- Une lettre de marque interprétée très librement -- L'Émilie est supposée accomplir un voyage marchand -- Aux îles Seychelles, Surcouf se transforme en corsaire -- Une première prise réussie par surprise -- Le Triton, premier exploit corsaire de Surcouf -- Une victoire cependant embarrassante -- Les prises de L'Emilie sont confisquées au profit de la République -- Surcouf revient en France pour plaider sa cause -- L'avocat Pérignon fait accéder Robert Surcouf au rang de héros national -- Maître Pérignon développe une argumentation habile -- L'avocat fait évoluer le dossier du judiciaire au législatif -- Pérignon impose une approche nouvelle de la guerre de course -- Les corsaires français paralysent le trafic maritime anglais en Inde. La Clarisse, août 1798-février 1800 -- Robert Surcouf choisit son frère Nicolas pour second capitaine -- Les premiers bords de la Clarisse : une prise en main délicate
Legendary iron hood -- (How could anybody) feel at home -- Hymnal No selling (uncle butch pretending it don't hurt) -- Happy wasteland day -- Daydreaming in the projects -- Brick body complex -- TLDR (smithing) -- Breezeway ritual -- Wedding ghosts -- 95 radios My auntie's building.
Legendary iron hood -- (How could anybody) feel at home -- Hymnal No selling (uncle butch pretending it don't hurt) -- Happy wasteland day -- Daydreaming in the projects -- Brick body complex -- TLDR (smithing) -- Breezeway ritual -- Wedding ghosts -- 95 radios My auntie's building.
Legendary iron hood -- (How could anybody) feel at home -- Hymnal No selling (uncle butch pretending it don't hurt) -- Happy wasteland day -- Daydreaming in the projects -- Brick body complex -- TLDR (smithing) -- Breezeway ritual -- Wedding ghosts -- 95 radios My auntie's building.
