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Artists -- Portraits

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• Artists
• Artists -- Biography
• Portraits

• Artists -- Portraits -- Catalogs

• Gli Autoritratti Femminili delle RR. Gallerie degli Uffizi in Firenze (in Italian; Rome: Alfieri and Lacroix, ca. 1911), by Bice Viallet (page images at HathiTrust; US access only)

Items below (if any) are from related and broader terms.

• Artists Past and Present: Random Studies (New York: Moffat, Yard and Co., 1909), by Elisabeth Luther Cary (page images at HathiTrust)
• Twelve Great Artists (Boston: Little, Brown and Company, 1900), by William Howe Downes
  • multiple formats at archive.org
  • page images at HathiTrust

• Little Journeys to the Homes of Eminent Artists, by Elbert Hubbard (Gutenberg text)
• Success in Life: The Artist (Cincinnati and New York: Henry W. Derby, James C. Derby, 1854), by Louisa C. Tuthill (page images and uncorrected OCR text at MOA)
• 1860-1930, Memories: A Winning Crusade To Revive George Washington's Vision of a Capital City (Washington: Press of W. F. Roberts Co., 1931), by Glenn Brown (page images at HathiTrust)
• Nights: Rome, Venice in the Aesthetic Eighties; London, Paris in the Fighting Nineties (Philadelphia and London: J. B. Lippincott Co., 1916), by Elizabeth Robins Pennell (Gutenberg text and illustrated HTML)

• Reminiscences of My Life (London: W. Heinemann, c1914), by Henry Holiday (page images at HathiTrust)
• Wilde v. Whistler: Being an Acrimonious Correspondence on Art Between Oscar Wilde and James A. McNeill Whistler (unauthorized publication of correpondence taken from Whistler's "The Gentle Art of Making Enemies"; London: Privately printed, 1906), by Oscar Wilde and James McNeill Whistler
  • multiple formats at archive.org
  • page images at HathiTrust

• Painters, Sculptors, Architects, Engravers, and Their Works: A Handbook (New York: Hurd and Houghton, 1874), by Clara Erskine Clement Waters (multiple formats at archive.org)

• Why Are Artists Poor? The Exceptional Economy of the Arts (Amsterdam: Amsterdam University Press, c2002), by Hans Abbing (PDF with commentary at OAPEN)

• English Female Artists (2 volumes; London: Tinsley Bros., 1876), by Ellen C. Clayton
  • both volumes; page images at HathiTrust
  • Volume I: multiple formats at archive.org
  • Volume II: multiple formats at archive.org

• The Coast of Bohemia (biographical edition; New York and London: Harper and Bros., 1899), by William Dean Howells (Gutenberg text, illustrated HTML, and page images)
• Forward the Mage, by Eric Flint and Richard Roach (multiple formats at freedoors.org)
• Imago (in German; Jena: E. Diederichs, 1907), by Carl Spitteler (page images at HathiTrust; US access only)
• Imago (in German; Jena: E. Diederichs, 1907), by Carl Spitteler (multiple formats at archive.org)
• Love Among the Artists (New York: Brentano's, 1910), by Bernard Shaw (multiple formats at archive.org)
• Tarr (London: The Egoist Ltd., 1918), by Wyndham Lewis
  • multiple formats at archive.org
  • page images at HathiTrust; US access only
• The Third Violet (New York: D. Appleton and Company, 1897), by Stephen Crane
  • Gutenberg text
  • page images at openlibrary.org
• The Tragic Muse (based on the 1-volume 1891 edition, with commentary), by Henry James, ed. by Adrian Dover (HTML at the Ladder)
• The Tragic Muse (London: Macmillan and Co., 1921), by Henry James (Gutenberg text)
• Tristan (in German), by Thomas Mann (Gutenberg text)
• The Woman Gives: A Story of Regeneration (Boston: Little, Brown and Co., 1916), by Owen Johnson, illust. by Howard Chandler Christy (Gutenberg text and illustrated HTML)
• Youth and the Bright Medusa, by Willa Cather (HTML at Virginia)
• The Magic Story (sixth edition; New York: F. E. Morrison, c1914), by Frederic Van Rensselaer Dey (page images at HathiTrust)
• Ulysses, by James Joyce (multiple editions)
• The Marble Faun, by Nathaniel Hawthorne
  • volume 1: Gutenberg text
  • volume 2: Gutenberg text
• The Marble Faun (Boston and New York: Houghton Mifflin Co., c1889), by Nathaniel Hawthorne (illustrated HTML with commentary at fiftywordsforsnow.com)
• Of Human Bondage, by W. Somerset Maugham (Gutenberg text)
• Trilby (New York: International Book and Publishing Co., 1899), by George Du Maurier (illustrated HTML at Gutenberg Australia)
• Trilby (New York and London: Harper and Bros., 1901), by George Du Maurier
  • multiple formats at archive.org
  • page images at HathiTrust

