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Eighteenth century forerunners. The tree ; from The petition for an absolute retreat ; To the nightingale ; A nocturnal reverie / A fairy tale ; A night-piece on death ; A hymn to contentment / The highland laddie ; My Peggy ; Sweet William's ghost ; Through the wood laddie ; An thou were my ain thing ; from The gentle shepherd. Patie and Peggy / Preface to the evergreen / The braes of Yarrow / William and Margaret ; The Birks of Endermay / Grongar Hill ; The fleece. from Book I / The seasons. from Winter ; from Summer ; from Autumn ; A hymn on the seasons ; The castle of indolence, from Canto I ; Tell me, thou soul of her I love ; To Amanda ; Preface to winter /
Canzoniere, 132 / Troilus and Criseyde, Canticus Troili / The longe love, that in my thought doeth harbar ; Who so list to hounte I know where is an hynde ; Farewell, Love, and all thy lawes for ever ; My galy chargèd with forgetfulnes ; I find no peace, and all my war is done / The soote season, that bud and blome furth bringes ; Alas, so all thinges nowe doe holde their peace ; I never saw you, madam, lay apart ; Love that liveth and reigneth in my thought / A Meditation of a Penitent Sinner: Written in maner of a Paraphrase upon the 51 Psalme of David ; Loe prostrate, Lorde, before thy face I lye ; But render me my wonted joyes againe / That self-same tongue which first did thee entreat ; Sonet written in prayse of the brown beautie / Licia or poems of love First did I fear, when first my love began / Amoretti: Happy ye leaves when as those lilly hands ; More thenmost faire, full of the living fire ; Rolling wheele that runneth often round ; This holy season fit to fast and pray ; Penelope for her Ulisses' sake ; My love is lyke to yse, and I to fyre ; What guyle is this, that those her golden tresses ; Leave, lady, in your glasse of christal clene ; Lyke as a huntsman after weary chace ; Most glorious Lord of lyfe that on this day ; One day I wrote her name upon the strand ; Lackyng my love I go from place to place ; Men call you fayre, and you doe credit it ; Fayre is my love, when her fayre golden heares / Caelica: Caelica, I overnight was finely used ; Nurse-life wheat, within his green husk growing ; In night when colours all to black are cast / Countess of Pembroke's arcadia: My true love hat my hart, and I have his ; Astrophel and Stella: Loving in truth, and faine in verse my love to show ; Let daintie wits crie on the sisters nine ; It is most true that eyes are form'd to serve ; With how sad steps, O moon, thou climb'st the skies ; My mouth doth water, and my breast doth swell ; Come sleepe, O sleepe, the certaine knot of peace ; Having this day, my horse, my hand, my launce ; What, have I thus betrayed my libertie? ; I on my horse, and love on me doth trie ; Because I breathe not love to everie one ; O grammer rules, O now your vertues show ; Who will in fairest booke of nature know ; Love still a boy, and oft a wanton is ; Stella, thinke not that I by verse seeke fame ; Certaine sonnets: Leave me, O love, which reachest but to dust / Vision upon this conceipt of the faery queene ; Secret murder hath been done of late ; To his son / Phillis: Honoured with pastorall sonnets, elegies and amorous delights ; Coronet for his mistress philosophy: Muses that sing love's sensual empery -- Diana: Needs must I leave, and yet needs must I love -- Sonet: Fra banc to banc, fra wod to wod, I rin / To Delia: Looke, Delia, how wee steeme the half-blowne rose ; Care-charmer sleepe, sonne of the sable night ; Let others sing of knights and palladines / Idea in sixtie three sonnets: Nothing but no and I, and I and no ; How many paltry, foolish, painted things ; Love, in a humor, play'd the prodigall ; His remedie for love ; Sitting alone, love bids me goe and write ; Since ther's no helpe, come let us kisse and part / Some blaze the precious beauties of their loves ; Although we do not all the good we love ; Author loving these homely meats speciall, viz. :cream, pancakes, buttered pippin-pies, &c. /
Invitation to Hsiao Chü-shih / Inviting a friend to supper / Epistle 1.5 / from The life of Samuel Johnson / from My mother's house / The walrus and the carpenter / To Thomas Manning / Here's a bottle and an honest friend / My boat / To the bachelor of arts P'ei Ti / Horses in flowers / The pasture / The evils of Spain /
