The Commonweal
Copyright information
Renewed contributions
This includes all active contribution renewals through 1956. It might not show all renewals past that date.
- October 28, 1931: "Too Many Breadlines", by Louis Adamic [Permissions]
- April 3, 1936: "Out of November", by David Thompson Watson McCord
- March 17, 1939: "It Was Like Sunday", by Robert P. Tristram Coffin
- July 7, 1939: "Far Trees Keep Up", by Robert P. Tristram Coffin
- September 29, 1939: "Fair-Feeling", by Robert P. Tristram Coffin
- December 19, 1941: "Incarnation and Parousia", by H. A. Reinhold
- March 27, 1942: "A Skirmish", by Franz Werfel
- April 3, 1942: "Put Out More Flags", by Evelyn Waugh [Permissions]
- June 12, 1942: "Episode Seven", by Theodore Roethke [Permissions]
- October 30, 1942: "Mundus et Infans", by W. H. Auden [Permissions]
- December 25, 1942: "Blue-Eyed Lady", by Ferenc Molnár [Permissions]
- January 15, 1943: "Parousia", by H. A. Reinhold
- November 10, 1944: "The Trouble", by J. F. Powers [Permissions]
- August 17, 1945: "Vision", by Witter Bynner [Permissions]
- December 20, 1946: "Methopolis", by W. H. Auden [Permissions] (Title as given in CCE renewal record. Bloomfield and Mendelson's bibliography of Auden gives title as 'Metropolis'. I have not examined the issue in question. This is an extract from the book 'The Age of Anxiety', which was published in 1947 and had its copyright renewed in 1974.)
- November 19, 1948: "Poetry and the Public", by T. S. Eliot [Permissions]
- September 30, 1949: "On the Christian Message", by François Mauriac [Permissions]
- February 3, 1950: "Christian and the World", by François Mauriac [Permissions]
- March 17, 1950: "Lent in Focus", by H. A. Reinhold
- March 31, 1950: "Self Denial and the Christians", by Thomas Merton [Permissions]
- April 18, 1952: "Poems", by Thomas Merton [Permissions] (Renewal record is for poems published in this issue and in the December 26, 1952 issue. The record does not give titles for the poems.)
- December 26, 1952: "Poems", by Thomas Merton [Permissions] (Renewal record is for poems published in this issue and in the April 18, 1952 issue. The record does not give titles for the poems.)
- December 11, 1953: "Sensibility, Psychology and a Passion for Analysis", by Gerald Weales
- January 22, 1954: "Furtive Marks on Paper", by Gerald Weales
- April 2, 1954: "Down South", by Gerald Weales
- October 22, 1954: "Such Comradeship as Shames the Day", by Jessamyn West [Permissions]
- December 3, 1954: "Morning in Wales", by Dylan Thomas [Permissions]
- March 4, 1955: "The Spirit of Lent", by H. A. Reinhold
- March 25, 1955: "Reality, Art and Prayer", by Thomas Merton [Permissions]
- May 27, 1955: "Mister Maugham on the Novel", by Gerald Weales
- August 26, 1955: "Life on Madison Avenue", by Gerald Weales
- October 21, 1955: "Varieties of Innocence", by Gerald Weales
- December 23, 1955: "Christmas: Anno Domini 1955", by H. A. Reinhold
- December 23, 1955: "Poems (unnamed); A Prelude for the Feast of Saint Agnes", by Thomas Merton [Permissions]
- December 30, 1955: "See Venice and Die", by Gerald Weales
- February 10, 1956: "Zeal", by J. F. Powers [Permissions]
- April 20, 1956: "A Perceptive Report on Varied Cultures", by Gerald Weales
- June 8, 1956: "A Victorian Court of Love", by Gerald Weales
- June 29, 1956: "Not Foreigners, Yet Foreign", by Ivan Illich [Permissions]
- July 20, 1956: "Learned, Crochety Account of English Poetry", by Gerald Weales ('Crochety' spelled as in renewal record.)
- August 3, 1956: "Religious Approaches: Catholic and Protestant", by Aelred Graham
- October 5, 1956: "Next Week 'Anne Leete'", by Gerald Weales
- December 28, 1956: "The Treasure of Christmas", by H. A. Reinhold
- January 18, 1957: "The World in Thurber's Fables", by Gerald Weales
- March 15, 1957: "Two Homilies for Mark Van Doren", by Ned O'Gorman
- April 26, 1957: "A Modest Mound of Bones", by John Updike [Permissions]
- May 24, 1957: "On Turning the Page of a Jeweled Book", by Ned O'Gorman
- June 7, 1957: "Ode III.ii: Horace", by John Updike [Permissions]
- July 12, 1957: "Plays and Analysis", by Gerald Weales
- August 9, 1957: "Material for Satiric Comment", by Gerald Weales
- September 20, 1957: "Colman the Hermit", by Phyllis McGinley
- October 11, 1957: "Behind the Mask", by Gerald Weales
- October 25, 1957: "Columba the Abbott", by Phyllis McGinley
- December 20, 1957: "The Ingredients", by Gerald Weales
- February 7, 1958: "Unfashionable Optimist", by Gerald Weales
- June 27, 1958: "Caligula's Dream", by John Updike [Permissions]
- June 27, 1958: "Politics of the Academy", by Gerald Weales
- September 26, 1958: "America Recit", by Gerald Weales
- October 3, 1958: "The Young O'Neill", by Gerald Weales
- October 24, 1958: "Poetry and Contemplation", by Thomas Merton [Permissions]
- October 24, 1958: "Poetry and Contemplation: Essay", by Thomas Merton [Permissions] (This is a separate renewal from the one for 'Poetry and Contemplation' above.)
