Opera -- Social aspects
See also what's at your library, or elsewhere.
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Center Stage: Operatic Culture and Nation Building in Nineteenth-Century Central Europe (West Lafayette, IN: Purdue University Press, c2014), by Philipp Ther, trans. by Charlotte Hughes-Kreutzmuller (PDF at Purdue)
- Center Stage: Operatic Culture and Nation Building in Nineteenth-Century Central Europe (West Lafayette, IN: Purdue University Press, c2014), by Philipp Ther, trans. by Charlotte Hughes-Kreutzmuller (PDF at Purdue)
- Center Stage: Operatic Culture and Nation Building in Nineteenth-Century Central Europe (West Lafayette, IN: Purdue University Press, c2014), by Philipp Ther, trans. by Charlotte Hughes-Kreutzmuller (PDF at Purdue)
- Center Stage: Operatic Culture and Nation Building in Nineteenth-Century Central Europe (West Lafayette, IN: Purdue University Press, c2014), by Philipp Ther, trans. by Charlotte Hughes-Kreutzmuller (PDF at Purdue)
- Center Stage: Operatic Culture and Nation Building in Nineteenth-Century Central Europe (West Lafayette, IN: Purdue University Press, c2014), by Philipp Ther, trans. by Charlotte Hughes-Kreutzmuller (PDF at Purdue)
- Center Stage: Operatic Culture and Nation Building in Nineteenth-Century Central Europe (West Lafayette, IN: Purdue University Press, c2014), by Philipp Ther, trans. by Charlotte Hughes-Kreutzmuller (PDF at Purdue)
Items below (if any) are from related and broader terms.
Filed under: Opera- The Ultimate Art: Essays Around and About Opera (Berkeley: University of California Press, 1992), by David Littlejohn (HTML at UC Press)
- Romanticism and Opera (2005), by Gillen D'Arcy Wood (PDF at Romantic Circles)
- Interpreters (new edition, revised; New York: A. A. Knopf, 1920), by Carl Van Vechten (Gutenberg text and illustrated HTML)
- Opera and Drama, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
- Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F. Runciman (Gutenberg text)
- The Art-Work of the Future, by Richard Wagner, trans. by William Ashton Ellis (HTML at Wayback Machine)
- Producing Opera in the College (New York: Bureau of Publications, Teachers College, Columbia, 1956), by Louis H. Huber (page images at HathiTrust)
- Gertrud (11th edition, in German; Munich: A. Langen, 1910), by Hermann Hesse (Gutenberg text and illustrated HTML)
- Panther's Cub (Garden City, NY: Doubleday, Page and Co., 1911), by Agnes Castle and Egerton Castle, illust. by Florence R. A. Wilde (multiple formats at archive.org)
- The Young Prima Donna: A Romance of the Opera (2 volumes; Philadelphia: Lea and Blanchard, 1840), by Mrs. Grey (page images at HathiTrust)
- The Song of the Lark (1915), by Willa Cather (Gutenberg text)
- Opera Guyed (New York: A. A. Knopf, 1949), by Newman Levy, illust. by Rea Irvin (multiple formats at archive.org)
- Opera Guyed (New York: A. A. Knopf, 1949), by Newman Levy, illust. by Rea Irvin (multiple formats at archive.org)
- Producing Opera in the College (New York: Bureau of Publications, Teachers College, Columbia, 1956), by Louis H. Huber (page images at HathiTrust)
- Stage Costuming (New York: Macmillan, 1939), by Agnes Brooks Young (page images at HathiTrust)
- Art in Costume Design: Practical Suggestions for Those Interested in Art, Sewing, History and Literature (Springfield, MA: Milton Bradley Co., 1920), by Edna Mann Shover (page images at Wisconsin)
- Fancy Dresses Described: or, What to Wear at Fancy Balls, by Ardern Holt, illust. by Lilian Young (page images at Wisconsin)
- Female Costumes, Historical, National, and Dramatic, in 200 Plates (London: Lacy, 1865), by Thomas Hailes Lacy (multiple formats at archive.org)
- Instructive Costume Design (first edition; Pelham, NY: Edward C. Bridgman, c1922), by Emil Alvin Hartman (page images at Wisconsin)
- Male Costumes, Historical, National, and Dramatic, in 200 Plates (London: Lacy, 1868), by Thomas Hailes Lacy (multiple formats at archive.org)
- Dressmaking: A Manual for Schools and Colleges (New York: Charles Scribner's Sons, c1917), by Jane Fales (page images at Wisconsin)
- The Quaker: A Study in Costume (Philadelphia: Ferris and Leach, 1901), by Amelia M. Gummere (multiple formats at archive.org)
- Woman as Decoration: A Costume Book (New York: Dodd, Mead, 1920), by Emily Burbank (page images at Wisconsin)
- Designs by Inigo Jones for Masques and Plays at Court: A Descriptive Catalogue of Drawings for Scenery and Costumes Mainly in the Collection of His Grace the Duke of Devonshire, K. G. (Oxford: Printed for the Walpole and Malone Societies at the University Press, 1924), by Inigo Jones, ed. by Percy Simpson and C. F. Bell (page images at HathiTrust; US access only)
- Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama (originally published 1965; open access edition Baltimore: Johns Hopkins University Press, 2019), by O. B. Hardison (HTML and PDF files with commentary at Project MUSE)
- Amor y Gloria: Zarzuela en Tres Actos y en Verso (libretto, in Spanish; Madrid: Impr. de J. Rodriguez, 1881), by Miguel Emilio Tormo (page images at HathiTrust)
- The Barber of Seville: A Comic Opera, in Three Acts (Boston: J. H. Eastburn's Press, 1856), by Mr. Fawcett, contrib. by Pierre Augustin Caron de Beaumarchais (page images at Google)
- The Barber of Seville: A Comic Opera in Two Acts, As Performed by the Italian Opera Company at Castle Garden, New York, Sept 13, 1847 (New York: Herald Book and Job Office, 1847), by Cesare Sterbini, contrib. by Pierre Augustin Caron de Beaumarchais (page images at Google)
- The Complete Plays of Gilbert and Sullivan, by W. S. Gilbert and Arthur Sullivan (Gutenberg text)
- Der Ring das Nibelungen (libretto in German, 4 volumes in 1; Mainz: B. Scott's Söhne; et al., ca. 1897), by Richard Wagner, ed. by Julius Burghold (page images at HathiTrust)
- Der Schleier der Pierrette: Pantomime in Drei Bildern (in German, without music; Vienna: L. Doblinger, c1910), by Arthur Schnitzler (Gutenberg text and illustrated HTML)
- Die Zauberflöte (The Magic Flute), Opera in 2 Acts by W. A. Mozart: German Text With an English Translation and the Music of the Principal Airs (Boston: O. Ditson Co.; et al., c1913), by Wolfgang Amadeus Mozart and Emanuel Schikaneder (page images at HathiTrust)
- Die Zauberflöte: Eine Grosse Oper in Zwey Aufzügen (Schikaneder's libretto for Mozart's Magic Flute, without music, in German; Frankfurt and Leipzig, 1794), by Emanuel Schikaneder, contrib. by Wolfgang Amadeus Mozart
- The Fairy-Queen: An Opera, Represented at the Queen's-Theatre by Their Majesties Servants (anonymously written libretto, without music, of Purcell's opera, based on Shakespeare's Midsummer Night's Dream; London: Printed for J. Tonson, 1692), contrib. by Henry Purcell and William Shakespeare
- The Georgian Princess (libretto only; 1799), by Elizabeth Craven (HTML with commentary at Wayback Machine)
- The Haunted Tower: A Comic Opera, in Three Acts (book and lyrics (no music), as performed in Philadlephia; Philadelphia, C. Neal, 1828), by James Cobb
- Iolanthe and Other Operas (includes librettos for Iolanthe; The Mikado; Ruddigore; The Gondoliers; London: G. Bell and Sons, 1910), by W. S. Gilbert, illust. by W. Russell Flint (illustrated HTML with commentary at fiftywordsforsnow.com)
- La República del Amor: Opereta en un Acto, Dividido en Dos Cuadros (libretto in Spanish, without music, second edition; Madrid: R. Velasco, 1909), by Antonio Paso and Salvador Aragón
- The Lady's Triumph: A Comi-Dramatic Opera, As it is Now Perform'd at the Theatre in Lincoln's-Inn-Fields (London: Printed for J. Browne and W. Harvey, 1718), by Elkanah Settle (multiple formats at archive.org)
- Love in the Age of Wings and Other Operas, by Chester Eagle (PDF with commentary at Trojan Press)
- The Magic Flute / Die Zauberflöte: An Opera in Two Acts, the Music by Mozart, As Represented at the Royal Italian Opera, London, and the Academy of Music, New York (New York: F. Rullman, ca. 1900), by Wolfgang Amadeus Mozart and Emanuel Schikaneder (page images at HathiTrust)
- No Cards (libretto, score for a later version, and commentary), by W. S. Gilbert, Thomas German Reed, and Florian Pascal (PDF and Word at Gilbert and Sullivan Archive)
- The Ring of the Nibling: Siegfried and the Twilight of the Gods, by Richard Wagner, trans. by Margaret Armour, illust. by Arthur Rackham (HTML at sacred-texts.com)
- Savoy Operas (includes librettos for The Pirates of Penzance; Patience; Princess Ida; The Yeomen of the Guard; London: G. Bell and Sons, 1909), by W. S. Gilbert, illust. by W. Russell Flint (illustrated HTML with commentary at fiftywordsforsnow.com)
- The Wainwright Operas, by Chester Eagle (PDF with commentary at Trojan Press)
- The World in the Moon: An Opera, As It Is Perform'd at the Theatre in Dorset-Garden by His Majesty's Servants (London: Printed for A. Roper, 1697), by Elkanah Settle (HTML at EEBO TCP)
- Amadis of Gaul: An Opera, as it is Perform'd at the King's Theatre in the Hay-Market (in Itslian and English; London: Printed for Jacob Tonson, 1715), contrib. by John James Heidegger (Gutenberg text)
- The Beggar's Opera, by John Gay
- Semele: An Opera (libretto only), by William Congreve (HTML at Renascence Editions)
More items available under broader and related terms at left.