Young Goodman Brown / The real thing / The mezzotint / The burglar / The grave / The baby party / The patented gate and the mean hamburger / Lily Daw and the three ladies ; Death of a traveling salesman / A story / A Christmas memory /
Young Goodman Brown / The real thing / The mezzotint / The burglar / The grave / The baby party / The patented gate and the mean hamburger / Lily Daw and the three ladies ; Death of a traveling salesman / A story / A Christmas memory /
From Corunna to Talavera, the Campaigns of 1809 -- Retreat to Corunna, January 1809 -- The Battle of Corunna, January 1809 -- Interlude in England, January to March 1809 -- Northern Portugal, May 1809 -- From Oporto to Abrantes, June to July 1809 -- From Talavera to the End Campaign, July to October 1809 -- The Campaign of 1811, and Evolution of French Codes -- The Battle of Fuentes de Onoro, May 1811--The Army of Portugal Cipher -- The Blockade of Ciudad Rodrigo, June to November 1811--The Great Cipher -- The Campaign of January to November 1812 -- The Attack on Ciudad Rodrigo, January 1812 -- The Storm of Badajoz, March 1812 -- From Lisbon to Fuente Guinaldo, April to June 1812 -- The Salamanca Campaign Opens, May 1812 -- The Great Cipher Under Attack, June and July 1812 -- Triumph Over the Great Cipher, July 1812 -- The Battle of Salamanca, 22 July 1812 -- The March to Burgos, Summer and Early Fall 1812 -- Winter Quarters, the Vitoria Campaign and Afterward -- Frenada, December 1812 to March 1813 -- The Vitoria Campaign, April to July 1813 -- Waterloo, 18 June 1815 -- Scovell's Later Life, 1819 to 1861.
Minneapolis, Minnesota : Minneapolis Institute of Art in association with the University of Washington Press, [2019]
9780295745794 (paperback)
Introduction -- In Focus: Mi'kmaw Chair / In Focus: St. Lawrence Iroquoian Pot / Making Our World: Thoughts on Native Feminine Aesthetics / "Encircles Everything": A Transformative History of Native Women's Arts / Those Naranjo Women: Daughters of the Earth / In Focus: 'Maria', Rose, Empowerment, and Indigenous Women Rollin' Hard / "Carrying On": Gender and Innovation in Historic Pueblo Pottery Nampeyo, Maria Martinez, and Arroh-A-Och / In Focus: Edmonia Lewis: 'The Old Arrow Maker' / The Women Were Busy Abstracting the World / Mary Sully: Ahead of Her Time / In Focus: Christi Belcourt: 'The Wisdom of the Universe' / The Unsuccessful Indigenous Erasure: A Conversation with Delina White and Juanita Espinosa / In Focus: Jennie Ross Cobb: 'Cherokee Female Seminary Graduating Class, 1902' / The Scientist and the Polymath: Tlingit Weavers Teri Rofkar and Clarissa Rizal / In Focus: Shelley Niro: 'Thinking Caps' / In Focus: Poemeo: 'It Was Cloudy' / Generations of Odawa Quill Art / Early Native American Women Painters of Oklahoma / In Focus: The Elk-tooth dress / In Focus: Lakota Young Man's Vest / Native Culture Endures: Basketry of the Columbia Plateau / In Focus: Dakota Cradleboard / Mohawk Women of Kahnawake / Art as a Container for Culture / In Focus: Slavey (Dené) Dog Blanket / In Focus: The Story of the Two Miniature Pomo Beaded Baskets / Animate Matters: Thoughts on Native American Art Theory, Curation, and Practice / In Focus: Cheyenne Pipe Bag / Memory Threads / In Focus: Hupa Girl's Dance Skirt / In Focus: Stepping Out: A Jingle Dress Moves Out in the World / In Focus: Blackfoot Man's Shirt / Nellie Two Bear Gates: Chronicling History through Beadwork / In Focus: Weaving Materials, Cedar and Spruce Root / Descendants of This Moment: From Paint to Beads / In Focus: Kiowa Cradleboard / In Focus: Faye HeavyShiled: 'Aapaskaiyaawa (They Are Dancing)' / In Focus: Mary Anne Barkhouse: 'Sovereign' / Beadwork Conversations: Dyani White Hawk and Graci Horne / In Focus: Ramona Sakiestewa: 'Nebula 22 & 23' / Literary Arts: Native American Women Writers / In Focus: Otiianehshon Ronwatiiatanhirats (The Women Raise Them Up): Women's Nomination Belt / A Native Feminist Ethics in Contemporary Indigenous Art / In Focus: Carla Hemlock: 'Walking Through Time' / In Focus: Stacks of Generational Wisdom: Marie Watt / In Focus: The Mystery Surrounding a Lakhóta Dress / In