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Permanent link to this record:http://uclid.uc.edu/record=b3005577~S39
LOCATION | CALL NO. | STATUS |
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LANGSAM Stacks | PR2819 .K76 1998 | Available |
Preface | ||||||
Note on Modification of Sources | ||||||
Introduction: History, Language, and Postmodern Criticism of the Renaissance | 1 | |||||
I | Theory and Semantic Field | |||||
1 | Comely Apparel and the Naked Truth: Metaphor and Common Christian Culture | 17 | ||||
2 | Nakedness and Clothing in Controversy about the Eucharist: Anxiety about Representation? | 41 | ||||
3 | Constraints and Freedom: Extensionist Semantics and Its Implications for Criticism | 53 | ||||
4 | The Perils of Taking Sides: Literary Interpretation of the Naked and the Clothed | 67 | ||||
II | Cultural Thematics | |||||
5 | The Plain Heart according to Her Bond: Sociopolitical Readings and Family Relationships | 95 | ||||
6 | I'll Teach You Differences: Hierarchy, Pomp, Service, Authority | 123 | ||||
7 | So Distribution Should Undo Excess, and Each Man Have Enough: Anabaptist Egalitarianism, Anglican Charity, Both, Neither? | 170 | ||||
8 | Robes and Furr'd Gowns Hide All: Mock Trials and Assaults on Justice | 200 | ||||
Conclusion: Political Interpretation versus Dramatic Verisimilitude and Shared Moral Values | ||||||
Notes | 251 | |||||
Works Cited | 343 | |||||
Index | 367 |
Details
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Permanent link to this record:http://uclid.uc.edu/record=b3005577~S39