- November 28, 1958: "A Charmed Life", by Gerald Weales
- May 15, 1959: "Variation on an O'Neill Theme", by Gerald Weales
- July 17, 1959: "The Ross Mystery, Who was Harold, What was He?", by Gerald Weales
- September 25, 1959: "Box Office and the Muse", by Gerald Weales
- October 16, 1959: "Reading Dante With Ionians", by Ned O'Gorman
- April 29, 1960: "The Film Writer", by Gerald Weales
- October 14, 1960: "Poor Dad", by Gerald Weales
- March 31, 1961: "Shaw on Music", by Gerald Weales
- May 12, 1961: "The Ox Mountain Parable of Meng Tzo", by Thomas Merton [Permissions]
- June 2, 1961: "Maples in a Spruce Forest", by John Updike [Permissions]
- June 2, 1961: "Reader to Rider", by Gerald Weales
- August 25, 1961: "The Search for Ibsen", by Richard Gilman
- September 22, 1961: "England's Finest Hours on the Television Screen", by Gerald Weales
- September 22, 1961: "An Elegy for Ernest Hemingway", by Thomas Merton [Permissions]
- October 13, 1961: "Beckett's Happy Days", by Richard Gilman
- October 20, 1961: "Win, Place & Show", by Richard Gilman
- October 27, 1961: "Straightforward Mystification", by Richard Gilman
- November 24, 1961: "Mixture Almost as Before", by Richard Gilman
- December 1, 1961: "Paddy's Big Daddy", by Richard Gilman
- December 22, 1961: "Reflections at Midterm", by Richard Gilman
- December 29, 1961: "Bad Connection", by Richard Gilman
- January 12, 1962: "A Note on Ennoblement", by Richard Gilman
- January 26, 1962: "Williams as Phoenix", by Richard Gilman
- February 9, 1962: "Nuclear War and Christian Responsibility", by Thomas Merton [Permissions]
- February 16, 1962: "The Trouble with Strindberg", by Richard Gilman
- February 16, 1962: "The Many-Roomed Mind of Jean-Louis Barrault", by Gerald Weales
- March 2, 1962: "Sow's Ears of Silk Purses", by Richard Gilman
- March 23, 1962: "The Special Quality of Joan", by Richard Gilman
- March 30, 1962: "A Dirty, Well-Lighted Place", by Richard Gilman
- April 6, 1962: "The Absurd and the Foolish", by Richard Gilman
- May 11, 1962: "The Drawing Room and Beyond", by Richard Gilman
- June 8, 1962: "Die? I Thought I'd Laugh!", by Richard Gilman
- June 29, 1962: "End of Season, a Love Letter", by Richard Gilman
- August 10, 1962: "The Graveyard: Rabat", by Ned O'Gorman
- October 12, 1962: "Two Ways of Looking at Brecht", by Richard Gilman
- October 26, 1962: "When Words Fail", by Richard Gilman
- November 9, 1962: "Bush", by Richard Gilman
- November 16, 1962: "When the Real Things Comes Along", by Richard Gilman (Title spelled as in CCE record.)
- November 30, 1962: "Flirt", by John Updike [Permissions]
- December 28, 1962: "Pinter's Hits--and Misses", by Richard Gilman
- January 18, 1963: "Bert Lahr, the Cavalry Arrives", by Richard Gilman
- February 8, 1963: "Mistuh Williams, He Dead", by Richard Gilman
- February 8, 1963: "The Lesson of Skybolt", by Ronald Steel
- February 22, 1963: "How to Succeed in Business Without Thinking About Money", by Walker Percy
- March 29, 1963: "Novelists in the Theater", by Richard Gilman
- April 5, 1963: "Shaw and Lawrence", by Gerald Weales
- April 12, 1963: "Between Anger and Despair", by Richard Gilman
- April 19, 1963: "Pirandello to Perfection", by Richard Gilman
- April 26, 1963: "Orchids for Miss Hightower", by Wilfrid Sheed
- April 26, 1963: "A Timid Mother Courage", by Richard Gilman
- April 26, 1963: "The Disintegrating Alliance", by Ronald Steel
- May 24, 1963: "The Artist as Blimp", by Wilfrid Sheed
- May 31, 1963: "View from the East", by Richard Gilman
- June 7, 1963: "The Risks of Action", by Richard Gilman
- June 14, 1963: "Erotic Epigrams", by John Updike [Permissions]
- October 11, 1963: "Earliest Ionesco", by Richard Gilman
- November 1, 1963: "A Baroque Gravure", by Thomas Merton [Permissions] (Renewal record places this in 'Commonweal 79'. I presume that merely reflects the volume number for this issue.)
- November 15, 1963: "A Hit and a Success", by Richard Gilman
- December 6, 1963: "Weep No More for Brecht", by Richard Gilman
Additional notes
A 1985 renewal record for the 1957 book 'Frontiers in American Catholicism' by Walter J. Ong mentions that some of its essays had previously been published in Commonweal and in Thought. The essays are not identified, but this renewal might cover essays of his published in this magazine in 1957 that are not mentioned above.
A 1985 renewal record for the 1957 book 'Strange Islands' by Thomas Merton mentions that some of its poems had previously been published in Commonweal and other magazines. The poems are not identified, but this renewal might cover poems of his published in this magazine in 1957 that are not mentioned above.
With the possible exceptions given in these notes, all renewals for contributions published before 1964 (when automatic renewals began) are represented in the listing above. Some additional renewals were also filed for contributions published in 1964 or later.
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