Focus: Armor against the Enemy: An Otoe Faw Faw Coat / Acknowledging Women in Navajo Society: Leaders and Weavers / In Focus: D. Y. Begay: 'Náhooko̜sjí Hai (Winter in the North)/Biboon Giiwedinong (It Is Winter in the North) / In Focus: Mary Kawennatakie Adams: "Pope Basket" / In Focus: Child's Ribbon Work Blankets / In Focus: Qingi: Robe of Wealth / Working to Change the Tide: Women Artists on the Northwest Coast / In Focus: 'Nacarrluk': Beaded Headdress / In Focus: Mrs. Toussaint: Cox Leggings / Seneca-style Beaded Women's Clothing / Two Early Masters / In Focus: Beaded Diplomacy: Houston-Jackson Bandolier Bag / In Focus: Rosalie Favell: 'The Collector/The Artist in Her Museum' / Seven Sisters: Native Women Painters Connected through Time by Medium / In Focus: Light, Memory, and Belonging: Some Thoughts on the Recent Landscapes of Emma Whitehorse / In Focus: Joan Hill: 'Women's Voices at the Council' / Sustaining Traditions / In Focus: Maria Tallchief: The Star that Danced over the Earth / Tuscarora Raised Beadwork and Raised Consciousness / Bearing Witness / In Focus: Bax'ẃana'tsi: the Container for Souls /
In Winter / I died for beauty / I've seen a dying eye / The chariot / If I shouldn't be alive / Safe in their alabaster chambers / The wind / In the garden / The snake / The storm / It was not death / Parting / To my quick ear / Not any sunny tone / A snake / I have a king / Evening / Auror / Immortality / Trying to forget / I felt a funeral / Dying / A clock stopped / Ben Jonson entertains a man from Stratford / Eros Turannos / The gift of God / For a dead lady / The man against the sky / Be still the hanging gardens were a dream / Live blindly / He said: If in his image I was made / On some shells found inland / In Ampezzo/ Now in the Palace gardens / Fidelity / At Sainte-Marguerite / Leave him now quiet / Near Helikon / In Ampezzo (II) / Mnemosyne / Little ivory figures pulled with string / The city of falling leaves / The road not taken / Home burial / The wood-pile / The fear / Birches / The sound of the trees / Hyla Brook / The oven bird / My November guest / Mowing / To earthward / Fire and ice / Stopping by woods on a snowy evening / Bereft / Desert places / Cool tombs / Jazz fantasia / Wind song / Gone / The eagle that is forgotten / Euclid / Yet gentle will the griffin be / A sense of humor / What Semiramis said / The scissors grinder / Aladdin and the Jinn / The comedian as the letter c / Peter Quince at the Clavier / Sunday morning / Le monocle de mon Oncle / Thirteen ways of looking at a blackbird / Domination of black / Sea surface full of clouds / To the one of fictive music / Cortege for Rosenbloom / The wanderer / Tract / The yachts / Burning the Christmas greens / Gulls / Portrait of a lady / Canto II / The alchemist / The tree / The tomb at Akr Caar / Portrait d'une femme / Apparuit / The return / The river-merchant's wife: a letter / Dance figure / Ité / Ltament of the frontier guard / Taking leave of a friend / Arabs / Nun snow / Irradiations / Blue symphony / At Baja / Not honey / Song / The garden / England /
Across the alley from the Alamo / Adios / After the rain / Águas de março = Waters of March / All night long / All too soon / Allen's alley / Always true to you in my fashion / And all that jazz / Angela / Apple core / Are you real / As long as he needs me / As we speak / Ashes to ashes / Aunt Hagar's blues / Azure-te (Paris blues) / Baby elephant walk / Baby just come home to me / Back in your own backyard / Bag's new groove / Ballin' the jack / Bandstand boogie / The best is yet to come / Bill / Bim-bom / Bird song / Birds of a feather / Black Byrd / Blackbird / Blue Friday / Blue soul / Blues for Junior (Pyramid) / Blues in Frankie's flat / Blues in time / Blues the most / Bopzilla / Born to be bad / Born to be blue / Boy meets horn / Break out the blues / Bremond's blues / Brown hornet / Buster's last stand / But she's my buddy's chick / Button up your overcoat / Cake walking babies from home / Can't buy me love / The Cape Verdean blues / Change of season / Charade / Chasing the Bird / The chicken / Children of the night / The Christmas song (Chestnuts roasting on an open fire) / Christmas time is here / Christopher Columbus / Chromozone / Clockwise / Close as pages in a book / Cocktails for two / Come Candellia / Come dance with me / Comes love / Compared to what / A cool shade of blue / Curves ahead / Daddy / Dahomey dance / Dance only with me / The days of wine and roses / Deacon blues / Dear heart / Deep purple / Devil may care / Dexter digs in / Dextivity / Dinner for one, please, James / The disguise / Djangology / Do I love you / Doctor Jazz / Don't be that way / Don't you know I care (or don't you care to know) / Doodlin' / Down / Down under / Down with love / Dragonfly / Duke's place / The earl / Effendi / El hombre / Elevation / Everybody loves my baby (but my baby don't love nobody but me) / Everyday I have the blues / Ev'rything I've got / Federico / A felicidade / Festive minor / Flamingo / Flip, flop, and fly / A foggy day (in London Town) / For you, for me, for evermore / Friends / Fuchsia swing song / Gettin' over the blues / Ginger bread boy / Ginza samba / Girl with his smile and my eyes / Give me the night / Goin' to Minton's / Goin' out of my head / Golden earrings / The good life / Goodbye / Green haze / Guess who I saw today / The gypsy / Gypsy jingle-jangle / Hallelujah I love him (her) so / Happy go lucky local / Happy with the blues / Hear ye / Heartaches / Helen's song / Hideaway / Hindustan / Hit the road to dreamland / Hoe-down / Home / A house is not a home / How little we know / Humpty Dumpty / A hundred years from today / I can dream, can't I? / I could eat your words / I didn't know about you / I got a woman / I got rhythm / I got you (I feel good) / I guess I'll have to change my plan / I hadn't anyone till you / I love Lucy / I love my baby (my baby loves me) / I remember Duke / I saw stars / I say a little prayer / I see your face before me / I shot the sheriff / I told ya I love ya now get out / I walk with music / I wouldn't trade you / I'd rather be blue over you / I'm a dreamer, aren't we all / I'm gonna go fishin' / I've got my eyes on you / I've got your number / If ever I would leave you / If I ruled the world / If I were blue / If you could see me now / If you go / In a silent way / The "in" crowd / In the arms of love / In the blue of evening / Inner space / Intermission riff / It was a very good year / It was written in the stars / It's a lonesome old town / It's magic / It's you / Ivy /
The European print 1550 -- 1820 -- PRINT PRODUCTION -- The technology and its implications -- Copper plates -- Paper -- Other supplies: etching grounds, acid, burins -- Transferring designs -- Reversal -- The process of engraving and etching Jo Working proofs and ̀touching' -- Lettering -- Proof slates made for sale Rolling presses -- Priming -- Printers -- Woodcut -- The time required to produce plates in the intaglio techniques -- The printing capacity of copper plates -- The printing capacity of engraved plates -- The printing capacity of etched plates -- The printing capacity of mezzotint and drypoint -- The priming capacity or stipple and oilier processes -- The mass-market trade -- Woodcut -- Contemporary views about retouching and reworking -- The costs and profitability of new print production -- Costs of woodcut -- Costs of engraving -- Fixed costs (copper, engraving, lettering, designs) -- Variable costs (paper, ink and printing) -- Some representative costings -- Break even points and profitability in engraving -- Profitability of other intaglio processes -- Delays in production -- How long was a print run? -- Economics in printing -- Lettering, language and text -- Lettering styles -- Languages -- Terms relating to the printmaker and designer -- Terms relating to the publisher -- Privileges, publication lines and dedications -- Verses on prints -- Texts on prints and the interpretation of paintings -- Titles -- Absent loitering -- Incomplete lettering -- Inaccurate and misleading lettering -- Text added after publication -- The print and the state: censorship, copyright, privileges, taxation and promotion -- Censorship and prosecutions for publishing prints -- Licences to publish prints -- Copyright -- Privileges -- Multiple privileges -- Procedures and types of privilege -- Notes oil privileges by country -- Taxation -- Court engravers -- Slate mercantilism -- Copying prints -- The extent of copying -- The methods and costs of copying -- Unlawful copying -- Copying within the law -- Replicas -- Authorized or permitted copies -- Pastiches -- Drawn copies -- Harmless copying -- The swipe -- Copying as an industry -- Reprinting plates and blocks -- The value and reuse of plates -- The survival of plates and blocks -- Altering plates and blocks -- The profitability of reprinting -- The trade in second-hand plates -- The scale and length of reprinting -- Plates and collectors -- Colouring prints -- Attitudes to colouring -- Methods of colouring -- The colouring trade and its levels -- Publishers' colouring -- Retailers' colouring -- Some special cases -- Bespoke colouring -- Colouring to match the original -- Outline etchings for colouring -- Other types of colouring and decorating prints -- Primed colour -- The printed painting -- Colour values in black and white -- Single sheets, pairs, sets and oeuvres -- Single sheets: sizes and formats -- Pairs for framing -- Sets, series, suites: some general remarks -- The Netherlandish development of the set -- Extending and altering series -- Retrospective ̀false' series -- Books of prints -- The recueil (the collected edition) -- The oeuvre -- Book illustration -- Combining illustrations with text -- Frontispieces, title-plates and authors' portraits -- Producing a set of book illustrations -- Covering The costs of illustrated editions -- Ways of further exploiting a set of plates -- The involvement of authors in financing plates -- The importance of book illustration for the print trade -- Bibliophiles and Collectors -- The survival and loss of prints -- Collectors' prints -- The law of print survival -- The problem of the quantification of losses -- Literary evidence for losses -- Lost types of prints -- Surviving prints with unfamiliar and Forgotten functions -- Prints intended for pairing -- Cut-Outs (decoupage) -- THE EUROPEAN PRINT TRADE -- The European print trade 1550 -- 1820 -- The participants in the print trade -- The printmaker -- Apprenticeships and training in drawing -- Specialist and general engravers -- Employees and subcontractors -- Advancing a career: travel and further training -- Working independently on commission -- Publishing on one's own account -- Selling -- Further Options -- Jean Daulle -- The painter and designer -- The legal and moral background -- The artist's interest in prints of his work -- Artists' supply of designs for the print trade -- Collaborations between painters and engravers -- The painter as publisher -- The painter as printmaker -- The painter's etching -- Printmaking and history painting -- The auctor intellectualis -- Constable on print publishing -- The publisher: finance and production -- Publishers who emerged from the print trade -- Establishing a business as a print publisher eye Backers -- The large-scale publishing dynasties -- Partnerships and corporate publishing -- Publishers who remained anonymous -- Strategy and specialization -- Publishers as individuals: the variety of background and approach -- The publisher: distribution -- Direct sale by the printmaker or painter -- Wholesale distribution at fairs -- Exchanging stock -- The correspondent -- Terms of trade -- Discounts and length of credit -- Accounting and payments -- Importers and exporters -- Publishing for distribution in another country -- Packing prints -- Shipping prints -- The reach of the European print trade -- Patronage and subsidized publication -- Patronage and subsidy -- Dedications -- Rewards for dedication -- Presentations -- Specialist and scientific publications -- Sponsored illustrations in books -- ̀Gallery' and collection series -- Fund-raising and charity plates -- Non-commercial State and private publication -- State-sponsored publications -- State control of publications -- Festival books and prints -- Private plates -- Thesis prints -- Amateur printmakers -- The printseller -- The great print sellers -- Lesser printsellers -- Other shops that sold prints -- Selling from Stalls -- The print shop and its development -- Changes in demand in the later eighteenth century -- The antiquarian trade -- Restorers and mounters -- Auctions -- Selling antiquarian stock by catalogue -- Marketing, advertising and subscriptions -- Catalogues and stock lists -- Promotional fliers and other ephemera -- Newspaper advertising -- Announcements and reviews -- Selling prints by Subscription -- Exhibitions -- The buyer -- Buyers and their prints -- Prices and affordability -- The relationship of new to antiquarian prints -- Shopping for prints -- Speculation -- Looking al and enjoying prints -- Cheap prints and the itinerant trade -- The country pedlar -- The urban street seller -- The publishers of cheap prints -- Woodcut or engraving? -- The range of the middle and lower market -- The ̀popular' print and international subject-matter -- The cheap print as big business -- THE USE AND UNDERSTANDING OF THE PRINT -- The variety of the print -- Some contemporary views on the utility of the print -- Three examples of the variety of prints within a single class -- Prints as historical evidence -- The display and storage of prints -- Multiple-sheet prints -- Prints pasted on walls -- Domestic display and framing of single-sheet prints -- Glazing prints -- Styles of framing in the eighteenth century -- Storing prints -- Albums -- Portfolios -- Mounts -- Print collecting -- Prim buyers and print collectors -- The world of the print collector -- Connoisseurship -- First impressions (̀premieres epreuves') -- Rarity -- Fakery -- Some common types of print collecting -- The complexity of print collecting -- The taxonomy of print collections -- The ideal print collection -- The history of print collecting -- The knowledge and literature of prints -- The first publications on prints -- The beginnings of the print catalogue -- The position around 1700 -- The expert and unpublished knowledge -- The rise of the oeuvre catalogue -- The new wave of publications in the later eighteenth century -- The public collection and exhibition -- The understanding and usage of the print in the art world -- The ̀constprent': the print as art independent work of art -- ̀Disegni a stampa' and the chiaroscuro woodcut -- The print as product of the artist's studio -- The rise of painting and the professional engraver -- The print as facsimile -- The print as translation -- The status of the engraver vis-a-vis the painter -- Prints as training material -- Prints as a crutch for the poor artist -- Prints and artistic originality -- The hierarchy of the techniques of printmaking -- Burin engraving -- Mixed engraving and etching -- Miniaturist etching -- Etching for the trade -- The painter's etching -- Girard Audran and the etching of history -- The origin of the method of Bartsch -- Mezzotint -- Stipple and aquatint -- Woodcut -- Tail-piece -- Coda -- The print since 1820 -- Steel plates -- Lithography -- Wood-engraving -- Photography -- The position of the hand-made processes -- The changed understanding of the hand-made print.
"All in green went my love riding" "in Just-/spring when the world is mud-" "Tumbling-hair/picker of buttercups" "Humanity i love you" "O sweet spontaneous" "stinging/gold swarms" "between green/mountains" "Babylon slim/-ness of" "ta/ppin/g/toe" "Buffalo Bill's/defunct" "the Cambridge ladies who live in furnished souls" "god pity me whom(god distinctly has)" "Dick Mid's large bluish face without eyebrows" "Spring is like a perhaps hand" Poem, or Beauty Hurts Mr. Vinal "she being Brand" "on the Madam's best april the" Memorabilia "next to of course god america i" "lis/-ten//you know what i mean when" "my sweet old etcetera" "Among/these/red pieces of" "in spite of everything" "since feeling is first" "i sing of Olaf glad and big" "twi-/is -Light bird" "a clown's smirk in the skull of a baboon" "somewhere i have never travelled, gladly beyond" "r-p-o-p-h-e-s-s-a-g-r" "the boys i mean are not refined" "as freedom is a breakfastfood" "anyone lived in a pretty how town" "my father moved through dooms of love" "plato told" "pity this busy monster, manunkind" "a grin without a" Proud Riders Europa Test Paper From the Green Book of Yfan Mater Dolorosa Words of an Old Woman Hasbrouck and the Rose Bill Gets Burned "On Brooklyn Bridge I saw a man drop dead" "I met in a merchant's place" "The shopgirls leave their work" "How shall we mourn you who are killed and wasted" "My work done, I lean on the window-sill" "In the shop, she, her mother, and