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Black Rio: música, política e identidade negra. (Portuguese)
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Revista Brasileira de Historia; 2024, Vol. 44 Issue 95, p1-23, 23p
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Domingues, Petrônio;Alberto Medeiros, Carlos
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Revista Brasileira de Historia; 2024, Vol. 44 Issue 95, p1-23, 23p
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Copyright of Revista Brasileira de Historia is the property of Associacao Nacional ...
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Black Rio: música, política e identidade negra. (Portuguese)
Revista Brasileira de Historia; 2024, Vol. 44 Issue 95, p1-23, 23p
Copyright of Revista Brasileira de Historia is the property of Associacao Nacional dos Professores Universitarios de Historia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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Landscapes of Music in Istanbul : A Cultural Politics of Place and Exclusion
Alex G. Papadopoulos;Asli Duru;Alex G. Papadopoulos;Asli Duru
Everyday articulations of music, place, urban politics, and inclusion/exclusion are po...
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Landscapes of Music in Istanbul : A Cultural Politics of Place and Exclusion
2017
Everyday articulations of music , place, urban politics , and inclusion/exclusion are powerfully present in Istanbul. This volume analyzes landscapes of music , community, and exclusion across a century and a half. An interdisciplinary group of scholars and artists presents four case studies: the rembetika, the music of the Asiks, the Zakir/Alevi tradition, and hip-hop, in Beyoglu, Üsküdar, the gentrifying Sulukule neighborhood, and across the metropolis.
Subject terms:
Alevi - Zakir - Hip-hop - Sulukule - Rebetika - City - Ethnology - Popular culture - Urbanity - Politics - Music - Sociology - Landscapes - Exclusion - Gentrification - Inclusion - Popular music - Cities and towns--Study and teaching - SubcultureContent provider:
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"F*** tha police!" à la Russe: Rancière and the Metamodernist Turn in Contemporary Russian Music .
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Nationalities Papers. Jan2024, Vol. 52 Issue 1, p178-204. 27p.
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Morozov, Viacheslav;Reshetnikov, Anatoly;Gaufman, Elizaveta
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Nationalities Papers. Jan2024, Vol. 52 Issue 1, p178-204. 27p.
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Warren, Jeff R.
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New Sound: International Magazine for Music. 2017, Issue 50, p25-41. 17p.
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Listening to China's Cultural Revolution: Music , Politics , and Cultural Continuities, Edited by Paul Clark, Laikwan Pang and Tsan-Huang Tsai
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2016 China Q. 1135 (2016) / China Quarterly, Vol. 2016, Issue 228 (December 2016), pp. 1135-1137
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Steen, Andreas
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2016 China Q. 1135 (2016) / China Quarterly, Vol. 2016, Issue 228 (December 2016), pp. 1135-1137
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Philippines Music in Politics : The Songs of Protest
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4 Issue 4 Int'l J.L. Mgmt. & Human. 3137 (2021) / International Journal of Law Management & Humanities, Vol. 4 Issue 4, pp. 3137-3147
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Huiqi, Quan
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4 Issue 4 Int'l J.L. Mgmt. & Human. 3137 (2021) / International Journal of Law Management & Humanities, Vol. 4 Issue 4, pp. 3137-3147
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