• Nollekens and His Times: Comprehending a Life of That Celebrated Sculptor; and Memoirs of Several Contemporary Artists, from the Time of Roubiliac, Hogarth, and Reynolds, to That of Fuseli, Flaxman, and Blake (2 volumes; London: H. Colburn, 1828), by John Thomas Smith (page images at HathiTrust)

• The Jolliest Term on Record (London et al.: Blackie and Son, n.d.), by Angela Brazil, illust. by Balliol Salmon (Gutenberg text and illustrated HTML)

• American Art Annual (partial serial archives)

• The Paradox of Acting: Translated With Annotations From Diderot's "Paradoxe sur le Comédien" (London: Chatto and Windus, 1883), by Denis Diderot, ed. by Walter Herries Pollock, contrib. by Henry Irving (multiple formats at archive.org)
• Plays, Acting and Music: A Book of Theory (revised edition; London: Constable and Co., 1909), by Arthur Symons (Gutenberg text)
• Stage-Land, by Jerome K. Jerome (Gutenberg text)
• Stage-Land (New York: H. Holt and Co., 1906), by Jerome K. Jerome, illust. by Bernard Partridge (illustrated HTML with commentary at fiftywordsforsnow.com)
• Shadows of the Stage (New York and London: Macmillan, 1893), by William Winter (Gutenberg text)

• Bernard Shaw and the Aesthetes (Columbus, OH: Ohio State University Press, c1971), by Elsie Bonita Adams (PDF files with commentary at Ohio State Press)

• They Still Draw Pictures: Drawings Made by Spanish Children During the Spanish Civil War, 1938 (electronic edition, c1998), contrib. by Aldous Huxley (frame-dependent illustrated HTML at ucsd.edu)
• They Still Draw Pictures! Drawings Made by Spanish Children During the Spanish Civil War, 1938 (New York: Spanish Child Welfare Association of America, 1938), contrib. by Aldous Huxley (multiple formats at archive.org)

• Le Peintre Graveur (21 volumes in French, published in Vienna 1803-1821), by Adam von Bartsch (page images at HathiTrust)

• Etchings (second edition; London: Methuen and Co., 1912), by Frederick Wedmore (multiple formats at archive.org)

• Pink Labor on Golden Streets: Queer Art Practices (Pub. series of the Academy of Fine Arts Vienna, v17; Berlin: Sternberg Press, c2015), ed. by Christiane Erharter, Dietmar Schwärzler, Ruby Sircar, and Ashley Hans Scheirl (PDF with commentary in Austria)

• Pink Labor on Golden Streets: Queer Art Practices (Pub. series of the Academy of Fine Arts Vienna, v17; Berlin: Sternberg Press, c2015), ed. by Christiane Erharter, Dietmar Schwärzler, Ruby Sircar, and Ashley Hans Scheirl (PDF with commentary in Austria)

• The World's Great Men of Music (also published as "Story-Lives of Master Musicians"; New York: F. A. Stokes Co., 1922), by Harriette Brower (Gutenberg text and illustrated HTML)
• Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text)
• Art, Literature, and the Drama (New York: The Tribune Association, 1869), by Margaret Fuller, ed. by Arthur B. Fuller, contrib. by Johann Wolfgang von Goethe (page images and uncorrected OCR text at MOA)
• Art, Literature, and the Drama (Boston: Roberts Bros., 1889), by Margaret Fuller, ed. by Arthur B. Fuller, contrib. by Johann Wolfgang von Goethe
  • multiple formats at archive.org
  • page images at HathiTrust
• Literature and Art (New York: Fowlers and Wells, 1852), by Margaret Fuller, contrib. by Horace Greeley (page images and uncorrected OCR text at MOA)

More items available under broader and related terms at left.