grandmother" Idiot "She who worked patiently" Epidemic "Her work was to count linings--" "The house-wreckers have left the door and a staircase" Aphrodite Vrania April "Out of the hills the trees bulge" "How difficult for me is Hebrew" "I have learnt the Hebrew blessing before eating bread" "After I had worked all day at what I earn my living" "The Hebrew of your poets, Zion" "Though our thoughts often, we ourselves" "Among the heaps of brick and plaster lies" Epitaphs Millinery District ["The clouds ..."] "A dead gull in the road" "I like this secret walking" Rainy Season "Of course, we must die" My grandfather, dead long before I was born" "A grove of small trees, branches thick with berries" Millinery District ["Many fair hours ..."] Similes Epitaph Free Verse from Early History of a Writer Empty Bed Blues Everyday Alchemy Thirst To One Loved Wholly Within Wisdom To Mr. Maunder Maunder, Professional Poet To the Powers of Desolation To the Natural World: at 37 Try Tropic All Around the Town Bounding Line Hymn to Yellow Weed Fructus Reapers Cotton Song Georgia Dusk Nullo Evening Song Portrait in Georgia Seventh Street Storm Ending Her Lips Are Copper Wire Gum Gods Are Here This Amber Sunstream Axle Song Near House Midland So Simple Where I Saw the Snake First Poem Lamentations Winter Nocturne: Thea Hospital "To an Amiable Child" Creatures in the Zoo A Purplexicon of Dissynthegrations Ol' Man River Little Girl Blue Bewitched, Bothered and Bewildered Dead Man's Corner Epitaphs A House of the Eighties Omelet of A. MacLeish Newsreel LIII Waltz Against the Mountains Something Starting Over Noon I Can't Get Started They All Laughed Elegy for Melusine from the Intensive Care Ward Red-Headed Intern, Taking Notes Scene: A Bedside in the Witches' Kitchen Brother, Can You Spare a Dime? Insects A History of the Caesars Medusa Knowledge Women Alchemist My Voice Not Being Proud Men Loved Wholly Beyond Wisdom Sub Contra Cassandra Winter Swan Dark Summer Late Song Short Summary Roman Fountain Evening-Star Baroque Comment Kept Heard by a Girl Several Voices Out of a Cloud Musician Zone Night Morning Dragonfly Sermon Serenade Kiss Almost a God Long Distance Moan from Elegy in the Manner of a Requiem in Memory of D. H. Lawrence Waiter History of Education Slow Curtain Why Must You Know? Would You Think? Fish Food: An Obituary to Hart Crane Come Over and Help Us Anathema. Maranatha! In the Bathtub, to Mnemosyne Esprit d'Escalier Cross Questions from John Brown's Body American Names Cotton Mather Daniel Boone Metropolitan Nightmare Winter Tenement Ernest Vision Photoheliograph from Chorus for Survival Cage of Voices from Libretto for the Republic of Liberia from Harlem Gallery April Mortality Ghostly Tree Rounds and Garlands Done Moon and Spectator Fragmentary Stars Horn Figurehead Grapes Making Chaplinesque For the Marriage of Faustus and Helen Voyages Repose of Rivers Wine Menagerie At Melville's Tomb Bridge O Carib Isle! Broken Tower Take My Hand, Precious Lord Dumb Moment Fern Song Frog Song True Western Summer from The Indians in the Woods Girl Help Reader Winter Garden Helen Grown Old For the Father of Sandro Gulotta Ancient Ones: Betatakin Garden Note I, Los Altos Garden Note II, March from The Wild Party from Lolita On Translating "Eugene Onegin" Santo Domingo Corn Dance Mr. Pope Ode to the Confederate Dead Twelve Last Days of Alice Wolves Aeneas at Washington Ivory Tower Mediterranean Sonnets at Christmas Swimmers February Ground Walt Whitman Two Songs of Advent Magpie's Shadow Solitude of Glass October Vacant Lot Cold Nocturne Barnyard Wild Sunflower Realization Apollo and Daphne Fable Fall of Leaves Slow Pacific Swell To a Young Writer By the Road to the Sunnyvale Air-Base Elegy on a Young Airedale Bitch Lost Two Years Since in the Salt-Marsh On Teaching the Young Time and the Garden In Praise of California Wines To the Moon Long Gone Scotty Has His Say Sister Lou Southern Road Memphis Blues Ma Rainey Slim in Atlanta Children's Children Chillen Get Shoes Sporting Beasley Cabaret Old Lem A Broken View Onion Fields Earthworm Slow By Night Curse While I Slept Sound I Listened For As Easily As Trees Waxwings Pitcher Cypresses Swimmer Farm Boy After Summer Museum Vase Ordovician Fossil Algae Sounds
